Blood on the Moon 1948

A woman's bullet hits as fast as a man's. Down‑and‑out cowhand Jim Garry is called by his old friend Tate Riling to mediate a cattle dispute. When Garry arrives he learns Riling is concealing a plot to cheat local rancher John Lufton out of his fortune. As Lufton’s fiery daughter Amy gets tangled in the scheme, Garry must choose between old loyalties and the right thing.

A woman's bullet hits as fast as a man's. Down‑and‑out cowhand Jim Garry is called by his old friend Tate Riling to mediate a cattle dispute. When Garry arrives he learns Riling is concealing a plot to cheat local rancher John Lufton out of his fortune. As Lufton’s fiery daughter Amy gets tangled in the scheme, Garry must choose between old loyalties and the right thing.

Does Blood on the Moon have end credit scenes?

No!

Blood on the Moon does not have end credit scenes. You can leave when the credits roll.

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Blood on the Moon (1948) Quiz: Test your knowledge of the classic Western film *Blood on the Moon* with these ten questions ranging from easy to challenging.

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Full Plot Summary and Ending Explained for Blood on the Moon

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Read the complete plot summary of Blood on the Moon, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Jim Garry Robert Mitchum is a weathered cowboy drifter who is summoned by his smooth-talking friend Tate Riling Robert Preston. He rides into a tense situation on a remote Indian reservation and quickly finds himself drawn into a brewing clash between a stubborn cattle owner and a cohort of hungry homesteaders, all while a calculated scheme quietly takes shape in the background. The cattle owner, John Lufton Tom Tully, has a rugged dignity and a guarded pride that makes him wary of outsiders, even as his family becomes entangled in the rising pressure over Lufton’s herd. Garry’s arrival stirs curiosity and suspicion in Lufton’s household, where Amy Lufton Barbara Bel Geddes cautiously tests Garry’s motives, and Carol Lufton Phyllis Thaxter, the other daughter, remains charmingly enigmatic and quietly drawn to the dangerous world Riling inhabits.

At the heart of the conflict lies a calculated conspiracy involving Lufton’s cattle, a government angle, and a set of players who want the herd reshaped to someone else’s benefit. Jake Pindalest Frank Faylen, an Indian agent, partners with Riling to craft a plan that would force Lufton to sell his cattle cheaply. Pindalest condemns Lufton’s cattle as unfit to feed the Indians, and he orders the herd off the reservation within a week. Riling then mobilizes homesteaders into obstructing Lufton’s shakedown, skillfully convincing them that he is acting in their interests even as he eyes the cattle for a private bargain. The trap is delicate: Lufton would never sell to Riling, but he might to a stranger like Garry; in that case, Pindalest’s plan could be revived, and the government could be drawn into the purchase. Riling offers Garry a tidy sum—$10,000—for his role in the scheme, a temptation that tugs Garry deeper into a web of deceit and danger.

Lufton, stubborn and shrewd, manages to move his herd off the reservation, testing Garry’s credibility and loyalty as he does so. Amy, caught between trust and fear, begins to see Garry in a more favorable light, while Carol’s covert allegiance to Riling remains a volatile wild card. The Luftons’ relief is short-lived, because Carol, who loves Riling, tips him off and ensures that Riling remains one step ahead. The tension erupts as Riling and his men eventually locate the cattle and drive them back onto the reservation, a ruthless stampede that threatens to demolish Lufton’s efforts and ruin them all. The tragedy lands hard when a young man is killed in the chaos, and Garry, determined to do right by the boy’s grieving father Kris Barden Walter Brennan, delivers the grim news with as much honesty as he can muster, only to be met with scorn and mistrust in return. The moment crystallizes Garry’s isolation and the moral weight of the mess he’s found himself in.

Friendless and disillusioned, Garry leaves town and heads for Texas, stopping at a distant commissary to rest. There, he is ambushed by Riling and one of his gunmen, and the resulting brawl is brutal, with Garry fighting for his life and barely prevailing. In a brutal turn of fate, Kris Barden fires and stops the other would-be killer at the last moment, saving Garry’s life and delivering a pointed, terse warning to keep riding. The confrontation marks a turning point: Garry makes his way to Lufton’s ranch, where Amy finds him and, against the odds, begins to trust him—and to feel the stirrings of love. The two of them form a fragile bond as danger closes in from every side, and Lufton, wary but hopeful, allows Garry back into the circle, a move that slowly reshapes the dynamics of trust on the Lufton property.

To buy time and outmaneuver his opponents, Garry pretends to remain aligned with Pindalest while secretly breaking away from Riling’s influence. He tricks Pindalest into sending a messenger to the government to extend the deadline, all the while incapacitating Pindalest and taking him prisoner. Riling and his gang, furious at the turn of events, close in, tracking Garry and the others down. Garry is wounded—a stab to the chest—but he manages to escape to Kris Barden’s homestead, where Amy arrives to stand by him. The trio confronts the mounting danger as Riling, his two chief henchmen, and Pindalest descend upon them and a full gunfight erupts.

Garry urges Amy to leave for her safety, but she refuses to abandon him. With Kris and Amy’s help, Garry fights back, slipping out at night and staging a daring takedown of Pindalest while fending off the remaining gunmen. The clash leaves Riling fatally wounded, and he dies with Garry’s future and the Luftons’ fate hanging in the balance. By dawn, Lufton’s contingency plan comes to fruition: Lufton and his men arrive with a sense of justice and relief, Pindalest is taken into custody, and Amy declares that a new man will join the Lufton household. The mood shifts from peril to quiet celebration as Lufton proclaims it a reason to celebrate, and the reunited party heads for Barden’s jug, where the next chapter of their lives can begin together.

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Blood on the Moon Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


cattle stampedeute indianrancherhomesteadergunbroken windowbreaking a windowhorsekillingbetrayalcattlestampedeneeding moneymoneycashu.s. currencycurrencymourning one's sonwidowerbraverybootmissing heelboot heelmissing boot heelbar fightbloody handwoundhand woundknifestabbed with a knifeamerican indiannative americanpair of muddy bootsstrangerfeeding a strangersister sister relationshipcowhandcattlemanfather daughter relationshipbarsaloonfalling into watershootingshot with a gunbloodunited states of americaranchhomesteadmoonamerican west

Blood on the Moon Other Names and Titles

Explore the various alternative titles, translations, and other names used for Blood on the Moon across different regions and languages. Understand how the film is marketed and recognized worldwide.


Gun Man Vento di terre selvagge 월하의 총성 Ay'dakı Qan Ciel rouge Sangre en la luna Sangue sulla Luna Nacht in der Prärie Кровь на Луне Sangue na lua 月宫浴血 블러드 온 더 문 Blod på månen Sang a la lluna

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