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The Violent Men 1955

Runtime

96 mins

Language

English

English

A former Union Army officer plans to sell his land to Anchor Ranch and head east with his fiancée, but the crippled owner’s low offer and the ranch’s tactics make him reconsider. After his right hand is killed, he stays and fights, using his war skills. Meanwhile, the owner’s wife starts an affair with his brother, who is involved with a Mexican woman.

A former Union Army officer plans to sell his land to Anchor Ranch and head east with his fiancée, but the crippled owner’s low offer and the ranch’s tactics make him reconsider. After his right hand is killed, he stays and fights, using his war skills. Meanwhile, the owner’s wife starts an affair with his brother, who is involved with a Mexican woman.

Does The Violent Men have end credit scenes?

No!

The Violent Men does not have end credit scenes. You can leave when the credits roll.

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Challenge your knowledge of The Violent Men with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


The Violent Men Quiz: Test your knowledge of the 1955 western film *The Violent Men* with these ten multiple‑choice questions ranging from easy to difficult.

Who plays the former Union cavalry officer John Parrish?

Full Plot Summary and Ending Explained for The Violent Men

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Read the complete plot summary of The Violent Men, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


John Parrish, Glenn Ford, a former Union Army cavalry officer, has been living out West to recover from a lingering lung wound. He keeps to a quiet life, avoids trouble, and plans to sell his land to Anchor Ranch so he can return East with his fiancée, Caroline Vail, May Wynn. But his plans are rattled when he witnesses the town sheriff fall to Wade Matlock, a cowardly enforcer working for Anchor Ranch, Richard Jaeckel. The shock of witnessing the killing unsettles him, and it foreshadows the violence that will follow.

Anchor Ranch’s crippled owner, Lew Wilkison, Edward G. Robinson, resents the arrival of settlers and tries a low-ball offer to buy Parrish’s ranch, pressing him to decide within 24 hours. Parrish, worn down by pressure and hindered by his fiancée’s insistence, ultimately agrees to consider selling, setting the stage for a climactic confrontation. Meanwhile, Parrish’s men ride into town seeking revenge for the death of a ranch hand—one of the nesters’ sons—but Parrish restrains them, arguing that only a lawful path can answer this feud. He confronts Wade Matlock in the saloon, surrounded by Lew’s men. Wade fires first, but Parrish—the former soldier—slaps his grip, draws, and kills Wade as the crowd looks on, slipping out before the mob can react.

The following day, Parrish rides to Anchor Ranch and bluntly tells Lew that his land is not for sale. As he rides away, he delivers a stark warning: “Don’t force me to fight, because you won’t like my way of fighting.” The line underscores the tension between Parrish’s disciplined, lawful approach and the ruthless methods favored by Lew and his cohort. The atmosphere tightens as Martha Wilkison, Lew’s wife, and Cole Wilkison, Lew’s brother, become central figures in a web of power plays and personal betrayals. In the shadows, Caroline Vail returns a ring, signaling the unraveling of Parrish’s plans, while Judith Wilkison, Dianne Foster, the daughter of Lew and Martha, observes the rising danger with growing unease.

Cole leads Lew’s men in an act of violence, burning Parrish’s ranch to the ground. Parrish, anticipating such a move, and his own men retaliate with a calculated ambush, killing eight of Lew’s men and forcing the rest to retreat to the hills. The attack shifts the balance of power and invites further confrontation. Back at Anchor, Martha’s ambitions surface more clearly as she and Cole argue, with Cole drawing away to see his Mexican girlfriend, while the rest of the town watches the power struggle unfold.

That night, Parrish and his men trigger a staged stampede of Lew’s horses and cattle, drawing Lew’s defenders away from the ranch. The invaders then set fire to the Anchor ranch house. Lew survives the blaze, limping from the wreck and enduring the loss, while Martha fights to salvage the dream of rebuilding. Martha eventually finds Cole and declares that Lew is dead, and together they plot to reclaim the valley, gathering an improvised army with support from the sheriff, who is drawn into the deception.

As Lew nurses his injuries, Judith finds him in the hills and escorts him to safety, revealing that she still seeks a resolution that can spare the community from further bloodshed. Parrish and his men lie hidden, watching the Anchor from the fringe of the hills, while Martha and Cole return with their improvised force to press their claims. But the truth surfaces: Martha is revealed as the real villain behind the escalating violence, and the sheriff’s eyes widen at the sight of Lew still alive. Lew orders the small army to withdraw, denying Martha and Cole the chance to seize control.

Parrish, sensing an opportunity, rides toward Cole for a final showdown. The two men meet in a tense exchange that ends with both firing, and Cole is fatally shot, collapsing to the ground. Martha rushes to Cole’s side, only to be confronted by Cole’s Mexican girlfriend, who shoots Martha in a swift act of revenge. The town’s tensions momentarily subside as the immediate violence cools.

In the aftermath, Parrish and his men prepare to move on, loading supplies on a wagon. Judith approaches and tells John that her father would like him to run Anchor. John, weary but steadfast, reveals that he has his own ranch to rebuild, then halts, turns back toward Judith, and delivers a knowing smile: “your father once told me he’d get my ranch one way or another.” With that, John Parrish and Judith ride off together, two old hands who have weathered a relentless frontier, their future uncertain but their resolve intact.

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The Violent Men Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


woman's revengebrother brother relationshiphusband wife relationshipstrong female antagonistcattle ranchfrontier towncorrupt sheriffarmy captainhorseback ridingcattlemen vs .farmerspost civil warextramarital affairrebellious daughterstrong arm tacticshired killerbroken marriage engagementarsonambushstampedehandicapped manwanted dead or alivemexican womanchange of heartgun duelland disputefiance fiancee relationshiphouse on firekisswife abandons her husbandhorseclassical westernnoir westernmother daughter relationshipjealousygreedshot in the backrange warfather daughter relationshipviolenceshot to deathmurderland ownerbrutalitybetrayalbeaten to deathman with no name

The Violent Men Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Violent Men across different regions and languages. Understand how the film is marketed and recognized worldwide.


더 바이올런트 맨 Uomini violenti Le souffle de la violence Rauhe Gesellen Hombres violentos Az erőszakos férfiak Жестокие люди Vestens Vilde Mænd Жестоки хора 草莽龙蛇 مردان خشن Um Pecado em Cada Alma 앵커의 결투 Homes violents Násilní muži Våldets män Öfkeli Adam

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