Directed by

Eric Styles
Made by

Lucinda Films
Read the complete plot summary and ending explained for Relative Values (2000). From turning points to emotional moments, uncover what really happened and why it matters.
In the Marshwood estate, Julie Andrews plays Felicity Marshwood, the matriarch who anchors an impeccable world of manners, while Edward Atterton portrays Nigel Marshwood, the Earl of Marshwood, who announces his engagement to the glamorous Jeanne Tripplehorn Miranda Frayle after only two months. The match stirs unrest within the family and their social circle, as many fear Nigel is marrying below his class, even as Hollywood gossip swirls about Miranda’s past romance with fellow film star Don Lucas, played by William Baldwin, and the prospect of a “star” in the family excites some.
Lord Marshwood brings Miranda home to meet his mother, and a new complication emerges from Felicity’s trusted servant: Sophie Thompson as Dora “Moxie” Moxton, Miranda’s sister in disguise, who has hidden a painful truth for twenty years. To shield the social order, Felicity and her nephew, Colin Firth as Peter Ingleton, devise a careful plan with the help of the loyal butler to move Moxie from below stairs to upstairs, presenting her as a self-sufficient lady of means while keeping the real identity secret. The transformation is theatrical: Moxie is dressed in fine clothes and given makeup to pass as an independent woman, a move that unsettles the already fragile balance of the household.
At dinner, Miranda spins a fabricated tale about a difficult upbringing, claiming to be born a cockney with a harsh past, while Moxie—unaccustomed to alcohol—drinks too much and becomes the subject of mixed reactions: Peter’s amusement reflects a crush on the star, while Lady Marshwood’s horror grows with every sip and lie. Into Marshwood House arrives Don Lucas, the dashing ex-boyfriend, whose presence instantly rekindles old flames and old tensions. A secret garden meeting between Lucas and Miranda is interrupted by a timely intervention from Lady Marshwood, who invites Lucas to stay the night, further inflaming the delicate web of loyalties.
In a moment of jealousy, Nigel asserts that he and Miranda will wed within days, intensifying the pressure on the house. Behind the scenes, Moxie’s truth-telling surfaces during a confrontation—she reveals Miranda’s real name, Freda Birch, and the heartbreak she caused their late mother—sending shockwaves through Miranda and the rest of the family. The next morning, Lady Marshwood privately tells Lucas that Miranda still has feelings for him, suggesting that his role in the wedding party might not be doomed after all, while hinting that Nigel’s heart may not be as fixed as he thought.
Moxie apologizes to Miranda for going too far and decides to leave Marshwood House, but the drama persists. A tense moment in the garden ends with Miranda and Lucas sharing a kiss, and the engagement collapses as Miranda prepares to depart with him. The family heads to church as if nothing has happened, but the outcome is quietly decisive: Nigel’s future is reimagined, and Miranda’s place in that future dissolves.
In the final twist, Lord Marshwood meets a well-dressed local lady at the church door, and Felicity’s approving smile signals a new, more socially secure arrangement as the couple steps into the church together — a symbolic closure that preserves appearances while reshaping the Marshwood narrative.
Follow the complete movie timeline of Relative Values (2000) with every major event in chronological order. Great for understanding complex plots and story progression.
Engagement announcement shocks Marshwood Household
Nigel's engagement to Miranda Frayle is announced, igniting unrest among the Marshwood household. Many disapprove, fearing Miranda's status and social fit. Hollywood gossip catalogs Miranda's past romance with Don Lucas, stirring mixed excitement within the family.
Miranda meets Felicity; Moxie reveals the truth
Lord Marshwood brings Miranda home to meet his mother, Felicity. Moxie reveals that Miranda is her estranged sister and warns of the social timebomb. To manage the situation, a plan is hatched to have Moxie meet her sister as an equal.
Moxie moved upstairs and transformed
With the plan in motion, Moxie is moved from below stairs to upstairs and is transformed with makeup, clothes, and jewelry to pass as a lady of means. She must keep her true identity secret while dining with the family. The deception raises the stakes as the lie becomes harder to sustain.
Dinner deception deepens with lies
During dinner, Miranda lies about her past, claiming a cockney birth and a difficult childhood. Moxie, in disguise, struggles to maintain the lie and becomes increasingly drunk, prompting amusement from Peter and horror from Lady Marshwood. The charade teeters on collapse.
Don Lucas arrives seeking Miranda
Don Lucas, Miranda's former flame, arrives at Marshwood House to win her back. His presence unsettles the household and threatens the fragile engagement with Nigel. Miranda's past romance becomes a live threat to the planned marriage.
Secret garden meeting and kiss
Lucas arranges a secret meeting with Miranda in the garden, hoping to rekindle their relationship. They share a kiss, but their moment is interrupted when Lady Marshwood catches them. The close call deepens the tension around Miranda's choices.
Lucas stays the night to avoid scandal
To prevent a public scandal, Lady Marshwood invites Lucas to stay the night at the estate. The lovers remain close, while the engagement remains in jeopardy and the household weighs its options. The situation remains tense and morally delicate.
Engagement announcement and Moxie’s reveal
In a fit of jealousy, Lord Marshwood proclaims that he and Miranda will marry within days. During an alcohol-fueled argument, Moxie reveals Miranda's true identity as Freda Birch and her Sidcup origins, shocking Miranda and the family. The revelation threatens to unravel the ruse.
Sunday morning reassurance from Lady Marshwood
The next morning, Lady Marshwood tells Lucas that Miranda still loves him and that his efforts are not hopeless. She also suggests to Nigel that Lucas could be his best man, complicating loyalties and expectations. The mood shifts from triumph to doubt as dawn breaks.
Doubts creep in about the marriage
Lady Marshwood’s talk plants seeds of doubt in Miranda and Nigel about the upcoming wedding. They begin to question whether their bond is strong enough to survive public scrutiny. The couple's certainty dissolves as questions about love and legitimacy arise.
Moxie decides to leave Marshwood House
Moxie apologizes to Miranda for overreaching with the deception and decides to leave Marshwood House. She accepts that her place in the family's scheme is over and seeks to reclaim her own life. The social machine that kept her hidden is unraveling.
Miranda and Lucas part with a kiss and farewell
Back in the garden, Miranda and Lucas share a final kiss and Miranda agrees to leave with him. She bids farewell to Lord Marshwood, ending their engagement. The couple's departure marks the end of the social experiment.
Life resumes; Moxie may stay; the family goes to church
With Miranda gone, Moxie is told she can stay, and the family heads to church as if nothing happened. The house returns to routine, masking the earlier melodrama while a new normal forms. The social fallout is pushed to the background for now.
Lord Marshwood sees a new companion at the church
At the church door, Lord Marshwood meets a well-dressed local lady and accompanies her into the church. Lady Marshwood grins approvingly, quietly signaling a new match for her son. The ending hints at life beyond Miranda’s departure.
Explore all characters from Relative Values (2000). Get detailed profiles with their roles, arcs, and key relationships explained.
Felicity Marshwood (Julie Andrews)
The poised Lady Marshwood, a protective matriarch who guides the household through social scrutiny. She orchestrates the charade to bring Moxie into the family circle, balancing duty with affection for her staff. Her actions reveal a pragmatic, canny approach to preserving the family’s standing without losing sight of affection for those close to her.
Miranda Frayle / Freda Birch (Jeanne Tripplehorn)
A glamorous American film actress whose engagement to Nigel sparks gossip and scrutiny. She skillfully wields charm to navigate courtship and social expectations, while a past with Don Lucas complicates loyalties. Her true intentions and loyalties are tested as the family’s scheme circles closer to home.
Nigel Marshwood (Edward Atterton)
The Earl who pursues marriage to Miranda despite class concerns, driven by both social aspiration and personal longing. He experiences doubt as secrets emerge, forcing him to weigh duty against desire. His engagement becomes a focal point for family dynamics and potential scandal.
Peter Ingleton (Colin Firth)
Felicity’s nephew, a young man smart enough to sense the theater surrounding the engagement. He harbors a crush on Don Lucas, which colors his participation in the social ruse. He navigates jealousy and loyalty, contributing to the plan while balancing personal feelings.
Dora Moxton 'Moxie' (Sophie Thompson)
The personal maid who becomes central to the ruse, moving from below stairs to upstairs and adopting a new persona. Her loyalty is tested as alcohol and secrecy blur lines, and she ultimately reveals the truth about Miranda’s identity. Her arc highlights resilience and the cost of social climbing.
Don Lucas (William Baldwin)
The handsome Hollywood star and Miranda’s former lover, whose arrival stirs jealousy and unresolved passions. He is determined to win Miranda back, challenging the engagement and stirring tension within Marshwood House. His presence tests the characters’ commitments and priorities amid social pressures.
Learn where and when Relative Values (2000) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Marshwood House, Sidcup, Kent
Marshwood House is the grand country estate around which the drama unfolds, symbolizing the height of aristocratic society. The setting toggles between the pristine upstairs world of the family and the service-oriented downstairs, highlighting rigid class boundaries. Key scenes revolve around dinners, garden encounters, and social gatherings that reveal loyalties and rivalries.
Discover the main themes in Relative Values (2000). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Class
The film centers on the tension between upstairs aristocracy and downstairs staff, showing how social rank dictates behavior and choices. Moxie’s ascent into the family circle exposes the fragility of status and the lengths people go to preserve appearances. Miranda’s engagement tests traditional class lines, prompting protective actions from the Marshwood matriarch. Deception and performance are used to maintain social harmony rather than confront true feelings.
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Identity
Secrets drive the plot as true identities are hidden and performances blur who belongs where. Miranda’s past is manipulated to fit a socially acceptable narrative, while Moxie must improvise a new identity to stay at Marshwood House. The unmasking of hidden histories forces characters to reassess trust and authenticity. The drama turns on whether appearances can be trusted when truth surfaces.
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Romance
Romantic choices collide with family reputation and social expectations. Don Lucas’s arrival rekindles old flames and challenges Miranda’s commitments. Nigel’s engagement is scrutinized under the glare of public opinion, exposing the conflict between personal desire and duty. The story uses romance as a catalyst for upheaval and reevaluation of loyalties.

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Explore the mobile appDiscover the spoiler-free summary of Relative Values (2000). Get a concise overview without any spoilers.
In the spring of 1952, the stately Marshwood estate stands as a picture of genteel propriety amid the rolling English countryside, its polished corridors echoing with the soft rustle of silk and the faint perfume of freshly cut roses. The house, steeped in tradition, is a world where every gesture is measured, every word weighed, and the slightest disturbance threatens to ripple through a carefully maintained social order. Yet beneath the veneer of order, a lively undercurrent of humor and anticipation hums, promising that the coming days will be anything but predictable.
Earl Nigel Marshwood arrives with a daring certainty, proclaiming his intention to marry Miranda Frayle, a dazzling Hollywood star whose very presence seems to bring a splash of bright, cinematic flair to the ancient stone walls. His boldness both excites and unsettles the household, especially Countess Felicity, the matriarch who has devoted her life to preserving the exacting standards of aristocratic life. Adding another layer of tension, Don Lucas, Miranda’s former lover and fellow film star, still haunts the periphery, his charisma hinting at unresolved feelings that could further complicate the impending union.
Within the walls, the staff moves like a well‑rehearsed ballet, each member playing a role in the delicate dance of appearances. Moxie, the Countess’s long‑trusted maid, harbors a secret that could upend the delicate balance, while the ever‑observant butler Crestwell watches the unfolding drama with a mixture of loyalty and mischief, ready to devise schemes that keep the family’s reputation intact. Peter Ingleton, the Earl’s nephew, flits between admiration and curiosity, his youthful perspective offering a fresh counterpoint to the entrenched expectations of the older generation.
Together, these characters weave a tapestry of class, celebrity, and concealed identities, set against a backdrop of polished interiors and sprawling gardens. The tone is equal parts witty satire and affectionate homage to a bygone era, inviting the audience to wonder how the collision of Hollywood glamour and British aristocracy will ripple through the halls of Marshwood, and what charming chaos might emerge when tradition meets the bright lights of a silver‑screen dream.
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