
A tender drama about a young boy named Tommy, who finds comfort and strength through his vivid imagination. Caught in the difficult situation of a custody battle, he forms a special bond with an imaginary tiger, providing him solace and a sense of resilience. The film explores themes of hope, inner strength, and the power of imagination in the face of adversity, highlighting the importance of connection and finding light even during challenging times.
Does Tommy have end credit scenes?
No!
Tommy does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Tommy, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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66
Metascore
7.8
User Score
6.6 /10
IMDb Rating
65
%
User Score
Challenge your knowledge of Tommy with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays the title character Tommy?
Roger Daltrey
Ann-Margret
Oliver Reed
Keith Moon
Show hint
Discover all the awards and nominations received by Tommy, from Oscars to film festival honors. Learn how Tommy and its cast and crew have been recognized by critics and the industry alike.
33rd Golden Globe Awards 1976
Best Motion Picture – Comedy or Musical
Read the complete plot summary of Tommy, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the prologue set in 1945, a tender montage follows Nora [Ann-Margret] and her husband, Group Captain Walker, as they begin their honeymoon. When his leave ends, Walker heads back to war as a bomber pilot and is shot down on a mission. He is listed as missing in action and presumed dead, though in truth he survives with severe burns, hidden from his family. Back home in England, Nora gives birth to a son, Tommy [Roger Daltrey], on V-E Day, a moment that marks a fragile beacon of hope amid the shadows of war.
Five years later, in 1950, Nora begins a new relationship with Frank [Oliver Reed], a holiday worker she and Tommy meet at a seaside camp. Tommy looks up to his “Uncle” Frank and dreams aloud about running his own holiday camp someday. On New Year’s Eve, Nora and Frank imagine a bright future together, but that night the returning Captain Walker disrupts their bed, and Frank murders him. Tommy witnesses the murder in the reflective glare of a mirror, and the couple pressures Tommy to keep silent as they scramble to cover their tracks. The trauma triggers a dissociative state in Tommy, who outwardly appears “deaf, dumb, and blind” while his inner experience takes on a psychedelic intensity, an odd transformation that will shape the rest of his life (Amazing Journey). At a Christmas party soon after, Nora frets that Tommy “doesn’t know what day it is,” hinting at the depth of his fractured perception (Christmas).
Over the next sixteen years, Nora and Frank try in vain to coax Tommy out of his shell. They seek help from a faith healer (Eyesight to the Blind) and even turn to a drug dealer (The Acid Queen), but nothing yields lasting change. They place him with a string of questionable babysitters (Cousin Kevin / Fiddle About), and at one point leave him alone with a mirror, letting him wander off into a strange vision. That vision leads him to a junkyard where a pinball machine sits, and Tommy begins to play with a remarkable sense of timing and precision (Sparks). The media and Frank recognize him as a pinball prodigy, a public ascent that takes on aura despite his disability, and his triumph culminates in a televised victory against the “Pinball Wizard,” with The Who providing the backing soundtrack and energy. Nora watches the spectacle and tries to celebrate, even as a deeper ache lingers behind the smiles (Extra, Extra, Extra; Champagne).
A medical specialist finally offers a glimmer of explanation: Tommy’s state appears emotionally triggered, not physically rooted, and the doctor suggests the only hope is to keep guiding him toward mirrors and reflection (There’s a Doctor; Go to the Mirror!). Frustrated and desperate, Nora shoves Tommy through the mirror, and the world snaps back into focus as he screams, a dramatic reawakening that marks a turning point: Tommy is now fully aware and ready to shape his own path (I’m Free).
Armed with that new sense of self, Tommy declares a grand, nearly messianic mission to transform the world. He embarks on lecture tours that resemble glam-rock gospel performances, riding the energy of the crowd and gathering friends and followers wherever he goes, often aided by the uplift of the crowd’s belief in him (Mother and Son / Miracle Cure; Sally Simpson / Sensation). Nora and Frank’s home becomes a bustling compound as more and more converts arrive, drawn to Tommy’s message and charisma. They expand with an extension that becomes “Tommy’s Holiday Camp,” a secular shrine to his newly minted gospel of enlightenment (Welcome / Tommy’s Holiday Camp).
Yet the growing community’s hunger for meaning clashes with the practical demands of leadership. When the followers demand something useful from Tommy, he answers by demonstrating his power in new, troubling ways—by deafening, muting, and blinding everyone around him. This unintended provocation ignites a riot, and the dream dissolves in tragedy as Nora and Frank are killed and the camp burns to the ground (We’re Not Gonna Take It). Amid the rubble, Tommy finds his parents and wearily mourns before walking away into the mountains, returning to the peak where their honeymoon once began to greet a new dawn and the rising sun, closing the story with a haunting, hopeful cadence: Listening to You.
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