Bros Before Hos 2013
Directed by
Steffen Haars
Made by
Eyeworks Film & TV Drama
Bros Before Hos Plot Summary
Read the complete plot summary and ending explained for Bros Before Hos (2013). From turning points to emotional moments, uncover what really happened and why it matters.
Max Tim Haars and Jules Daniël Arends grow up swearing they’ll never have relationships with women, a vow they take after their father’s urgent advice. As adults, Max works in a video store and Jules serves as a supermarket assistant manager. The two brothers still party hard, dating many women and leaving them behind just as quickly, with Jules sometimes even having sex in the store’s warehouse with female subordinates.
One day, Max learns that Jules has slept with Anna Sylvia Hoeks. What starts as a casual one-night stand for Anna becomes something more persistent, and the pair begin meeting regularly with thoughts of moving in together.
Anna is a counselor for mentally disabled people, and one of her clients is Jordy Huub Smit, who becomes restless and violent when he can’t watch porn. The setting also features direct parodies of scenes from One Flew Over the Cuckoo’s Nest, woven into the daily life at the facility.
Max’s discovery about Jules and Anna leads to tension, and he grows cold toward Anna. Yet Jules shifts his stance about living with her, and he also allows Max to pursue a relationship with Anna. Anna remains initially angry with Max because his actions indirectly got her fired after he handed porn DVDs to Jordy, for which she was blamed. A notable moment—Max ordering porn films by phone—echoes a scene from Clerks (1994).
In the end, after Jules and Max end up in prison following a clash with the police during an outing with the disabled, things manage to settle between them. A parallel thread follows René Henry van Loon, Max and Jules’ friend, and his girlfriend Suzanne Jennifer Hoffman as their relationship resolves too.
As the credits roll, the ensemble re-enacts scenes from Pulp Fiction, Jaws, Menace II Society, Rocky, Braveheart, Fight Club, New Kids Turbo and American History X.
Bros Before Hos Timeline
Follow the complete movie timeline of Bros Before Hos (2013) with every major event in chronological order. Great for understanding complex plots and story progression.
Childhood vow to avoid relationships
Two brothers, Max and Jules, vow as children never to pursue relationships with women after their father's advice. The scene frames their future choices and the distrust of romance. This vow foreshadows the conflicts that will drive their dynamic throughout the story.
Adult lives: Max at the video store and Jules at the supermarket
As adults, Max works at a neighborhood video store and Jules climbs to assistant manager at a supermarket. They still party hard and date many women, rarely keeping commitments. Their casual approach creates a shared bond but also ongoing tensions.
Jules's affair with Anna begins
Jules sleeps with Anna, a counselor they meet through his circle. What starts as a casual fling evolves into a regular affair with plans of living together. Max becomes aware of the relationship, setting up later conflict.
Anna's work with disabled clients and Jordy
Anna works as a counselor for mentally disabled clients, including Jordy who becomes restless and violent when he can't watch porn. The environment introduces darker humor through parodies of classic films woven into daily life at the facility. The dynamic between Anna and the clients anchors the ethical tensions in the plot.
Daily life at the care facility and parodies
The facility's routines are interrupted by parodies of One Flew Over the Cuckoo's Nest, integrated into staff and resident interactions. These interludes reveal how pop culture bleeds into care and control dynamics. Jordy's behavior is a catalyst for the tension between staff and clients.
Max learns of Jules and Anna; tension grows
Max discovers the affair between Jules and Anna, cooling his relationship with his brother. He grows distant toward Anna, blaming her indirectly for his difficult situation. The revelation strains their bond and raises questions about loyalty.
Jules shifts stance about living with Anna
Over time Jules reconsider living with Anna and gradually supports Max pursuing a relationship with her. He also begins to see their bond as something worth fighting for. The brothers' dynamic shifts from rivalry to reluctant collaboration.
Anna's firing and Max's role
Anna initially blames Max for triggering her firing by giving Jordy porn DVDs, which the facility staff saw as a breach of policy. Max realizes the consequences of his actions and tries to repair the damage, while Anna wrestles with anger and pride. The incident forces them to confront the cost of their relationship.
Max orders porn by phone – Clerks homage
A memorable moment shows Max ordering porn films by phone, a direct nod to Clerks (1994). The scene emphasizes how casual consumer culture bleeds into their messy relationships. It underscores the film's playful metafiction and the characters' questionable choices.
Final act: prison after clash with police
During an outing with the disabled group, Max and Jules clash with the police and end up in prison. The incident forces a reckoning among the brothers and reshapes their future. It also prompts a parallel arc for René and Suzanne.
René and Suzanne's relationship arc resolves
René and his girlfriend Suzanne navigate their own relationship, which reaches resolution alongside the brothers' journey. The parallel thread offers a counterpoint to the main romance and conflict. Their scene-by-scene progression mirrors the ensemble's growth.
Credits sequence and film homages
As the credits roll, the ensemble re-enacts scenes from Pulp Fiction, Jaws, Menace II Society, Rocky, Braveheart, Fight Club, New Kids Turbo and American History X. The playful finale blends homage with character closure, tying together the film's eclectic tone. It leaves the audience with a meta-textual wink.
Bros Before Hos Characters
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Max (Tim Haars)
Max is carefree and impulsive, working in a video store while clinging to a party-loving lifestyle. He shows protective but occasionally petty behavior toward Jules and Anna, and his actions occasionally backfire, highlighting the consequences of reckless choices. His arc centers on balancing loyalty to his brother with a growing sense of responsibility.
Jules (Daniël Arends)
Jules begins as a charismatic womanizer who reevaluates his life when he falls for Anna. He becomes more pragmatic about living with someone and sharing responsibilities, helping bridge the gap with Max. His evolving stance drives much of the emotional arc and sets up reconciliation possibilities.
Anna (Sylvia Hoeks)
Anna is a counselor for mentally disabled people who becomes involved with Jules and later deals with the fallout at work when Max’s actions create trouble. She demonstrates resilience in navigating complex romantic dynamics and a professional environment under pressure.
Jordy (Huub Smit)
Jordy is a client at the care facility whose restlessness and violence flare when he can’t watch porn, driving the plot and testing staff and residents alike. His presence underscores themes of dependency, vulnerability, and the consequences of obsession.
René (Henry van Loon)
René is a friend whose relationship with his girlfriend Suzanne runs parallel to the central romance, offering contrast and humor. His experiences mirror the masculine dynamic among the leads and complicate the ensemble’s relationships.
Suzanne (Jennifer Hoffman)
Suzanne is René’s girlfriend and part of the parallel relationship arc. Her interactions with René contribute to the ensemble’s dynamic and provide a counterpoint to the brothers’ romance.
Bros Before Hos Settings
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Time period
2010s
The events unfold in contemporary times, using ordinary Dutch spaces to anchor the humor. It reflects present-day social dynamics and pop culture references that situate the story in the late 2010s. The tone and details emphasize current youth culture, work life, and dating scenes.
Location
Netherlands
Set in the Netherlands in contemporary times, the story follows two brothers through urban life, work in a video store and a supermarket, and romantic entanglements. The setting provides a satirical backdrop for modern relationships and male camaraderie, with everyday locations taking center stage.
Bros Before Hos Themes
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Relationships
Max and Jules struggle with commitment, often preferring casual flings to lasting partnerships even as they navigate their evolving connection to Anna. Their dynamic drives both humor and tension, highlighting how loyalty to a brother can clash with personal desires. The film uses wit to critique commitment, romance, and the fragility of modern relationships.
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Friendship
The brothers’ bond underpins the plot, offering support and conflict as they chase different life paths. Their camaraderie is tested by jealousy, rivalries, and shared misadventures, revealing both loyalty and toxicity in male friendships. The consequences of their actions force growth and redefinition of their bond. Ultimately, the story scrutinizes what friends owe each other when faced with real-life responsibilities.
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Pop Culture
The narrative is rich with meta-humor and homages to classic films, weaving parodies into everyday life. References to movies and iconic scenes create a playful, self-aware tone that comments on cinema as culture. The final credits reenactments of famous films blur fiction and reality, underscoring the film’s satirical stance on pop culture.
Bros Before Hos Spoiler-Free Summary
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In a restless suburb where the nights pulse louder than the day‑time grind, two brothers have built their lives around a single, unshakable promise. Bound by a childhood vow to sidestep romance after witnessing their parents’ turbulent marriage, they have turned the avoidance of commitment into an art form, swapping stories over cheap beer and chasing the next impulsive hookup. Their bond is equal parts loyalty and rivalry, a bromance that feels as solid as a cement wall yet fragile enough to crack at the slightest tremor.
When they’re not glued to the flickering screens of a video‑store aisle or restocking shelves at a bustling supermarket, the brothers dominate the local club scene, slipping in and out of fleeting connections with a carefree swagger. Their days are a blur of low‑budget jobs, late‑night pizza runs, and the endless pursuit of instant gratification, each encounter ending as quickly as it begins. The atmosphere is saturated with sharp humor, raunchy banter, and a gritty, low‑key soundtrack that underscores their perpetual party‑loop.
Everything shifts the moment Anna enters their orbit. A compassionate counselor who works with mentally disabled adults, she brings a quiet intensity that both intrigues and unsettles the duo. Jules finds himself drawn to her depth, while Max discovers an unexpected pull that threatens to upend the very pact that has defined their brotherhood. The looming love triangle casts a shadow over their usual escapades, hinting at choices that could redefine loyalty, desire, and the meaning of family.
The film balances slapstick chaos with moments of genuine emotional weight, painting a vivid portrait of youthful rebellion and the inevitable clash between freedom and responsibility. Its tone oscillates between irreverent comedy and heartfelt introspection, inviting the audience to wonder how far two inseparable siblings will go before the promise they swore to keep finally cracks under the weight of love.
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