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Elevator to the Gallows

Elevator to the Gallows 1958

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Elevator to the Gallows Plot Summary

Read the complete plot summary and ending explained for Elevator to the Gallows (1958). From turning points to emotional moments, uncover what really happened and why it matters.


Lovers Florence Carala and Julien Tavernier devise a plan to kill Florence’s husband Simon, a wealthy French industrialist who is also Julien’s boss. Staying late at the office one Saturday, Julien, an ex-Foreign Legion parachutist and veteran of the Indochinese and Algerian wars, climbs the side of the building to Simon’s office and kills him with his own gun, then stages the body as a suicide. He leaves the building with a secretary and security guard to provide alibis. He glances up from his car and realizes he left his climbing rope hanging from the balcony rail. Leaving the engine running, he rushes back into the building and boards the elevator just before the security guard switches off the power and locks up for the weekend, trapping Julien between floors.

Louis, a young small-time crook, and his girlfriend Véronique, a flower shop assistant, steal Julien’s running car and drive past Florence, who is waiting for Julien at a nearby café. The sight of Véronique convinces her Julien abandoned their plan and picked up another girl and she wanders the streets despondently searching for him in local nightclubs.

Louis and Véronique drive around for hours, until some Germans in a sporty Mercedes challenge Louis to a race. He follows them to a motel, and the German driver, the jovial Horst Bencker, invites Louis and Véronique to have a drink with him and his wife Frieda. Both couples check in and, while they chat, Frieda takes a few pictures of Louis and her husband with Julien’s camera. She finishes the roll, so Véronique drops the film off at the motel’s photo lab.

After the Benckers go to bed, Louis is caught by Horst attempting to steal the Mercedes, and Louis empties Julien’s pistol into them. He and Véronique return to Véronique’s apartment in Paris and Véronique persuades Louis to attempt suicide with her by taking phenobarbital pills.

The police discover the French couple at the hotel registered as “Mr. and Mrs. Julien Tavernier” and find Julien’s car, gun and raincoat next to the Benckers’ corpses. They search Julien’s office, escorted by the security guard, and discover Simon’s body. With the building’s power back on, Julien escapes from the elevator unaware his picture is in the morning newspapers as a murder suspect and he’s arrested at a cafe. Unable to convince the police he was stuck in the elevator, he is charged with the murder of the Benckers.

Florence obtains Véronique’s address from the florist and finds Véronique and Louis still alive. She accuses the drowsy couple of murdering the Benckers and calls the police with an anonymous tip. Louis believes he’s gotten away with the murder when he sees Julien’s picture in the paper, but Véronique reminds him of the roll of film. Louis rushes to the motel’s photo lab, tailed by Florence, and is arrested on the spot. Inside the lab Commissaire Cherrier shows Florence the photos of her and Julien that have been developed and are now evidence against them. Cherrier informs Florence she will probably get a harsher sentence than Julien, and Florence replies she did it for love and believes she will one day be reunited with Julien.

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Elevator to the Gallows Spoiler-Free Summary

Discover the spoiler-free summary of Elevator to the Gallows (1958). Get a concise overview without any spoilers.


In the sleek, glass‑capped heart of Paris, the relentless rhythm of corporate ambition masks a restless yearning for something more visceral. The city’s towering office blocks and shadowed cafés become a backdrop for a story that teeters between calculated poise and reckless impulse, where the pursuit of a thrill can quickly spiral beyond anyone’s control. A palpable tension hangs in the air, hinting that every polished surface might conceal a crack waiting to widen.

Julien is a confident businessman whose polished exterior hides a hunger for excitement that borders on dangerous. He navigates the same corridors as his powerful employer, a wealthy industrialist, while sharing a secret intimacy with Florence, the employer’s wife. Their clandestine connection fuels a volatile mix of ambition, desire, and desperation, setting the stage for a decision that promises to change everything. Simon, the formidable head of the firm and Florence’s husband, represents both the allure of authority and the weight of expectations that press on the lovers.

The moment Julien takes that fateful step, the ordinary world begins to fray. A cascade of unforeseen complications sweeps up a cast of peripheral players—a small‑time crook named Louis and his girlfriend Véronique—who drift in and out of the orbit of the central trio, each adding their own restless energy to the unfolding chaos. The city’s night life, with its dimly lit streets and fleeting encounters, amplifies the sense of urgency, as every decision feels amplified by the looming possibility of ruin.

What follows is a frantic scramble through shadowed alleys, illuminated office towers, and cramped apartments, where each character must confront the consequences of that initial, desperate gamble. The tone remains taut and uneasy, a blend of noir‑ish suspense and raw human yearning, leaving the audience to wonder whether redemption can be found amid the dizzying fallout.

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