
The film examines J. Robert Oppenheimer’s pursuit of the atomic bomb, showing how his work on the Manhattan Project changed warfare, caused hundreds of thousands of deaths, and sparked panic and moral anxiety after the war. It also explores the scientific rivalry, political pressure and the lasting nuclear fear that still shapes global security.
Does To End All War: Oppenheimer & the Atomic Bomb have end credit scenes?
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To End All War: Oppenheimer & the Atomic Bomb does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of To End All War: Oppenheimer & the Atomic Bomb, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Bill Nye
Self - Science Educator

Vladimir Putin
Self (archive footage)

Adolf Hitler
Self (archive footage)

Michio Kaku
Self - Theoretical Physicist

Albert Einstein
Self (archive footage)

Eleanor Roosevelt
Self (archive footage)

Xi Jinping
Self (archive footage)

Alan B. Carr
Self - Senior Historian, Los Alamos National Laboratory

J. Robert Oppenheimer
Self (archive footage)

Richard Rhodes
Self - Author, "The Making of the Atomic Bomb"

Jon Else
Self - Filmmaker, "The Day After Trinity"

Leslie Groves
Self - Director, Manhattan Project (voice) (archive sound)

Judy Woodruff
Self (voice) (archive sound)

Edward Teller
Self - Theoretical Physicist (archive footage)

Martin J. Sherwin
Self - Co-Author, "American Prometheus" (voice)

Robert Christy
Self - Theoretical Physicist (voice) (archive sound)

Roy Glauber
Self - Scientist, Manhattan Project (voice) (archive sound)

Kai Bird
Self - Co-Author, "American Prometheus"

Ellen Bradbury Reid
Self - Daughter of Los Alamos Scientist

Mareena Robinson Snowden
Self - Nuclear Security Expert

Gregg Herken
Self - Author, "Brotherhood of the Bomb"

Jennet Conant
Self - Author, "109 East Palace"

Alex Wellerstein
Self - Nuclear Historian

David Eisenbach
Self - History Professor, Columbia University

Robert S. Norris
Self - Author, "Racing for the Bomb"

Charles Oppenheimer
Self - Grandson

Hideko Tamura
Self - Hiroshima Survivor (Age 10)
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See how To End All War: Oppenheimer & the Atomic Bomb is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where To End All War: Oppenheimer & the Atomic Bomb stands among top-rated movies in its genre.
The documentary is widely regarded as an informative and well‑crafted companion to the fictional film, offering a concise, well‑paced overview of Oppenheimer's life and the atomic era. Reviewers highlight its effective use of archival footage, thoughtful commentary, and educational merit, though some note uneven sound design and occasional revisionist tones. The net impression is that the film succeeds in delivering a solid historical perspective with modest technical flaws, making it a recommended viewing for interested audiences.
The Movie Echo Score Breakdown for To End All War: Oppenheimer & the Atomic Bomb
Art & Craft
In terms of direction and visual craftsmanship, the film employs original and upscaled archival footage that supports a clear narrative flow. The editing maintains a tight 1.5‑hour structure, allowing the material to feel cohesive. While no specific praise is given for cinematography, the overall production design is considered competent and functional.
Character & Emotion
When evaluating character depth and emotional resonance, the documentary relies on interviews with associates and a moving testimony from a Japanese survivor, providing nuanced insight into Oppenheimer's persona. Some viewers, however, perceive a revisionist slant that undermines authenticity. Overall, the person‑focused elements contribute appreciably but are not uniformly convincing.
Story & Flow
The story is praised for its measured pacing and logical progression, delivering a succinct yet comprehensive account of scientific ambition and wartime decisions. Critics note the narrative remains engaging without excessive dramatization, though a few describe it as dispassionate. The film’s structure generally sustains interest and clarity throughout.
Sensory Experience
Sensory experience receives mixed feedback: the visual presentation benefits from high‑quality archival clips and clear upscaling, yet sound design is criticized for inconsistent levels and occasional inaudibility. The soundtrack is functional but unremarkable, resulting in a sensory impression that is competent but not uniformly polished.
Rewatch Factor
The rewatch factor is high, as many viewers recommend the documentary both before and after seeing the fictional counterpart for deeper context. Its educational value, concise format, and insightful commentary encourage repeat viewings, reinforcing its lasting appeal for audiences seeking a factual supplement to the larger narrative.
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