Directed by

Richard Fleischer
Made by

Columbia Pictures
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Read the complete plot summary and ending explained for 10 Rillington Place (1971). From turning points to emotional moments, uncover what really happened and why it matters.
John Christie murders an acquaintance in 1944, luring her to his West London flat at 10 Rillington Place with a promise to cure her bronchitis using a so‑called “special mixture.” He disables her with town gas, then strangles her with a rope, and it is implied that he sexually assaults her corpse. He buries her in the communal garden of the building, and while digging the grave he unexpectedly uncovers Ruth Fuerst, one of his earlier victims.
In 1949, Tim Evans and his wife Beryl Evans move into 10 Rillington Place with their infant daughter Geraldine. Beryl is pregnant again, and she seeks a medical abortion. When she tells Tim, a fierce argument erupts, and Christie offers to help terminate the pregnancy, presenting himself as a learned medical expert. Tim, who is largely illiterate, cannot discerningly tell that Christie is lying. The Evanses consent to have Christie perform the procedure.
Christie keeps his wife, Ethel Christie, occupied with paperwork at his workplace, while he schemes upstairs. He seizes his chance, makes tea, and heads up to Beryl. A pair of builders arrive to renovate the outbuilding, drawing attention away from the upstairs work. Christie serves another cup of tea and returns to his grim task. Beryl experiences a severe reaction to the gas; he knocks her unconscious with a punch, then strangles her and commits a brutal sexual assault.
When Tim returns, Christie tells him that Beryl died of complications from the abortion. Tim contemplates going to the police, but Christie convinces him that he would be seen as an accessory. He persuades Tim to leave town that night while he disposes of Beryl’s body, promising that the baby will be placed with a childless couple from East Acton. Tim reluctantly obeys and departs, and Christie then strangles Geraldine with a tie.
Tim hides with his aunt and uncle in Merthyr Tydfil, pretending he is away on business. He crafts a story that Beryl and the baby are visiting her family in Brighton. The Lynches write to Beryl’s father, who responds by telegram to say he has not seen Beryl in months. Cornered by relatives, Tim pretends that Beryl ran off with a wealthy man, and later confesses to the police that he disposed of Beryl’s body in the sewer after the botched abortion. Three London police officers lift the manhole but fail to find the body. A later search of 10 Rillington Place uncovers Beryl and Geraldine in the washroom, where Christie had hidden them.
Tim is dragged back to London, charged with the murders of his wife and child. In shock and despondent over the charge, he confesses to both crimes, though he is not guilty of them. During his trial, Christie becomes a central witness. Tim’s defense exposes Christie’s history of theft and violence, but the prosecution still secures a conviction, and Tim is hanged.
Two years after the trial, Ethel begins to fear her husband and moves out to stay with relatives. Christie pleads with her not to leave, and she hints that prison may be in his future. He murders her that night and hides her body under the floorboards in their front room. Later, he encounters a woman with a migraine in a café, posing as an ex‑doctor and promising her a cure. The scene shifts to him wallpapering a kitchen wall, an act that visually implies the victim’s body is hidden behind the wall.
In 1953, Christie is living in a dosshouse. A new tenant, Beresford Brown, moves in next door. A strong odor in the kitchen leads Brown to peel back the wallpaper and discover a space behind the wall containing several victims. Christie is soon arrested. The film closes with an intertitle stating that Christie was hanged, while Tim Evans was posthumously pardoned and reinterred in consecrated ground.
Follow the complete movie timeline of 10 Rillington Place (1971) with every major event in chronological order. Great for understanding complex plots and story progression.
Muriel Eady murdered at 10 Rillington Place
In 1944, John Christie lures Muriel Eady to his West London flat at 10 Rillington Place, promising to cure her bronchitis with a special mixture. He incapacitates her with town gas, then strangles her with a rope. It is implied that he has sexual contact with the corpse. He buries Muriel in the communal garden of the building, and while digging the grave he uncovers Ruth Fuerst, a previous victim.
Ruth Fuerst’s remains unearthed
While Christie is burying Muriel, he uncovers the body of Ruth Fuerst, one of his previous victims. This discovery ties the 1944 murder to a pattern of killings in the same building. The find foreshadows later revelations about his crimes.
Tim Evans and Beryl move into 10 Rillington Place
Tim Evans and his wife Beryl move into 10 Rillington Place with their infant Geraldine in 1949. Beryl is pregnant again, and she seeks an abortion, which is the setup for Christie’s predatory involvement. The Evanses' new home becomes the setting for the early crimes.
Christie offers to help terminate Beryl's pregnancy
Christie pretends to have medical expertise and reads from a fake textbook to convince Tim that he can perform the abortion. He convinces them to let him carry out the procedure, exploiting their desperation. The plan takes place inside the Evans home.
Beryl suffers the abortion and is murdered
During the procedure, Beryl reacts violently to the gas. Christie knocks her out with a punch and then strangles her, and the narrative implies he sexually assaults her corpse. After Beryl dies, Christie tells Tim that complications from the abortion caused the death, and he disposes of the body.
Geraldine Evans is killed
With Beryl dead, Christie strangles Geraldine Evans with a tie. He then hides Geraldine's body as part of his ongoing concealment. Tim is away at the time, unaware of the full scope of Christie's crimes.
Tim flees to Merthyr Tydfil
Panicking at the prospect of arrest, Tim leaves town with his aunt and uncle in Merthyr Tydfil. He tells people that Beryl and the baby are visiting relatives in Brighton, maintaining the ruse. The Lynches correspond with Beryl's father to avoid suspicion while Tim hides.
Tim confesses disposing of Beryl's body
Back in London, Tim is questioned and confesses to disposing of Beryl's body in the sewer after the botched abortion. Three London police officers lift a manhole but fail to locate the remains at first. A thorough search of 10 Rillington Place eventually reveals Beryl and the baby.
Tim Evans is tried and found guilty
Tim is brought back to London charged with the murders of his wife and daughter. During the trial, Christie's credibility is attacked by exposing his own history of theft and violence, but Tim is convicted. He is sentenced to death.
Christie witnesses and Tim is hanged
At the trial, Christie is a key witness for the prosecution, yet his own history raises questions about his reliability. Tim Evans is hanged for the murders he did not commit. The case is later recognized as a miscarriage of justice.
Ethel Christie is murdered
Two years after Tim's trial, Ethel Christie reveals fear of her husband and plans to move out. Christie murders Ethel and hides her body under the floorboards in their front room. The crime shows his continued brutality.
The wall hides three more victims; Christie is arrested
In 1953, new tenant Beresford Brown notices a foul smell and peels back wallpaper to reveal a space behind the wall containing three of Christie’s victims. Christie is arrested soon after, ending his killing spree.
End of Christie; Tim is pardoned posthumously
An intertitle confirms that Christie was hanged and that Tim Evans was posthumously pardoned and reinterred in consecrated ground. The film highlights the miscarriages of justice and the human cost of the case.
Explore all characters from 10 Rillington Place (1971). Get detailed profiles with their roles, arcs, and key relationships explained.
John Christie (Richard Attenborough)
A seemingly affable tenant whose veneer of medical knowledge and domesticity masks a calculating killer. He lures women to his flat, uses gas and strangulation, and commits sexual violence, all while maintaining a calm, persuasive front. His ruthlessness lies in exploiting trust and manipulating others to evade detection.
Timothy Evans (John Hurt)
A working-class husband who is illiterate and easily manipulated by Christie. He becomes entangled in the deception around Beryl’s death and the baby’s disappearance, ultimately confessing to crimes he did not commit and facing a death sentence. His story centers on misjudgment, fear, and perceived complicity.
Beryl Evans (Judy Geeson)
Tim’s pregnant wife who seeks an abortion through Christie’s supposed expertise. She suffers a violent outcome at Christie’s hands, becoming a victim in a web of deceit. Her fate drives Tim to seek help and exposes the lethal danger within the home.
Ethel Christie (Pat Heywood)
Christie’s wife who eventually uncovers troubling behavior and fears for her safety. She is targeted as the marriage deteriorates, dies violently, and her body is hidden within the home. Her arc underscores the domestic danger lurking behind a familiar façade.
Judge Lewis (André Morell)
The presiding judge at Tim Evans’s trial, whose role frames the courtroom dynamics and the defense’s attempt to challenge Christie’s credibility. The trial scene emphasizes the tension between evidence, character, and the perception of guilt.
Learn where and when 10 Rillington Place (1971) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1944–1953
The events span the mid-1940s to early 1950s, a period when Britain was emerging from war and rationing persisted. The timeline moves from a 1944 murder in a modest flat to subsequent crimes and investigations through the late 1940s and early 1950s. This era’s social norms and legal processes frame the actions and consequences of the characters, culminating in the trial and aftermath.
Location
10 Rillington Place, Notting Hill, West London
10 Rillington Place is a damp, aging terrace in Notting Hill where the film unfolds. The block’s cramped, shadow-filled spaces and communal areas become the backdrop for a string of horrific acts, hidden in plain sight. The setting reflects postwar West London’s housing strains, where ordinary life and danger collide in a single, claustrophobic building.
Discover the main themes in 10 Rillington Place (1971). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Deception
The narrative centers on how Christie disguises his true nature with charm and manufactured expertise. Deception drives the plot as victims and relatives are misled about the real cause of death and the safety of the home. The film shows the ease with which a seemingly ordinary figure can mask calculated violence, manipulating those around him.
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Justice
Tim Evans’s trial highlights flaws in the justice system, where fear, testimony, and perception can eclipse truth. The story contrasts public condemnation with the reality of innocence, culminating in a posthumous pardon that arrives too late for Evans. The legal process is portrayed as fallible and sensational, shaping lives beyond the courtroom.
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Domestic Horror
The home becomes a site of dread, where ordinary domestic routines conceal violence. The film uses the intimate setting of a family flat to explore how trust and routine can be weaponized. Everyday sounds and spaces—gas, walls, ceilings—become clues to the hidden horror within.

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Discover the spoiler-free summary of 10 Rillington Place (1971). Get a concise overview without any spoilers.
In post‑war London, the narrow terraces of West London hide a world where cramped streets echo with the hopes and anxieties of ordinary people trying to rebuild their lives. The film opens on 10 Rillington Place, a weather‑worn building whose communal garden and shared stairwells become silent witnesses to the everyday dramas that play out behind its soot‑stained doors. The atmosphere is thick with a muted gray realism, a sense that something unsettles the ordinary rhythm of the neighbourhood.
At the heart of the house lives John Christie, a seemingly modest tenant whose outward respectability masks a disturbing undercurrent. Married to Ethel Christie, he navigates the responsibilities of work and domestic life while quietly tending to a hidden side that the neighbours never suspect. Their relationship, though outwardly ordinary, hints at an uneasy balance between complacency and the secrets that linger in the walls of their flat.
Across the hallway, Tim Evans and his wife Beryl Evans arrive with their infant daughter, seeking a fresh start in the modest flat they can afford. The couple’s modest ambitions—building a stable home for their growing family—are constantly tested by the pressures of poverty, limited education, and the occasional intrusion of strangers offering dubious assistance. Their interactions with the other residents, especially the enigmatic Christie family, set the stage for a tense web of trust and suspicion that permeates daily life in the building.
Against this backdrop, the police begin to investigate a series of unsettling events linked to the house, and the fragile sense of security crumbles for the Evans family. The film follows the slow, methodical unraveling of what appears to be a straightforward case, exposing a profound miscarriage of justice that reverberates through the community. With a restrained, almost documentary‑like style, the story invites viewers to linger on the ordinary details while sensing the looming darkness that threatens to upend the lives of everyone at 10 Rillington Place.
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