
The film follows a rebellious student who, despite the appearance of affection, embarks on a forbidden affair with his best friend's mother. Neither a conventional love story nor a tale of worship, the tryst spirals into tragic, irreversible consequences that shatter relationships and reveal the darkness beneath desire.
Does The Idol have end credit scenes?
No!
The Idol does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Idol, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Guy Doleman
Martin Livesey

Jane Birkin
Art Student

Jack Watson
Police Inspector

Michael Parks
Marco

Jennifer Jones
Carol

Caroline Blakiston
2nd Woman at Party

Jennifer Hilary
Sarah

Natasha Pyne
Rosalind

Jeremy Bulloch
Lewis

Priscilla Morgan
Rosie

Gordon Gostelow
Simon

John Leyton
Timothy

Derek Ware
Labourer

Fanny Carby
Barmaid

Renée Houston
1st Woman at Party

Edna Morris
Mrs. Muller
Discover where to watch The Idol online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
Challenge your knowledge of The Idol with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the young, arrogant art student in the film?
Marco
Timothy
Carol
Sarah
Show hint
Read the complete plot summary of The Idol, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Marco, a young, arrogant art student, is friendly with Timothy, a medical student, and Sarah, Timothy’s girlfriend. Timothy is dominated by his wealthy and beautiful mother, Carol, who is divorcing her husband. There is an Oedipal undercurrent between mother and son, and Timothy is not happy that Carol plans to marry again. Nevertheless, as Carol continues to control his life, Timothy wishes to be more independent.
[Marco] finds a studio apartment, and Timothy pays the first two months’ rent, planning to move in with his friend and switch from medicine to art. An angry Carol prevents the move, and Sarah, who has fallen in love with Marco, moves in instead.
During a party at her weekend cottage, Carol becomes furious when she finds Marco and Sarah kissing in Timothy’s room, and she orders Marco from the house. Later, Timothy is involved in a pub brawl, and Marco defends him and brings him home unconscious. Carol is appreciative, and warms to him. Later at a bar, Marco and Carol dance, and it is clear the repressed Carol is attracted to him. Timothy looks on, uneasy.
On New Year’s Eve, Marco arrives at Carol’s house to accompany Timothy to a party. But Timothy had already left, and Marco is left alone with Carol. He seduces her, then scorns her in retaliation for his earlier humiliation at the cottage. He leaves for the party which is on a boat, and arrives drunk accompanied by a streetwalker. He hints broadly to Sarah of his conquest of Carol, which Timothy overhears. Anguished, Timothy runs up on deck and Marco stumbles after him. Timothy violently thrusts him away, but a woozy Marco falls into the water and drowns, despite Timothy’s efforts to save him. Questioned by the police, Timothy refuses to reveal the cause of the fight. Thus, without his admitting to the actual provocation, it is determined that Marco drowned at Timothy’s instigation. Carol, who has arrived during the questioning, reaches out to Timothy as he is being led away by the police, but he coldly turns away.
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