Directed by

William Klein
Made by

Films du Rond-Point
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Read the complete plot summary and ending explained for Mr. Freedom (1968). From turning points to emotional moments, uncover what really happened and why it matters.
Mr. Freedom, John Abbey, is a Washington, D.C. police officer who drinks Colt 45 on duty and moonlights as a government-sanctioned, vigilante superhero. After the 1968 Washington riots, he is summoned to the Freedom Tower—an office hub for the nation’s most powerful companies—to meet with Dr. Freedom, Donald Pleasence, his handler, who informs him that Capitaine Formidable, Yves Montand, has been killed in France by operatives of a shadowy organization called FAF. Dr. Freedom warns that this could signal the first salvo in a Soviet invasion, and he dispatches Mr. Freedom to investigate the death and to try to keep France under the influence of Western capitalism. As a last resort, Dr. Freedom equips him with the Big One, a portable nuclear device intended to destroy the country if it succumbs to Communist sway.
In France, Mr. Freedom teams up with Capitaine Formidable’s wife—Capitaine Formidable, Delphine Seyrig—to lead his own anti-Communist Freedom organization. Marie-Madeline explains that she and Capitaine Formidable ran a string of state-sponsored brothels, using the proceeds to finance anti-Communist activities while also gathering intelligence on diplomats and politicians who used their services. Arriving at a pro-USA rally, Mr. Freedom delivers an extended speech praising democracy and capitalism while openly denouncing “undesirables” and implying trouble ahead if Communism takes hold. The crowd swells into an army of followers, and he proclaims the aim to build a “white wall of freedom” around the United States.
Mr. Freedom travels to the U.S. embassy, which appears as a supermarket, to meet with the American ambassador to France. The ambassador warns him about the influence of two foreign superheroes—Moujik Man, Philippe Noiret in this tale, and Red China Man—who have been trying to tilt France toward their respective ideologies. Mr. Freedom also encounters his French counterpart, Super French Man (an inflatable), whose sympathies lie with the Communist side, prompting Mr. Freedom to sever ties with his own ally. In a later metro confrontation, he meets Moujik Man and Red China Man—Red China Man depicted as a giant, talking Chinese dragon/lion dog (another inflatable). The trio debates the merits of their political systems; Moujik Man tries to downplay responsibility for Capitaine Formidable’s death. After an accidental blow leaves him unconscious, Moujik Man brings Mr. Freedom to a Communist Party HQ to recover; upon waking, Mr. Freedom kills Moujik Man’s girlfriend, Marie-Rouge, a character portrayed by Catherine Rouvel.
Returning to Marie-Madeline’s apartment for a liaison, Mr. Freedom experiences a crisis of conscience when her son calls him a fascist. He later discovers that the guilt is being driven by Red China Man, who is broadcasting subliminal messages through a hidden radio in one of his teeth. After the tooth is removed, Mr. Freedom oversees the construction of a secret base for anti-Communist operations in France and delivers a political speech that inflames his followers into looting, raping, and rioting. Soon the French masses respond with anti-U.S. demonstrations of their own.
Mr. Freedom rainstorms a peaceful crowd with machine-gun fire, shocking Marie-Madeline, who then reveals herself as an FAF ally and a conspirator in Capitaine Formidable’s death. She confesses that she was the one who killed Capitaine Formidable, and Mr. Freedom retaliates by killing her. FAF forces, demonstrators, and Moujik Man’s soldiers—riled by Marie-Rouge’s death—storm Mr. Freedom’s base and slaughter the remaining followers.
Convinced that France neither desires nor deserves American-style democracy, Mr. Freedom detonates The Big One. In a twist revealed by Dr. Freedom in a cutaway, he had actually supplied Mr. Freedom with a smaller device called Medium One. The explosion wipes out Mr. Freedom, but leaves everyone else unharmed. The French continue their anti-U.S. protests, seemingly unaffected by the act or its consequences.
Follow the complete movie timeline of Mr. Freedom (1968) with every major event in chronological order. Great for understanding complex plots and story progression.
Riots prompt a briefing at the Freedom Tower
Following the 1968 Washington, D.C. riots, Dr. Freedom briefs Mr. Freedom at the Freedom Tower about Capitaine Formidable's death and the potential Soviet threat. He is warned that this could be the first salvo in a Soviet invasion. Dr. Freedom supplies him with the Big One as a final option if democracy collapses.
Mr. Freedom heads to France to investigate
He travels to France to uncover who killed Capitaine Formidable and to counter FAF's influence. He begins organizing his own anti-Communist mission and seeks allies to counter the growing threat. The journey marks the start of a globe-spanning ideological clash.
Alliance with Capitaine Formidable's widow
In France, Mr. Freedom teams up with Marie-Madeleine, Capitaine Formidable's wife. She explains their past operations, including state-sponsored brothels used to fund anti-Communist activities and to gather intelligence. She becomes an ally in building an anti-Communist movement.
Pro-USA rally and inflammatory rhetoric
At a pro-USA rally, he delivers an extended speech praising democracy and capitalism while demonizing minorities. His rhetoric aims to mobilize a large following and signals a plan to erect a 'white wall of freedom' against perceived Communist influence.
Rally attendees become an army
He uses the rally to recruit followers into an armed force dedicated to defending France from Communist influence. The event solidifies his role as a controversial leader capable of turning rhetoric into action.
Meeting Moujik Man and Red China Man in the metro
In a Paris metro tunnel, Mr. Freedom encounters Moujik Man and Red China Man and they discuss their competing ideologies. The Red China Man is depicted as a giant inflatable creature, adding a surreal visual to the ideological clash.
Confrontation and Moujik Man's retreat
After an accidental knock-out, Moujik Man takes Mr. Freedom to the Communist Party headquarters to recover. Upon waking, Mr. Freedom kills Moujik Man's girlfriend, Marie-Rouge, during the ensuing chaos.
Guilt and subliminal messages exposed
Back with Marie-Madeleine, he faces a guilt trip when her son calls him a fascist. He discovers Red China Man is broadcasting subliminal messages through a tooth implant and arranges to have the tooth removed to silence the broadcasts.
Secret base construction begins
He oversees the construction of a secret base from which anti-Communist operations can be mounted in France and delivers a speech that inflames his followers into a violent frenzy.
Betrayal revealed by Marie-Madeleine
Marie-Madeleine reveals she is FAF ally and confesses she killed Capitaine Formidable, exposing the depth of the conspiracy against Mr. Freedom and his mission.
Betrayal culminates in a bloody assault
Mr. Freedom kills Marie-Madeleine, but FAF forces and Moujik Man's soldiers breach the base and massacre the remaining followers. The anti-Communist movement collapses under the assault.
The Big One detonates
Convinced France has fallen to Communist influence, he detonates The Big One. A cutaway reveals Dr. Freedom had supplied a smaller device, and the explosion only takes Mr. Freedom out, leaving others unscathed.
The true aftermath of the blast
The Medium One's true effect is revealed: the blast incapacitates Mr. Freedom rather than annihilating others. The broader anti-US demonstrations persist in France despite the catastrophe.
Endgame: the mission fails to reshape France
With Mr. Freedom out of action, the anti-US demonstrations continue and France remains largely resistant to American-style democracy and intervention. The cinematic arc closes on a note of unresolved political tensions.
Explore all characters from Mr. Freedom (1968). Get detailed profiles with their roles, arcs, and key relationships explained.
Mr. Freedom (John Abbey)
A Washington, D.C. police officer who moonlights as a government-backed vigilante. He drinks on duty and becomes entangled in a web of anti-communist orchestration. His arc moves from confident crusader to a man haunted by the consequences of violence and propaganda.
Dr. Freedom
The handler in the Freedom Tower who controls Mr. Freedom and supplies the weapons of fear. He reveals a calculated plan to manipulate global events and sustain a system of power, ultimately exposing the manufactured nature of their crusade.
Marie-Madeleine
Capitaine Formidable's wife and a femme fatale who explains a network funding anti-communist activities through state-sponsored brothels. She is revealed to be aligned with FAF and plays a pivotal, deadly role in the story before meeting her demise at Mr. Freedom’s hands.
Moujik Man
A Soviet-aligned figure who engages Mr. Freedom in ideological discourse and supports a broader anti-American stance. He embodies the imagined foreign threat and helps fuel the narrative’s Cold War paranoia.
Marie-Rouge
Moujik Man’s girlfriend who becomes a casualty in the power games surrounding the anti-communist operation. Her involvement underscores the personal toll of the political struggle depicted in the film.
Self
A cameo by Rita Maiden playing herself, adding a meta-commentary layer to the satire. Her presence punctuates the performative nature of the political theater surrounding Mr. Freedom.
Learn where and when Mr. Freedom (1968) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 1960s
The action is set in the late 1960s, a period of civil unrest in the United States and rising anti-communist sentiment abroad. It explicitly nods to the 1968 Washington riots and the broader fear of Soviet and Maoist influence. The era’s media-driven politics frames the satire of democracy and propaganda throughout the narrative.
Location
Washington, D.C., France
The story shifts between Washington, D.C., where Mr. Freedom operates from a government-backed perch, and France, where anti-communist networks and FAF intrigue unfold. The Freedom Tower in D.C. and various French institutions anchor the plot, using recognizable symbols of power to critique Cold War politics. The setting juxtaposes embassies, rallies, and urban centers to show how ideology permeates everyday life.
Discover the main themes in Mr. Freedom (1968). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🗳️
Propaganda
The film centers on political speechmaking and orchestrated rallies used to galvanize crowds around a manufactured sense of democracy. Mr. Freedom’s public persona becomes a tool for disseminating a simplified, sensational form of politics. Through satire, the narrative exposes how propaganda can masquerade as patriotism while masking darker agendas.
🧭
Ideology clash
A frenetic exchange of competing systems—American capitalism, French anti-communism, Soviet and Maoist influences—drives the plot. Characters switch allegiances and manipulate narratives to advance their own visions of order. The film highlights the fragility of ideological borders when power and money trump principle.
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Violence
Demonstrations escalate into violence as crowds become instruments of political theater. The protagonist’s actions trigger looting, rioting, and brutal confrontations, culminating in a catastrophic display of force. The narrative uses physical chaos to critique how political conflicts spiral beyond control.

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Discover the spoiler-free summary of Mr. Freedom (1968). Get a concise overview without any spoilers.
In a world where Cold‑War paranoia collides with comic‑book bravado, America’s most over‑the‑top patriot takes the stage. Clad in exaggerated football padding that looks more like a marching band’s uniform than a costume, Mr. Freedom embodies a satirical version of the all‑American hero—boisterous, unabashed, and armed with a swagger that turns every street corner into a rallying point. The film drapes this absurdity over a post‑1968 landscape, turning the very idea of a superhero into a commentary on national mythmaking.
Summoned by shadowy government handlers, he is parachuted across the Atlantic to a France teetering on the edge of ideological chaos. There he teams up with the enigmatic and alluring Marie Madeleine, a femme fatale whose presence adds both glamour and a hint of danger to his mission. Their partnership is a clash of styles: his bombastic, hyper‑patriotic speeches against her seductive, worldly cunning, set against a backdrop of cafés, rallies, and Parisian alleyways that feel both familiar and grotesquely exaggerated.
The stakes are framed as a cultural showdown. Liberal freethinkers, with their breezy intellectualism, whirl around the streets, while a nefarious duo—Moujik Man and the inflatable Red China Man—represent the looming specter of Communist influence. Their outlandish designs and surreal silhouettes turn the conflict into a theatrical spectacle, where political rhetoric is as much a weapon as any super‑powered fist. The atmosphere crackles with a mix of satire, absurdity, and an almost palpable tension that keeps the audience guessing whether the next scene will be a witty diatribe or a flamboyant brawl.
All the while, the film’s tone wavers between dark comedy and exaggerated propaganda, inviting viewers to question the nature of heroism, nationalism, and the thin line between protection and fanaticism. The visual style—bright, garish colors, over‑stretched silhouettes, and deliberately cheesy special effects—reinforces the feeling that we’re watching a parody of both 1970s spy thrillers and superhero epics, promising a riotous ride that never quite settles into seriousness.
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