Orders to Kill 1958

Washington, DC, 1944. Gene Summers, [Paul Massie], a young U.S. Army Air Force ex-bombardier who speaks French fluently, is selected for a mission in Nazi-occupied Paris, where he will assassinate a supposed double agent working in the French Resistance. He travels home to Boston to visit his mother before being transferred to England for rigorous training, then is dropped into France and begins a tense, clandestine path that will test his nerves, his loyalties, and his sense of right and wrong.

In the shadow of occupation, Summers makes contact with the Resistance through Léonie, [Irene Worth], a dressmaker who operates at the edge of danger and discretion. She provides Summers with information about the man he is to terminate, Marcel Lafitte, [Leslie French], a figure who seems disturbingly ordinary: gentle, polite, intelligent, and clearly devoted to a wife and daughter. Lafitte’s home life and affection for his cat, Mimieux, reveal a man who is more than a target—someone who embodies a human warmth that clashes with the grim calculus of espionage. The portrayal of Lafitte as a person with a family and a daily life makes the mission feel less like a clean operation and more like a moral riddle Summers must confront.

A subsequent meeting confirms Summers’s growing misgivings. With the curfew looming, Lafitte unexpectedly appears to save Summers from German troops who are hunting a Resistance assassin, offering him shelter in his own office. Summers’s doubts intensify as he observes Lafitte’s kindness and empathy, which stand in stark contrast to the brutal necessities of war. He shares his concerns with Léonie, who springs back with a stern reminder that Summers would not have been ordered to kill unless it served a larger purpose. Her rebuke cuts to the heart of Summers’s dilemma, reigniting a flicker of confidence as he faces the person he is meant to destroy.

Despite the mounting ambiguity, Summers steels himself for the task. He returns to Lafitte’s office, seeking a decisive end, yet the moment of violence unfolds with a disturbing slowness. Summers wounds Lafitte with a blunt instrument, and Lafitte turns to look into Summers’s eyes and asks a single word that stabs at Summers’s conscience: > Why? In a panic, Summers strikes again, this time with a pair of scissors, killing Lafitte. He then attempts to stage the scene as a simple robbery, taking Lafitte’s money and fleeing as German forces close in. The aftermath is swift and cruel: Summers hides the stolen funds in a cemetery and tries to reach Léonie, only to learn that she has been captured by the Nazis and killed shortly thereafter. Grappling with guilt, he slips into alcoholism and distances himself from the truth he fears.

Months later, after Paris has been liberated, Summers remains in a hospital bed, wrestling with the consequences of the mission. The Army initially tries to persuade him that Lafitte was guilty and that countless lives were saved by Summers’s actions, but Summers refuses to accept such a simplification. He seeks the truth, and the truth emerges in the starkest terms: Lafitte, in fact, was innocent. The revelation reshapes Summers’s memory of the incident and the way he understands courage, loyalty, and the cost of war.

In the quiet aftermath, Summers makes a painful but compassionate choice. He visits Lafitte’s wife and daughter, now impoverished, and chooses not to burden them with every detail. Instead, he honors Lafitte as an Allied Resistance agent who did his duty and deserves recognition. Summers offers them his back pay as a gesture of restitution and respect, acknowledging that some debts cannot be repaid with money alone. The film closes on a note of quiet humanity, insisting that truth matters, even when truth is costly, and that the most difficult acts of courage are often those that come with the hardest emotional reckonings.

• The film’s moral core centers on Summers’s internal conflict between duty and doubt, illustrated by his evolving relationship with Lafitte, a man who seems innocent yet becomes a figure of suspicion in a world where innocence is not easily proven.

• The atmosphere blends wartime tension with intimate human detail, painting a portrait of occupation Paris where daily life—work, family, and affection—persists even as danger surrounds every corner.

• The narrative moves from covert operation to ethical reckoning, tracing Summers’s descent into guilt, his struggle with alcoholism, and his eventual decision to acknowledge Lafitte’s humanity, even as the war’s aftermath tests his capacity to forgive and to honor those who risked everything for the resistance.

This is a story of doubt and duty, of a soldier who must weigh orders against humanity, and of a man who learns that even the most dangerous missions can be undone by the simple, profound question at the center of it all: Why?