Directed by

Henry King
Made by

20th Century Fox
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Read the complete plot summary and ending explained for David and Bathsheba (1951). From turning points to emotional moments, uncover what really happened and why it matters.
David [Gregory Peck] returns to Jerusalem after a hard-won victory over the Philistines. En route, a cart bearing the Ark of the Covenant nearly topples; a captain in David’s army, Uzzah, reaches to steady it and dies at the moment of contact. While the prophet Nathan declares it the will of God, David remains skeptical, attributing the tragedy to natural causes. David is drawn to Bathsheba [Susan Hayward], wife of his captain Uriah [Kieron Moore].
The attraction is mutual, though both know an affair would violate the law of Moses. Bathsheba becomes pregnant, and David sends for Uriah. Michal [Jayne Meadows], David’s wife, who knows about the affair, tells David that Uriah did not return home; he slept at the castle, as a sign of loyalty to his king. David then orders Uriah to the front lines while withdrawing his own troops, leaving Uriah to die. Bathsheba learns of her husband’s death, and the two plan their marriage.
Nathan [Raymond Massey] informs David that the Israelites are dissatisfied with his leadership; they want David’s sons to rule. Nathan says David has forgotten he is the Lord’s servant. Shortly after David marries Bathsheba, a drought hits Israel and the couple’s newborn child dies. Nathan returns to tell David that God is displeased with him. However, he will not die as the law demands, but will be punished through family misfortune. David takes full responsibility, insisting Bathsheba is blameless, but the people want her killed. David plans to save Bathsheba, but she tells David they are both equally at fault.
David is reminded of the Lord and, while playing his harp, ponders Psalm 23. He tells Bathsheba she will not die; he accepts God’s justice for himself. A repentant David, seeking relief from the drought as well as forgiveness, enters the Holy of Holies and begs God not to punish Israel for his sins. He touches the Ark in a moment that feels like a desperate act, and there is a clap of thunder, followed by flashbacks to David’s youth—his anointing by Samuel, his battle with Goliath, and other pivotal moments.
King David removes his hands from the Ark, and outside, rain finally falls on the dry land.
Follow the complete movie timeline of David and Bathsheba (1951) with every major event in chronological order. Great for understanding complex plots and story progression.
David returns to Jerusalem after victory
David returns from his victory over the Philistines, entering Jerusalem as conqueror. The mood is one of triumph, yet a heavier weight of responsibility settles on him. The homecoming sets the stage for the storm that follows around the Ark.
The Ark nearly capsizes; Uzzah dies; Nathan's divine will declared
On the road, the cart bearing the Ark lurches perilously toward the ground. Uzzah reaches out to steady it and dies instantly, struck by what is deemed divine will. The prophet Nathan proclaims it is the will of God, while David remains skeptical, calling it natural causes.
David is drawn to Bathsheba
David becomes attracted to Bathsheba, the wife of his captain Uriah the Hittite. He recognizes the risk of an affair under Mosaic law, yet the attraction persists. The moment marks a turning point with grave consequences for the kingdom.
Bathsheba becomes pregnant
Bathsheba conceives, and the pregnancy exposes David's affair. The news tightens the dangerous dynamic at court. David faces pressure to handle the situation without scandal.
David's cover-up plan: Uriah at the door
David sends for Uriah to come home from the front, hoping Uriah will sleep with Bathsheba to conceal the pregnancy. Uriah, loyal to the army, stays away from his wife and remains at the castle. The attempt to hide the truth deepens the king's peril.
Michal reveals loyalty and the ruse
Michal, aware of the affair, informs David that Uriah did not return home and instead slept at the castle. Her revelation confirms the deception and the risk of exposure. David's carefully laid plans begin to crumble.
David orders Uriah to the front lines; Uriah dies; Bathsheba widowed
David orders Uriah to the fiercest battlefront while withdrawing his own troops, ensuring Uriah's death. He then sends Bathsheba word of her husband's death, and the couple begins to plan their marriage. The king's attempt to silence the problem turns into a widening moral crisis. The country begins to sense upheaval behind the scenes.
Nathan's indictment and the people's dissatisfaction
Prophet Nathan confronts the king, describing how the Israelites are dissatisfied with David's leadership and want his sons to rule. He reminds David that he has forgotten he is the Lord's servant. The confrontation marks a turning point as divine justice intrudes into royal politics.
David marries Bathsheba; drought strikes; the child is born and dies
David marries Bathsheba, accepting the consequences of his actions. A drought grips the land, intensifying the crisis and the people's longing for divine mercy. The newborn child dies, underscoring the price of the king's sins.
Nathan's admonition and the punishment foretold
Nathan returns to tell David that God is displeased and that punishment will come through his family rather than his life. The king takes responsibility for the sin, insisting Bathsheba is blameless, while the people demand her punishment. The moment reframes repentance as a communal reckoning.
The king's confession and Bathsheba's shared fault
David acknowledges the gravity of the offense and accepts the justice to come. He defends Bathsheba as blameless, yet Bathsheba herself bluntly states that both partners are culpable. The couple faces the consequences together, within the public eye.
David seeks mercy: harp and remembrance of the Lord
In a moment of humility, David recalls the Lord and plays his harp, softly singing Psalm 23. The worship provides a flicker of restoration amid judgment. The scene marks a turning point toward true repentance.
Repentance and prayer in the Holy of Holies
A repentant David enters the Holy of Holies to plead for mercy and Israel's forgiveness. He begs God not to punish the people for his sins. The moment reframes the crisis as a spiritual atonement.
David touches the Ark; thunder, and flashbacks begin
In a moment of despair, David reaches toward the Ark with a suicidal impulse, prompting a thunderclap. The sequence shifts to flashbacks of his youth—Samuel's anointing, the battle with Goliath, and earlier victories—that cast his present actions in stark relief. The memories underscore the gravity of his choices. The moment signals a judgment that will reshape his life.
David withdraws his hands from the Ark; rain returns
David pulls away from the Ark, and rain returns to the parched land. The drought lifts as a sign of divine mercy and a chance for renewal. The crisis resolves with a sense of divine justice and forgiveness.
Explore all characters from David and Bathsheba (1951). Get detailed profiles with their roles, arcs, and key relationships explained.
David ben Jesse (Gregory Peck)
David is the charismatic yet flawed king of Israel who wields tremendous power. His attraction to Bathsheba and subsequent plot to conceal Uriah’s death reveal a dangerous lapse in judgment. The narrative follows his inner conflict, repentance, and ultimate appeal to divine justice, including Psalm 23 and moments of prayer before the Holy of Holies.
Bathsheba (Susan Hayward)
Bathsheba is the wife of Uriah, whose pregnancy becomes the catalyst for David’s crisis. She shares in the moral weight of the affair, and later reveals the truth that Uriah did not return. While she bears responsibility, the story centers on David’s choices and the consequences that follow.
Uriah the Hittite (Kieron Moore)
Uriah is a loyal soldier whose loyalty to David and his own code is exploited by the king. He is placed at the front lines and dies as a result of David’s attempt to cover up the affair. His steadfastness highlights the human cost of political maneuvering.
Nathan (Raymond Massey)
Nathan is the prophet who confronts David with truth and divine judgment. He guides the audience through the moral reckoning that follows the king’s actions. His warnings and messages of accountability frame the story’s spiritual arc.
Michal (Jayne Meadows)
Michal, Saul’s daughter and David’s wife, understands the moral stakes of the royal affair. She knows about the indiscretion and informs David that Uriah has not returned. Her perspective adds tension to the king’s dilemma and moral complexity.
Learn where and when David and Bathsheba (1951) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Biblical era, around 10th century BCE
Set during King David’s reign after his Philistine victory, the tale unfolds in a time when Israel’s monarchy is taking shape under divine law. The period features military campaigns, prophetic voices, and a fragile social order bound by covenant rules. The drought and the personal tragedy intensify the sense of divine judgment and accountability.
Location
Jerusalem, Israel
Jerusalem serves as the political and religious heart of ancient Israel, where David rules and the Ark's presence looms over every decision. The city is a backdrop for royal intrigue, court politics, and moral testing under Mosaic law. Its ancient walls frame a story about power, duty, and the consequences of leadership.
Discover the main themes in David and Bathsheba (1951). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Power & Guilt
David’s rise to power collides with a reckless act of desire, revealing how ambition can override moral law. His decision to pursue Bathsheba and then manipulate Uriah’s death expose the corrupting pull of leadership. The story tracks the fallout as the people and prophets question his fitness to rule. The arc culminates in a crisis of conscience and the weight of consequences.
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Repentance & Justice
Faced with the consequences of his actions, David seeks forgiveness through prayer and humility. He confronts divine judgment and pleads for mercy, even as drought and tragedy strike Israel. The Psalms and sacred rite frame his repentance as a path toward restoration. Ultimately, the narrative presents repentance as a necessary response to wrongdoing.
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Leadership & Accountability
Nathan challenges David, reminding him that rulers are answerable to a higher law. The people's dissatisfaction reflects a demand for ethical leadership and accountability. The monarchy is portrayed as a moral contract that can endure only through just action and humility before God. The film suggests power without integrity leads to collective suffering.

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Discover the spoiler-free summary of David and Bathsheba (1951). Get a concise overview without any spoilers.
The film opens in the ancient hills of Israel, where the dust‑laden road to Jerusalem still hums with the echo of recent triumphs. The camera lingers on towering stone walls and the solemn procession of the Ark of the Covenant, a reminder that every victory is weighed against a higher, unseen law. Light filters through cracked shutters, casting long shadows that suggest both the glory of empire and the fragility of the people who sustain it. The atmosphere is at once sweeping and intimate, a canvas of grandeur touched by the everyday worries of a kingdom on the brink of change.
At its heart stands David, a king whose reputation as a humble shepherd‑boy‑turned‑warrior now bears the weight of crown and conscience. He is surrounded by a circle that reflects the many facets of his rule: Bathsheba, a striking and thoughtful woman whose presence ignites a tension that feels both inevitable and forbidden; Uriah, a loyal commander whose devotion to his king clashes with his devotion to his family; Michal, the queen whose sharp insight into courtly affairs hints at already‑present unease; and Nathan, a prophet whose solemn warnings echo the ancient covenant that binds the land. Their interactions are charged with unspoken longing, duty, and the dread of transgression, setting the stage for a conflict that is as spiritual as it is personal.
The tone is measured yet stirring, blending the solemnity of sacred ritual with the restless pulse of political intrigue. A persistent drought looms over the fields, the land itself seeming to respond to the moral tremors within the palace walls. Music drifts from the harp, ghosting the psalms that have guided generations, while the characters wrestle with the paradox of power: the desire to protect a people while confronting the consequences of their own choices. In this world of ancient prophecy and human frailty, every glance, whispered counsel, and lingering hymn suggests that the path to redemption may be as narrow and as storm‑laden as the desert beyond the city gates.
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