One Third of a Nation 1939

Drama

Runtime

79 mins

Language

English

Directed by

Sidney Lumet

Made by

Dudley Murphy Productions

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One Third of a Nation Plot Summary

Read the complete plot summary and ending explained for One Third of a Nation (1939). From turning points to emotional moments, uncover what really happened and why it matters.

On a night when a fire roars through a run-down New York City tenement, a young boy named Joey Rogers scrambles toward a faulty fire escape that collapses, leaving him badly injured. His much older sister, Mary Rogers, rushes him to the hospital with the help of the wealthy Peter Cortlant, who covers the medical bills on the spot. Cortlant is informed by his trusted ally and business mind, Arthur Mather, that he actually owns the building where the fire occurred.

The local district attorney digs into the incident and explains that the tenement’s age makes it exempt from modern building safety codes. Since no tenants had previously lodged complaints, no crime is straightforwardly established. When Cortlant visits the burned site, he is warned to steer clear of Mary Rogers by her boyfriend, Sam Moon, a tension that foreshadows the social and personal ramifications of the case.

Mary learns of Cortlant’s ownership of the building and, frustrated by the situation, takes Joey out of the hospital. The boy, crippled and increasingly delusional, believes the building itself is speaking to him and he vows revenge on the tenement. In the meantime, Mary meets again with Peter Cortlant and persuades him to consider converting his decrepit properties into public housing and to rebuild them for the city’s benefit.

Cortlant’s cost concerns, however, weigh heavily. His sister, Ethel Cortlant, grows worried about the project and resorts to blackmail—threatening to reveal an alleged affair with Mary to the press in an effort to derail the plan. The moral and financial stakes climb as the plot moves toward a brutal turn of events.

Tragically, Joey dies after setting fire to the tenement, a blow that ripples through everyone involved. In the wake of his death, Sam Moon tells Cortlant that he will marry Mary to shield her from scandal, a revelation that clears a path for Cortlant to push forward with his redevelopment plan. The result is a complex tapestry of ambition, tragedy, and social reform that frames the uneasy balance between humanitarian aims and personal interests.

One Third of a Nation Timeline

Follow the complete movie timeline of One Third of a Nation (1939) with every major event in chronological order. Great for understanding complex plots and story progression.

Fire erupts and Joey is injured

A fire breaks out in a run-down New York City tenement. Joey Rogers attempts to escape via a fire escape, but it collapses due to poor upkeep, leaving him severely injured. The crisis sets the central events of the story in motion.

During the blaze New York City tenement

Cortlant pays Joey's medical bills

Mary rushes Joey to the hospital with the help of Peter Cortlant, a wealthy man who covers the medical bills on the spot. The encounter reveals Cortlant's ownership of the burned building when his business manager mentions it. This introduces the economic power behind the tragedy.

Immediately after the fire Hospital

DA investigates; building exempt from safety codes

The local district attorney questions the fire's cause and explains that the building's age exempts it from modern codes. Since no tenants had complained about the building, the DA concludes that no crime has occurred. The investigation frames the legal obstacles to accountability.

Following the fire District Attorney's office

Cortlant visits the tenement; warned away by Sam

Cortlant visits the burned building, hoping perhaps to assess the damage. Mary's boyfriend Sam warns him to stay away from Mary, signaling the start of friction around the case. The confrontation foreshadows the personal stakes of the redevelopment.

Later Tenement

Mary discovers ownership and removes Joey

Mary learns that Cortlant owns the tenement, adding tension to their evolving relationship. She removes Joey from the hospital, which later fuels his delusions. The personal and property power dynamics become central to the plot.

Shortly after Cortlant's visit Hospital

Joey's delusions and vow of revenge

Crippled by his injuries, Joey develops delusions that the building itself is talking to him. He vows revenge on the tenement and what it represents. The mental strain heightens the drama surrounding redevelopment.

While recovering Joey's hospital room

Mary convinces Cortlant to convert to public housing

Mary meets with Cortlant and argues for turning the decrepit tenements into public housing and rebuilding them. Her proposal reframes the building's fate as a social project rather than a private investment. Cortlant weighs the cost against the public good.

Following the earlier events Cortlant's office

Ethel attempts to blackmail Cortlant

Cortlant's sister, Ethel, tries to stop the project by blackmailing him with the supposed affair with Mary. She tells the press, attempting to turn public opinion against the redevelopment. The pressure adds a political dimension to the conflict.

Around the time of planning Cortlant's office

Joey dies after setting fire to the tenement

Joey sets a fire inside the tenement, and he dies as a result. The act seals the tragedy behind the building's fate. It also raises the stakes for the redevelopment plans.

Later Tenement

Sam agrees to marry Mary to avoid scandal

Sam tells Cortlant that he will marry Mary to prevent a scandal, removing a potential obstacle to the plan. Cortlant uses this new arrangement to justify moving forward with redevelopment. The social pressures begin to align with the project.

After Joey's death Cortlant's office

Public housing plan advances

With scandal averted by Sam's decision, Cortlant proceeds with transforming the decrepit tenements into public housing. The plan moves forward despite earlier opposition. The narrative closes by showing a path toward redevelopment.

After Sam's declaration City planning office

Resolution: redevelopment approved and underway

The project gains approval and momentum, signaling a shift from private ownership to urban renewal. Joey's death becomes a catalyst for reform, and Cortlant's relationship with Mary remains pivotal. The story ends with a forward-looking plan for the tenement's future.

Final phase City planning office

One Third of a Nation Characters

Explore all characters from One Third of a Nation (1939). Get detailed profiles with their roles, arcs, and key relationships explained.

Joey Rogers (Sidney Lumet)

A young boy crippled by injuries from the fire; his delusions that the tenement speaks fuel his desire for revenge. His vulnerability anchors the drama and highlights the human cost of unsafe housing, pushing the plot toward reform.

💔 Tragedy 🧒 Child 🏚️ Tenement Living

Mary Rogers (Sylvia Sidney)

Joey’s sister and a moral advocate for the tenants. She fights to protect her brother while pushing Cortlant to invest in public housing, enduring social stigma in the process. Her resolve links personal loss to civic reform.

💪 Strength 🏙️ Urban Hardship 💞 Family

Peter Cortlant (Leif Erickson)

A wealthy owner whose fortune funds medical care and, eventually, public housing reform. He navigates pride, social pressure, and a sense of responsibility to the tenants, becoming a pivotal force for change.

💼 Wealth 🏛️ Power & Influence 🤝 Philanthropy

Sam Moon (Myron McCormick)

Mary’s protective fiancé who values loyalty and practicality. He counsels against scandal-driven decisions and, ultimately, endorses a strategy to preserve public interest, even if it complicates his personal life.

💑 Love & Loyalty 🗳️ Politics 🤝 Alliance

Arthur Mather (Percy Waram)

Cortlant’s business manager, who emphasizes financial and legal protections. He reveals the building’s ownership and uses corporate logic to resist risky reforms, embodying entrenched interests.

🏢 Ownership 🧠 Cunning ⚖️ Law

Ethel Cortlant (Muriel Hutchison)

Cortlant’s sister, who attempts to derail reform through blackmail and media pressure. Her schemes add ethical tension to the power struggle and expose how scandal can influence decisions.

🗣️ Media & Blackmail 💰 Family Pressure 🌀 Intrigue

Mrs. Rogers (Edmonia Nolley)

A mother figure within the Rogers family, reflecting the everyday residents affected by the fire and the push for housing reform. Her presence grounds the human stakes of the conflict.

👪 Family 🏠 Tenement Life 🧭 Community

Mr. Rogers (Charles Dingle)

Head of the Rogers family, embodying authority and concern for tenants. He responds to the fire’s aftermath and the reform effort, illustrating the tension between private responsibility and public welfare.

👪 Family 🏛️ Authority 🗣️ Public Image

One Third of a Nation Settings

Learn where and when One Third of a Nation (1939) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

1930s

Set during the Great Depression-era urban housing crisis in New York City, the film portrays overcrowded tenements, aging safety standards, and the struggle to upgrade living conditions. Public housing debates and reform become a central force behind the characters' actions. The period’s economic hardship amplifies the stakes of rebuilding and accountability.

Location

New York City

The story unfolds in New York City’s crowded urban neighborhoods, centering on a dilapidated tenement. The setting highlights cramped apartments and unsafe stairwells, illustrating the precarity of life in neglectful housing. The era’s atmosphere underscores the social costs of urban poverty and the fight for safer homes.

🏙️ Urban 🏚️ Tenement Living 🧱 Dilapidated Buildings

One Third of a Nation Themes

Discover the main themes in One Third of a Nation (1939). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

🏚️

Poverty & Housing

The fire exposes how neglected housing traps families in unsafe conditions. The narrative centers on overcrowding, deteriorating facilities, and the social costs of inadequate housing. The drive for safer, publicly funded housing becomes a moral imperative for the community.

💼

Wealth & Responsibility

Cortlant’s wealth and influence are tested as the story weighs profit against public welfare. The film contrasts private riches with a demand for safer homes, showing how philanthropy can spur reform or hinder it. Ultimately money is leveraged to finance public housing.

⚖️

Justice & Reform

The district attorney’s legal stance clashes with the tenants’ moral claims, while political pressure and media intrigue complicate progress. Reform requires both legal will and social resolve, illustrating how accountability can drive public welfare.

🔥

Tragedy & Consequence

Joey’s death by arson becomes the catalyst for reform, laying bare the human cost of unsafe housing. The tragedy propels the community and its leaders toward rebuilding as a means to prevent further loss.

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One Third of a Nation Spoiler-Free Summary

Discover the spoiler-free summary of One Third of a Nation (1939). Get a concise overview without any spoilers.

In the cramped, shadowed corridors of New York City’s tenement districts, daily life unfolds under conditions that most would find unimaginable. These aging buildings hold generations of families within their peeling walls, each floor bearing witness to the quiet struggles of those who call these crowded spaces home. The city’s growth and prosperity seem to exist in another world entirely — one far removed from the residents who navigate the thin line between shelter and uncertainty.

Into this divided landscape steps Peter Cortlant, a man of considerable wealth and influence whose holdings include the very tenements that house the city’s working poor. When circumstances bring him into contact with Mary Rogers, a young woman living in one of his properties, the encounter sparks a complicated connection neither anticipated. Mary, devoted to her younger brother Joey, represents a world Peter has observed only from a distance — one where survival requires resilience, community, and an unspoken understanding of what it means to be overlooked by those in power.

What begins as an unlikely introduction soon evolves into something more, as Peter finds himself drawn into Mary’s world with an intensity that challenges his understanding of responsibility and privilege. Their growing involvement forces both to confront uncomfortable truths about the systems that shape their lives and the invisible barriers that separate them. The question of ownership — and what it truly means to belong — lingers over every interaction.

As Peter grapples with the implications of his position and Mary weighs the complexities of their connection, both must navigate the expectations of those around them. In a city where every street tells a story of ambition and survival, their relationship becomes a lens through which larger questions of justice, reform, and human dignity come into focus — and the answers may prove more challenging than either imagined.

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