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Love and Death on Long Island

Love and Death on Long Island 1998

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Love and Death on Long Island Plot Summary

Read the complete plot summary and ending explained for Love and Death on Long Island (1998). From turning points to emotional moments, uncover what really happened and why it matters.


Giles De’Ath, played by John Hurt, is a quintessentially British writer who shuns anything modern. One fateful day, he misplaces his keys and accidentally locks himself out of his flat. As a storm brews outside, he seeks refuge by planning to watch an E. M. Forster film; however, he instead stumbles into the wrong theater and ends up watching Hotpants College II, featuring the charming Ronnie Bostock, portrayed by Jason Priestley. Captivated by Ronnie’s youthful allure, Giles develops an all-consuming obsession with the young actor.

His fascination leads him to frequent the cinema for Ronnie’s films, collect teen magazines filled with his images, and even invest in a VCR and television to watch Ronnie’s movies on rented tapes. To indulge in this newfound passion without interruption, Giles increasingly isolates himself from his housekeeper, allowing her less access to his office.

As his infatuation deepens, it becomes painfully clear to those around him that something is amiss. Friends and associates speculate about his growing eccentricities, prompting his agent to recommend a vacation as a remedy.

Determined to connect with Ronnie, Giles travels to Long Island. After arriving, he searches relentlessly for the actor, initially with no luck. His break comes when he spots Ronnie’s girlfriend, Audrey, played by Fiona Loewi, at the supermarket. In a rather bold move, Giles collides his shopping cart with hers to facilitate an introduction, fabricating a tale about his goddaughter, Abigail, being smitten with Ronnie. Audrey, pleased to discover an admirer from England, engages with Giles for hours, and assures him that she and Ronnie will soon invite him over to discuss the actor’s career.

In time, Giles becomes a familiar face at Ronnie and Audrey’s home. Flattered by Giles’ admiration, Ronnie enjoys the attention, leading Giles to concoct a story about penning a new script for him—one that he believes better showcases his potential. However, Audrey grows increasingly wary of Giles’ intentions toward Ronnie and eventually informs him of her plans to take Ronnie to visit her parents for a prolonged trip. This news deeply troubles Giles, prompting him to confront Ronnie directly about his feelings. He expresses that many artists have pursued relationships with younger males and urges Ronnie to reconsider his relationship with Audrey, seeing it as unsustainable. Ronnie, while rejecting Giles’ advances, shows genuine concern for his well-being.

The film reaches its climax with a screening of Ronnie’s upcoming project, yet another Hotpants College installment, featuring a poignant moment where he recites Walt Whitman’s words at his mother’s funeral, a scene penned by Giles. The journey of Giles’ obsession concludes ambiguously, leaving his ultimate fate shrouded in mystery.

Love and Death on Long Island Timeline

Follow the complete movie timeline of Love and Death on Long Island (1998) with every major event in chronological order. Great for understanding complex plots and story progression.


Giles Locks Himself Out

Giles De'Ath, a quintessentially British writer, finds himself locked out of his flat due to misplacing his keys. As a storm rages outside, he is unable to return inside, setting the stage for unexpected events.

Giles' Flat

The Wrong Theater

In search of entertainment during the storm, Giles plans to watch an E. M. Forster film. However, he mistakenly enters a theater playing *Hotpants College II*, a film that introduces him to the charming Ronnie Bostock.

Local Theater

Giles Becomes Obsessed

Captivated by Ronnie's youthful allure, Giles develops an all-consuming obsession with the young actor. This fascination propels him to frequent the cinema, where he immerses himself in Ronnie's filmography.

Cinema

Collecting Memorabilia

Giles' obsession leads him to collect teen magazines and memorabilia featuring Ronnie Bostock. He invests in a VCR and television to watch Ronnie's movies on rented tapes, further alienating himself from his daily life.

Isolation Increases

As Giles becomes more engrossed in his newfound passion, he increasingly isolates himself from his housekeeper. He restricts her access to his office, creating a cocoon of solitude where his obsession can thrive.

Giles' Office

Friends' Concerns

Giles' friends and associates begin to notice his eccentric behavior and growing obsession. Concerned for his well-being, his agent suggests that he take a vacation to alleviate his unusual fixation.

Traveling to Long Island

Determined to connect with Ronnie, Giles embarks on a journey to Long Island. Upon arrival, he begins his quest to find the actor, navigating unfamiliar surroundings in pursuit of his idol.

Long Island

Meeting Audrey

Giles' luck turns when he spots Ronnie's girlfriend, Audrey, at a supermarket. He devises a bold plan to collide his shopping cart with hers, leading to an introduction under the pretext of his fictitious goddaughter's admiration for Ronnie.

Supermarket

Building a Connection

Engaging with Audrey proves fruitful as she appreciates Giles’ admiration for Ronnie. Their lengthy conversation establishes a rapport, with Audrey promising that she and Ronnie will invite Giles over to discuss his career soon.

Supermarket

Frequent Visits to Ronnie's Home

Giles begins to frequent Ronnie and Audrey's household, becoming a familiar face. He flirts with the idea of penning a script for Ronnie, convinced it would showcase the actor's talents more effectively than current roles.

Ronnie and Audrey's Home

Audrey's Wariness

As time passes, Audrey grows suspicious of Giles' intentions toward Ronnie. She decides to inform Giles of her plans to take Ronnie on a trip to visit her parents, worrying Giles with this news.

Giles Confronts Ronnie

Disturbed by the news of Ronnie's impending trip, Giles steers the conversation to his feelings for Ronnie. He implores the actor to rethink his relationship with Audrey, presenting a misguided perspective on relationships between artists and younger men.

Ronnie's Home

Rejection and Compassion

Although Ronnie firmly rejects Giles' advances, he expresses genuine concern for Giles' well-being. This moment reveals the complex dynamics of admiration and the boundaries of friendship.

Climactic Screening

The film culminates in a screening of Ronnie's new project from the *Hotpants College* series. The emotional weight of the film is underscored by a poignant scene where Ronnie recites Walt Whitman’s words at his mother’s funeral, showcasing his range as an actor.

Movie Theater

Ambiguous Conclusion

Giles' obsession reaches its ambiguous climax, leaving the audience to ponder his fate. The unresolved nature of his journey serves as a commentary on obsession, identity, and the fine line between admiration and fixation.

Love and Death on Long Island Characters

Explore all characters from Love and Death on Long Island (1998). Get detailed profiles with their roles, arcs, and key relationships explained.


Giles De'Ath (John Hurt)

Giles is a quintessentially British writer characterized by his disdain for modernity and his retreat into solitary obsessions. His profound fascination with the youthful actor Ronnie reflects a complex emotional landscape, revealing both vulnerability and desperation. As his fixation escalates, he becomes increasingly eccentric, showcasing the tumultuous journey of unrequited affection.

✍️ Writer ❤️ Obsession 🤔 Eccentric

Ronnie Bostock (Jason Priestley)

Ronnie is a charming young actor who unwittingly becomes the object of Giles' obsession. He navigates his burgeoning fame with a mix of innocence and awareness, showcasing a character that is both enticing and naive. His interactions with Giles reveal the complexities of admiration and the impact of external attention on relationships.

🎬 Actor 🌟 Charismatic 😕 Unaware

Audrey (Fiona Loewi)

Audrey is Ronnie's girlfriend, depicted as both supportive and protective. While flattered by Giles' admiration for Ronnie, she grows wary of his intentions, ultimately serving as a voice of caution amidst the chaos of Giles' obsession. Her character reflects the complexities of romantic relationships influenced by fame.

💔 Girlfriend ⚖️ Protector 🚧 Cautious

Love and Death on Long Island Settings

Learn where and when Love and Death on Long Island (1998) takes place. Explore the film’s settings, era, and how they shape the narrative.


Time period

The film does not specify an exact time period but encapsulates a contemporary setting that aligns with the late 20th century. This era is marked by cultural shifts in entertainment and personal identity, impacting the characters' pursuits and relationships.

Location

Long Island

Long Island is a suburban region of New York, known for its beautiful beaches, upscale homes, and a relaxed atmosphere. It serves as a backdrop for the film's exploration of obsession and longing, reflecting the distance between Giles and the youthful allure he pursues.

🏝️ Location 🎬 Film Setting

Love and Death on Long Island Themes

Discover the main themes in Love and Death on Long Island (1998). Analyze the deeper meanings, emotional layers, and social commentary behind the film.


💔

Obsession

Obsession is a central theme explored through Giles' one-sided affection for Ronnie. This intense fixation leads him to isolate himself and lose touch with reality, reflecting the dangers of unrequited love. The narrative showcases how obsession can warp perception and lead to a disconnected existence.

🎭

Identity

The theme of identity emerges as Giles grapples with his feelings toward Ronnie and the societal norms surrounding desire. As he embraces a fascination with youth and fame, the film invites viewers to question the authenticity of relationships formed under deceptive circumstances.

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Love and Death on Long Island Spoiler-Free Summary

Discover the spoiler-free summary of Love and Death on Long Island (1998). Get a concise overview without any spoilers.


In a drizzly corner of London, a solitary writer clings to the comforts of tradition, shunning the flash of contemporary culture. Giles De’Ath lives amidst shelves of classic literature, his days measured by the tick of an old clock and the quiet rustle of page‑turns. A simple mishap—a misplaced set of keys—propels him into a cinema he never intended to enter, where instead of the poised adaptation of an E. M. Forster novel he expects, he is confronted with the garish neon of a teen exploitation picture. The film’s charismatic lead, Ronnie Bostock, burns on the screen with a reckless vitality that rattles the foundations of Giles’s carefully curated solitude.

The unexpected encounter ignites a quiet obsession that ripples through Giles’s ordered existence. The world he has long insulated himself from—bright, noisy, and unapologetically modern—now glimmers just beyond the reach of his study’s heavy curtains. As he devotes himself to the flickering images of teenage rebellion, the contrast between his reverent reverie for the past and the magnetic allure of youthful exuberance creates a tension that is both humorous and poignant. The tone sways between wistful introspection and a subtly absurd comedy, inviting the audience to wonder whether an isolated mind can ever truly escape the lure of the present.

Compelled by a yearning that feels both absurd and earnest, Giles decides to follow the trail of his fascination across the Atlantic. The prospect of stepping onto the sun‑splashed streets of Long Island—far removed from the fog‑laden alleys of his home—offers a promise of revelation and self‑examination. Along the way, he meets Audrey, a figure linked to the actor whose presence has reshaped his reality, hinting at the delicate dance between admiration and intrusion. The film settles into a mood of gentle curiosity, where every quiet moment is charged with the possibility of new understanding, and the line between observer and participant begins to blur.

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