The Stalking Moon 1968

In this gritty, character-driven western, a group of Apaches is rounded up by U.S. Army soldiers, mostly women and children, until a white woman and her half-Indian son surprise the guards with their presence. Sam Varner [Gregory Peck] is a weathered scout about to retire and trade the field for a quiet life on his New Mexico ranch. When Sarah Carver [Eva Marie Saint] pleads for his help, he agrees to escort her and her son immediately, skipping the five-day wait for a formal military cue.

Their journey leads them to a remote stage stop called Hennessy, where the boy vanishes in the night. A dust storm rolls in, forcing Sam and Sarah to search by torchlight, eventually recovering the child and taking shelter in the rough confines of the station. But the danger isn’t just the weather— lurking in the shadows is Salvaje [Nathaniel Narcisco], the boy’s father, a silent and ruthless killer whose reputation precedes him. Salvaje’s name, whispered among the Apache, translates to “Ghost” or, in his tongue, “He Who Is Not Here,” a chilling omen of the violence he embodies.

The return to the station is grim: Salvaje has already slain everyone there. Sam, grieved by the cost of haste, reluctantly accepts that Sarah and her son must press on, sending them onto a departing stage while he lingers to secure a path for himself. He eventually follows to a rail station at Silverton and uses government transport letters to trade for train tickets to Topeka, Kansas, determined to chart a safer course.

Despite the tension, Sam’s sense of obligation remains strong. He invites Sarah and her boy to join him at his ranch so they can begin anew under his care, with Ned [Russell Thorson], the old man who tends to the property, keeping watch over the place. The trio settles into a fragile, uneasy routine as they try to bridge gaps of language, past hurts, and a wary distrust born of recent crisis. Sam’s longtime ally and friend Nick Tana [Robert Forster] drops by with sober news: Salvaje has already killed at Silverton and is closing in on the ranch to reclaim his son, matching Sam’s every move with calculated menace. The warning lands with bone-deep seriousness, and the danger feels personal now.

Tragedy strikes when Ned goes outside to feed the dog and discovers a deadly arrow’s mark. The attack ignites a furious chase, and Salvaje’s presence is confirmed as a brutal force that won’t quit. Nick rushes in to warn Sam, but Salvaje claims Nick’s life before the three can find a safe way out. The horse-train plan collapses into a desperate stand at the ranch, where Salvaje breaches the house through a window, and Sam must improvise in the deepest sense of survival.

The confrontation grows intimate and ferocious. Sam snuffs out the room’s lamp to gain the upper hand, relies on the darkness, and squares off against Salvaje in a fight that threads through the house and out into the yard. A cunning booby-trap—rigged with a knife—redefines the duel, leaving Sam pierced in the thigh and fighting to keep control as blood wells and exhaustion mounts. He rigs a final counterstrike, delivering three decisive shots that topple Salvaje and end the nightmare once and for all. Wounded and exhausted, Sam drags himself back to the house, where Sarah erupts with relief and rushes to his side, steadying him as the dust of danger finally begins to settle.

In the end, the bond formed under pressure holds. The ranch becomes a fragile haven, a place where patience, protection, and perseverance must coexist, and where two strangers–now bonded by shared peril–face an uncertain future together, waiting for the next sunrise to reveal what comes next.