Directed by

Jessie Nelson
Made by

AmorFortuna
See current US streaming, rental, and purchase options for Oh, Hi! (2025) via JustWatch.
Read the complete plot summary and ending explained for Oh, Hi! (2025). From turning points to emotional moments, uncover what really happened and why it matters.
A young woman named Molly Gordon, playing Iris, begins the story in a state of panic, rushing to her friend Geraldine Viswanathan, who portrays Max. Iris is visibly distressed and shows Max that she has handcuffed her boyfriend, Isaac, to the bed, revealing that something unusual has happened. The film then takes us back to 33 hours earlier, when their romantic weekend adventure begins in the small town of High Falls—though Iris mistakenly calls it “O’High Falls” due to a loose piece of the welcome sign.
Earlier that day, Iris and Isaac, played by Logan Lerman, start their trip at a strawberry stand, where a flirtatious exchange occurs between Isaac and the vendor. Iris notices the tension but decides to dismiss it. After purchasing strawberries, Isaac offers to drive, and on the way, they accidentally drive into the strawberry cart, resulting in a car full of strawberries and a humorous start to their weekend. Their destination is a quiet rental house near a tranquil lake, offering a scenic backdrop for their getaway.
Throughout the day, their interactions are sweet and playful. They take a swim in the lake, where they are observed by Steve (David Cross), the nosy neighbor who warns them against having sex in the water. Later, Isaac prepares dinner, and the two share a dance outside, immersed in a romantic moment. The mood shifts when Iris discovers belongings of the house’s previous owners, including some bondage gear. Curiosity leads to intimacy, and they share an intimate night, with Iris cuffing Isaac to the bed in a moment of affection.
However, the tenderness is short-lived. Isaac reveals that he’s not looking for a committed relationship and confesses that he has been seeing other women, which strikes a nerve with Iris. Feeling hurt and betrayed, she leaves him cuffed, and her mood quickly turns from love to confusion and frustration. That night, Iris seeks advice from a dating guru through her phone, making a vow that she will give Isaac 12 hours to decide if he truly wants to be with her.
The next day is a mixture of awkward attempts at reconnecting and comedic misadventures. Iris tries to cook breakfast, asking the friendly neighbor Steve for an egg, and prepares a quirky dish for Isaac. She makes emotional efforts to bond, even going as far as to hold his pee while he uses a bowl, trying to break his emotional defenses. There’s a slight breakthrough when Iris performs a dance from her past, but things quickly derail when Isaac calls her crazy and threatens to uncuff her.
Iris calls Max, hoping to bring her into the situation, but is surprised to find that Max has brought her boyfriend, Kenny, with her. Tensions rise when Max accidentally reveals Isaac’s predicament, showcasing the predicament Iris has created—effectively kidnapping her boyfriend. The group’s plans become more complicated as they try to figure out their next move, with Isaac refusing to eat dinner out of suspicion that Iris might poison him.
Desperate to reverse the situation, Max contacts her cousin, who claims to be a witch. They concoct a plan involving a mysterious “witch’s brew” to erase Isaac’s memory of the recent events. Using Kenny as a guinea pig, they perform a ritual outside to ensure the potion works, hoping to free Isaac from his amnesia and the ordeal he’s endured.
A flashback reveals a tender moment from one of Iris and Isaac’s earlier dates, where Iris, having had a bad day, finds comfort in Isaac’s support, culminating in a heartfelt kiss. Later, Iris sets up a romantic scene before abruptly telling Isaac she hates him, illustrating the complex emotions swirling between them.
When Isaac wakes up, he appears to have forgotten the past two days, still cuffed to the bed but unaware of the chaos. Iris, hopeful, agrees to uncuff him, but Isaac quickly figures out something is wrong. Feeling suspicious, he overhears a plan from the previous night and makes a run for it, escaping into the rain. Meanwhile, Iris, feeling responsible, stays behind, convinced she’s ruined everything.
The story reaches a climax when the local sheriff informs Iris that her car was found crashed into a tree, but Isaac is missing. Together with Max and Kenny, she searches for him in the woods. Eventually, they find Isaac, who explains that he managed to escape after the car hydroplaned and crashed while he was injured and unable to walk. As they wait for help, Iris and Isaac have a heartfelt conversation about their relationship, realizing that they are better off apart. Despite the pain, they mutually agree that their time together was meaningful but not sustainable.
As the ambulance arrives to take Isaac away, Iris remains behind, reflecting on the tumultuous weekend in the small town of High Falls, a place that saw the beginning and end of their complicated relationship. The film closes with a quiet acknowledgment of the emotional rollercoaster they endured, highlighting themes of love, misunderstandings, and the importance of knowing when to let go.
Follow the complete movie timeline of Oh, Hi! (2025) with every major event in chronological order. Great for understanding complex plots and story progression.
Iris cuffs Isaac to the bed
The film begins with Iris panicking and showing her friend Max that she has handcuffed her boyfriend Isaac to the bed. This act of restraint sets the stage for the bizarre and tense events that follow. Iris is visibly distressed, indicating some underlying issues in their relationship.
Romantic weekend getaway at High Falls
Isaac and Iris travel to a rental house near a lake in High Falls for a romantic weekend. They stop at a strawberry stand, where Isaac appears to flirt with a vendor, introducing an element of unease. The couple settles into their new environment with plans for relaxation and intimacy.
Strawberry incident
While driving, Isaac accidentally runs into the strawberry cart, leading to a playful yet slightly awkward situation. They leave with a large quantity of strawberries, foreshadowing the day’s unfolding events. This moment adds lightness and sets up the idyllic setting of their trip.
Swimming and neighbor interference
Isaac and Iris swim in the lake, where they are seen by neighbor Steve, who warns them not to have sex in the water. Later, they share dinner and dance outside, enjoying intimate moments that strengthen their bond. These scenes depict their playful and romantic connection.
Discovery of bondage gear and sex
While exploring the house, Iris and Isaac find bondage gear, leading to a sexual escapade. Iris cuffs Isaac to the bed, romanticizing their relationship until Isaac confesses he’s not looking for commitment and has slept with others, shattering the mood and causing Iris to leave him cuffed.
Iris's attempt at reconciliation
The next morning, Iris seeks to reconnect with Isaac by cooking breakfast and engaging him emotionally. Despite her efforts, Isaac remains aloof, even making Iris pee in a bowl when he needs to go, indicating emotional distance and unresolved tension.
Intervention by Max and Kenny
Iris calls Max, who arrives with her boyfriend Kenny. The situation becomes complicated as Max accidentally reveals Isaac is cuffed, risking their involvement. They attempt to hide Isaac, treating him as kidnapped, which complicates their situation further.
Witch’s brew plan
Max contacts her cousin, who provides a recipe for a witch’s brew to erase Isaac’s memory. Iris and Max perform a ritual outside, hoping the potion will make Isaac forget everything. They use Kenny as part of the deception, planning to manipulate Isaac physically and psychologically.
Flashback of romantic date
A flashback reveals a tender date where Iris shows up crying, and Isaac comforts her, leading to a kiss. This memory contrasts with their current turmoil and shows the depth of their feelings, highlighting what is at stake in their relationship.
Isaac wakes up with no memory
Isaac awakens cuffed, seemingly unaffected by recent events and unaware of his captivity. Iris plans to uncuff him, but his attempt to leave prompts him to flee the house after overhearing a previous plan, indicating growing concerns for his safety.
Car crash and Isaac's injury
Iris finds Isaac’s crashed car in the woods, with Isaac injured and unable to walk due to the accident. He claims to have tried to get help after the crash, which escalates the tension and prompts concern for their future together.
Heart-to-heart and mutual decision
While waiting for help, Iris and Isaac have a sincere conversation about their relationship. They mutually agree that they should not be together, accepting the reality of their situation and their feelings. This marks the emotional resolution of the story.
Isaac being taken away
The ambulance arrives to take Isaac, as Iris watches from a distance. The passing town sign confirms they are in High Falls. Their complicated relationship ends with Isaac being transported, leaving Iris to reflect on everything that happened.
Explore all characters from Oh, Hi! (2025). Get detailed profiles with their roles, arcs, and key relationships explained.
Iris (Molly Gordon)
Iris is a passionate and impulsive young woman, whose intense feelings drive her to kidnap her boyfriend. Her actions stem from insecurity and desire for control, revealing depth and vulnerability. She seeks love but struggles with fear of abandonment, leading to destructive behavior.
Isaac (Logan Lerman)
Isaac is a detached and pragmatic young man who values personal freedom. His aloof attitude masks deeper emotional conflicts as he navigates love and honesty. His tendency to avoid confrontation pushes him into a chaotic situation with Iris.
Max (Geraldine Viswanathan)
Max is Iris’s loyal friend who finds herself embroiled in Iris's chaotic schemes. She is pragmatic yet empathetic, often caught between her loyalty and her own morality. Her desire to help highlights her compassionate nature.
Kenny (John Reynolds)
Kenny is Max’s boyfriend, whose presence complicates the group's dynamics. His curiosity and concern expose some of the tensions hidden within the group. He is cautious and caring, trying to navigate the chaos around him.
Learn where and when Oh, Hi! (2025) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Contemporary (present day)
The movie takes place in modern times, capturing current-day relationships and social behaviors. The contemporary setting allows the characters to explore modern dating issues and personal insecurities in a relatable environment. The film’s events reflect current societal norms and dating dynamics.
Location
High Falls
High Falls is a tranquil town characterized by its scenic lake and surrounding woods. It is known for its peaceful retreat atmosphere, making it an ideal setting for personal reflection and intimate moments. The town’s natural beauty plays a significant role in the film's story and mood, providing a serene backdrop for the characters' emotional journeys.
Discover the main themes in Oh, Hi! (2025). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Revenge
Revenge is a central theme, as Iris seeks to control and manipulate Isaac after feeling hurt by his actions. Her efforts to erase his memory symbolize an attempt to take back power in a relationship gone wrong. The story examines the destructive consequences of revenge and obsession.
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Love and Heartbreak
The film explores the complexities of love and the pain of heartbreak. Iris’s infatuation and subsequent disappointment highlight how unreciprocated feelings and misunderstandings can lead to emotional turmoil. The characters' actions underscore the fragile nature of romantic connections.

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Explore the mobile appUnravel the ending of Oh, Hi! (2025) with our detailed explanation. Understand the final scenes, character fates, and unresolved questions.
Isaac’s night of “fun” with Iris takes a dark turn when she straps him to the AirBnB bed, insisting it’s just a playful bondage scene. The restraint quickly becomes a test of their mismatched expectations: Iris wants a clear commitment, while Isaac is still drifting, afraid to lock himself in. When he finally manages to free himself, he does so clumsily—falling and spraining his ankle. The pain forces him to call out for help, and Iris, despite the chaos, summons an ambulance and stays with him until the paramedics arrive.
The film ends with the two of them leaving the scene together, but the mood is unmistakably strained. Their brief reunion in the ambulance is less a moment of reconciliation than a silent acknowledgment that the gap between them is too wide to bridge right now. Director Sophie Brooks has said that the timing, chemistry, and the “one crucial box” that was missing make it unlikely they’ll find their way back to each other, suggesting they may only share a laugh over a drink years later. In short, the final sequence shows Isaac escaping the literal and figurative chains that bound him, only to realize that the deeper emotional restraints—misaligned hopes and poor timing—remain unbroken, leaving the pair to walk away on separate paths.
Discover the spoiler-free summary of Oh, Hi! (2025). Get a concise overview without any spoilers.
In the sleepy, picturesque town of High Falls, a weekend meant for romance quickly becomes a study in the oddities of contemporary love. The film blends dark humor with a whimsical, slightly off‑kilter charm, treating the serene lakeside setting as a backdrop for the chaotic inner lives of its protagonists. Every scenic vista hints at the uneasy balance between idyllic expectation and the unpredictable messiness of human connection.
Iris arrives with hopeful anticipation, eager to deepen the bond she feels with Isaac, a charismatic but elusive partner whose own ideas about commitment drift in a different direction. Their chemistry crackles with a mix of affection and frustration, setting the stage for a relationship teetering between tender intimacy and comedic miscommunication. As they navigate the quiet cabins, a nosy neighbor and the quirky locals add layers of interference, turning ordinary moments into surreal encounters.
The tone remains consistently sardonic, letting the absurdity of modern dating surface through increasingly strange situations that feel both relatable and exaggerated. The film’s humor leans on uncomfortable honesty, highlighting how the search for connection can spiral into bewildering scenarios that test patience, ego, and personal boundaries. With a witty script and a cast that embraces the discomfort, the story invites viewers to laugh at the chaos while recognizing the universal longing for genuine companionship, leaving the audience curious about how far the couple will go to untangle the knot of their own expectations.
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