Terror in the Aisles 1984

What After the Movie is a documentary-style compilation directed by Andrew J. Kuehn that stitches together brief excerpts of terror and suspense from a wide variety of films, then threads them with fresh commentary and a touch of enacted narrative to form a continuous, atmosphere-driven montage of fright. At the heart of the presentation are two seasoned voices who guide the viewer through this curated landscape: Donald Pleasence and Nancy Allen, whose discussions frame the clips around a sequence of enduring fears and cinematic tactics.

The film ambitiously tours a range of emotional terrains, organized around distinct themes and illustrated by recognizable moments from many well-known titles. The accompanying narration and selection of scenes explore:

• sex and terror

• loathsome villains

• natural terror

• the occult

• cosmic terror

• spoofs

Each of these categories is backed by specific examples drawn from the broader movie universe, providing a survey of how fear can be conveyed through characterization, atmosphere, and narrative risk.

In a standout portion of the anthology, the legendary filmmaker Alfred Hitchcock presents his concepts of how to create suspense, delivered through a clip from Alfred Hitchcock: Men Who Made The Movies. This segment anchors the compilation in a historical lineage of masterful tension-building, offering a bridge between classic technique and later clip-based storytelling.

The program’s advertising repeatedly describes the clips as “terror films” rather than “horror films,” a distinction that the montage uses to frame its approach. Some selections—such as Marathon Man and Nighthawks—aren’t usually categorized as horror, but their villains are depicted as profoundly frightening, which justifies their inclusion within this broader tapestry of fear.

The project behind the 1984 release is closely tied to the use of material that Cronenberg introduced to theaters with Videodrome (1983). The process of securing rights and assembling clips was so extensive that no titles released after that year were considered for inclusion, effectively framing the compilation within a specific historical window of horror and terror on screen.

The piece also features a number of featured moviegoers who participate in the dialogue and reactions, including Diane Stilwell, Ángel Salazar, Joel S. Rice, Fred Asparagus, and Lainie Cook, whose perspectives and responses complement the hosts’ commentary and help broaden the sense of audience engagement within the collage of clips.

Overall, the film stands as a thoughtful, layered exploration of how fear is constructed on screen, mixing archival footage with modern narration and a handful of authentic moments of reaction to invite viewers to reflect on what makes a moment truly terrifying.