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It Was Just an Accident

It Was Just an Accident 2025

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It Was Just an Accident Plot Summary

Read the complete plot summary and ending explained for It Was Just an Accident (2025). From turning points to emotional moments, uncover what really happened and why it matters.


A man with a prosthetic leg is driving his car at night with his wife and daughter when he accidentally hits and kills a dog. To repair his car, he visits a nearby garage where Salar notices him from the sound his prosthetic leg makes after he speaks to his mother on the phone. The next day, Vahid follows the man, kidnaps him, and attempts to bury him in the desert. He tells him that he recognized his voice and stumbling walk as that of Eghbal (nicknamed “peg leg”), his former tormentor in an Iranian prison. The man denies being Eghbal and begs Vahid not to kill him, saying that the scars on his leg are recent, unlike Eghbal’s.

Doubting the man’s identity, Vahid puts his unconscious body into the van and visits Salar at a bookshop. Salar refuses to help him identify the man but directs him to a woman named Shiva, a photographer in the middle of taking wedding photos of Goli and Ali, an engaged couple to be married the next day. Reluctant to help, Shiva recognizes the smell of the man as Eghbal but is unsure of his identity due to the fact that they were blindfolded during their torture/interrogations. Goli reveals that she was tortured by Eghbal but cannot confirm his identity either, so they seek out the help of Hamid, Shiva’s former partner, drugging their captive first and plugging his ears.

Hamid instantly identifies the man as Eghbal after touching his legs and insists on killing him right away, but Vahid and Shiva hold him back, as they wish to hear him testify first. At that time, a cellphone rings from the man’s body. Vahid picks it up and hears the man’s daughter, The Little Girl, who claims that her pregnant mother has fainted. The group visit the man’s house and drive his daughter with her mother to a hospital, where the mother gives birth to a son.

Hamid, Goli, and Ali grow frustrated and decide to leave Vahid and Shiva behind. The two then drive the man to a quiet location at night, tie him up to a tree, wake him up, and demand that he testify. The man first claims mistaken identity again, but then caves in and acknowledges that he is Eghbal, saying that his actions were justified for the good of the Iranian regime and that killing him would merely make him a martyr. Vahid and Shiva recount the torment they experienced in detail to Eghbal and tell him that his wife has given birth to a son. Shiva demands that Eghbal apologize and after a back-and-forth, he caves in and says that he is sorry, claiming that he was only trying to make a living. Vahid then sets Eghbal free and drives away with Shiva.

Later, Vahid and his mother prepare the van for his sister. A white car, similar to Eghbal’s car, is seen entering the area while Vahid enters the house to retrieve something. He suddenly stops in his tracks. The sound of Eghbal’s squeaky prosthetic leg is heard, slowly approaching.

It Was Just an Accident Timeline

Follow the complete movie timeline of It Was Just an Accident (2025) with every major event in chronological order. Great for understanding complex plots and story progression.


Night car accident with dog

A man with a prosthetic leg drives a car at night with his wife and daughter and accidentally hits and kills a dog. The family is shaken by the crash and the event unsettles everyone. The incident becomes a catalyst for the looming confrontation.

Night Road outside town

Garage recognition

At a nearby garage, the mechanic Vahid recognizes the man by the distinctive squeak of his prosthetic leg after the man speaks to his mother on the phone. The moment confirms a link to a past tormentor and increases the tension. Suspicion hardens into a resolve to uncover the truth.

Soon after the accident (night) Garage

Abduction begins

The next day, Vahid follows the man, abducts him, and tries to bury him in the desert. He aims to confront the man about his identity and past actions. The desert night looms as they move toward a reckoning.

Next day Desert outskirts

Confronting the past

Vahid tells the captive that he recognized him as Eghbal, the former prison tormentor. The man denies it, begging not to be killed and arguing that his leg scars are recent. The confrontation probes who he really is and what he has done.

During the kidnapping Desert location

Search for identity

Vahid places the unconscious man in his van and seeks help at Salar’s bookshop. Salar refuses to identify him directly but points him toward someone who might know. The search for truth becomes a reluctant alliance of strangers.

Day after kidnapping Salar's bookshop

Shiva's uncertain recognition

Shiva, a photographer, recognizes the scent of the man as Eghbal but is unsure due to how they were blindfolded during torture. She hesitates to confirm, weighing memory against uncertainty. The danger of misidentification weighs on them.

Same day Shiva's photography setup

Goli's revelation

Goli reveals she was tortured by Eghbal too, but cannot definitively confirm the captive’s identity. They seek out Hamid, Shiva’s former partner, for help in naming the man. The group becomes more entangled in a moral maze.

Same day Goli's location

Hamid's dramatic reaction

Hamid drugs the captive and plugs his ears, insisting on killing him immediately. Vahid and Shiva restrain him, insisting they first hear a proper testimony. The tension erupts as competing demands for justice collide.

Evening Hamid's location

Phone call reveals daughter's voice

A cellphone rings from the man’s body, and his daughter speaks, claiming that his pregnant wife has fainted. The personal stakes of the man’s life become undeniable. The group realizes the man may still be connected to a larger family drama.

Night Nearby location; phone on body

Birth of a son

The group visits the man’s house and drives his daughter and wife to a hospital, where the mother gives birth to a son. News of the birth adds a humanizing counterpoint to the brutality of the interrogation. The captive’s ties to a family become a key part of the moral calculus.

Next day Man's house to hospital

Frustration and departure

Hamid, Goli, and Ali grow frustrated and decide to leave Vahid and Shiva behind. The remaining two press on with the captive’s testimony in a quieter, more intimate setting. The split underscores differing ideas of justice.

Shortly after the birth Desert road

The remote interrogation begins

Vahid and Shiva drive the man to a quiet, remote location at night, tie him to a tree, wake him, and demand that he testify. The stark setting heightens the moral weight of the confrontation. The man begins to crack under pressure.

Night Remote desert location

The confession

The man first claims mistaken identity, then concedes that he is Eghbal, arguing his actions served the regime and that killing him would make him a martyr. The confession reframes the moral stakes of the past. The witnesses press for accountability.

Night Remote desert location

Catharsis and apology

Vahid and Shiva recount their torment to Eghbal and tell him that his wife has given birth to a son. Shiva demands an apology, and after a tense exchange, he apologizes, claiming he was only trying to survive. A measure of resolution emerges, though it comes with cost.

Night Remote desert location

Release and final cue

Vahid frees Eghbal and drives away with Shiva. As they depart, a white car similar to Eghbal’s appears, and the sound of Eghbal’s squeaky prosthetic leg nears, hinting at a lingering threat. The ending leaves the viewer unsettled about what comes next.

Night Desert outskirts

It Was Just an Accident Characters

Explore all characters from It Was Just an Accident (2025). Get detailed profiles with their roles, arcs, and key relationships explained.


Salar (George Hashem Zadeh)

Salar runs a bookshop and becomes a touchpoint in the pursuit of identity. He refuses to help identify the captive at first but eventually points Vahid toward Shiva, playing a cautious intermediary role in a web of past tortures. His guarded nature underscores the moral ambiguity of aiding in a cycle of violence.

📚 Bookshop owner 🧭 Cautious 🤝 Reluctant ally

Eghbal (Ebrahim Azizi)

Eghbal is the man who was tortured and who stubbornly clings to his narrative of regime protection. He initially resists acknowledging his identity and only confesses after being confronted with the victims’ memories. His complicity is framed by a defense of his actions as a necessity for survival.

🧰 Torturer 💬 Justifying 🧩 Ambiguous moral figure

The Groom (Majid Panahi)

The Groom appears in the wedding pictures, representing ordinary life before the violence breaks into the present. His engagement underscores the fragile continuity of personal milestones against political terror.

💍 Engaged couple 🕊️ Peaceful symbol

Vahid (Vahid Mobasseri)

Vahid is an Azerbaijani auto mechanic who recognizes the voice and leg markings of Eghbal. He orchestrates the abduction and becomes a catalyst for the moral reckoning that unfolds, torn between vengeance and restraint.

🛠️ Mechanic 🕵️‍♂️ Pursuer 🤝 Reluctant mediator

Shiva (Maryam Afshari)

Shiva is a photographer who documents a wedding while unwittingly guiding the search for the truth. She recognizes the scent and the possibility of identity, yet remains cautious due to the trauma shared by survivors. Her insistence on accountability propels the final confrontation.

📷 Photographer 🗣️ Skeptical 🕊️ Voice of accountability

Golrokh (Hadis Paak Baten)

Golrokh reveals her past torture and becomes a witness to the brutality of Eghbal. Her presence layers the narrative with personal memory and the demand for recognition of suffering.

👩 Survivor 🗨️ Witness 🧭 Memory

Hamid (Mohammad Ali Eliyas Mehr)

Hamid is Shiva’s former partner who erupts with a desire for immediate vengeance. He represents the instinct to end violence through force, clashing with Vahid and Shiva’s more wary approach toward justice.

🗡️ Tempestuous 🧭 Impulsive 🧪 Hasty justice

The Little Girl (Delmaz Najafi)

The captive’s daughter and the human link to the consequences of the violence. Her presence marks the cost of the conflict on innocent family members and adds urgency to the desire for a safe future.

👧 Child 💔 Innocence 🧭 Family consequences

Eghbal's Wife (Afsaneh Najm Abadi)

Pregnant wife of Eghbal, she embodies the personal stakes and the hope for new life amid fear. Her experience underscores the theme of birth and renewal after darkness.

🤰 Expectant mother 🏥 Family 💞 Hope

It Was Just an Accident Settings

Learn where and when It Was Just an Accident (2025) takes place. Explore the film’s settings, era, and how they shape the narrative.


Location

Iran, Desert

The story unfolds across urban Iran and a desolate desert setting where a confrontation occurs. Key locations include a small automobile workshop, a bookshop, a hospital, and a family home, all grounding the plot in everyday spaces that become stages for violence and reckoning. The desert sequence amplifies the tension, serving as a stark backdrop for the confrontation between past torment and present choices.

🗺️ Iran 🏜️ Desert

It Was Just an Accident Themes

Discover the main themes in It Was Just an Accident (2025). Analyze the deeper meanings, emotional layers, and social commentary behind the film.


🩹

Trauma

The film centers on the enduring scars of torture and captivity, seen through the survivors who must confront their past. Vulnerability and memory collide as the abducted man is forced to face what he did not endure alone. The act of bearing testimony becomes a contested path toward closure and accountability.

🤔

Identity & Guilt

Questions of who a person truly is drive the drama: the line between victim and perpetrator blurs as Eghbal insists on his own justification. The victims struggle with recognizing the man under the mask of fear and power, testing whether guilt can be absolved by rationalization. The audience is left to weigh responsibility against circumstance.

🕊️

Mercy & Forgiveness

Moments of mercy punctuate the cycle of violence, as Vahid chooses restraint over revenge and frees Eghbal after he confesses. The possibility of forgiveness tests the limits of justice, especially when past torment is admitted but still afresh for the survivors. The film meditates on whether mercy can heal or merely delay retribution.

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It Was Just an Accident Spoiler-Free Summary

Discover the spoiler-free summary of It Was Just an Accident (2025). Get a concise overview without any spoilers.


In the quiet hush of a moonlit highway, a man with a prosthetic leg is driving home with his pregnant wife and young daughter. An unexpected collision with a stray dog forces him to pull over, his car sputtering and his night‑long journey suddenly halted. The fragile domestic moment, already charged with the anticipation of new life, is fractured by the sudden, unsettling accident that leaves the family stranded under an indifferent desert sky.

Seeking help, he arrives at a solitary garage where Vahid, an Azerbaijani mechanic, tends his battered vehicle. The cramped workshop, lit by the flicker of old fluorescent tubes, becomes a crucible for tension when Vahid recognizes the distinctive click of the driver’s prosthetic and the faint echo of a voice he once heard in a far‑removed prison corridor. Convinced that the newcomer is the very officer who haunted his past, Vahid’s hospitality shifts into suspicion, and the atmosphere thickens with the weight of unspoken histories.

The driver, later identified as Eghbal, finds himself caught between two worlds: the ordinary concerns of a family man and the dark reflections cast by Vahid’s memories. As the night deepens, a small circle of acquaintances—each bearing their own scars from the same shadowed chapter—converges, turning the garage into a stage for an uneasy moral reckoning. Their conversations drift between quiet desperation and the clamor of past grievances, probing where vengeance ends and justice begins.

The film unfolds in a stark, almost tactile landscape where desert heat and night‑time darkness amplify the characters’ inner turmoil. Its tone is a slow‑burning thriller, laced with atmospheric dread and lingering melancholy, inviting the audience to question how thin the line is between the roles of victim and perpetrator, and what truth might emerge when identity is examined under the harsh light of memory.

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