
A violent man roams the frontier, while a stranger rides into town searching for his estranged wife, who now runs the local brothel and controls the girls. He discovers a sheriff and townsfolk terrified of an unseen landowner who rules through a gang of sidekicks. The newcomer, a tamer, takes a $500 commission to clean settlement, restoring order.
Does Man with the Gun have end credit scenes?
No!
Man with the Gun does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Man with the Gun, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Angie Dickinson
Kitty (uncredited)

Claude Akins
Jim Reedy (uncredited)

Robert Mitchum
Clint Tollinger

Richard Wilson

Ted de Corsia
"Frenchy" Lescaux

Maidie Norman
Sarah (uncredited)

Stafford Repp
Arthur Jackson (uncredited)

Emile Meyer
Saul Atkins

Leo Gordon
Ed Pinchot

Henry Hull
Marshal Lee Sims

James Westerfield
Mr. Zender

Barbara Lawrence
Ann Wakefield

Jay Adler
Cal (uncredited)

Amzie Strickland
Mary Atkins (uncredited)

Karen Sharpe
Stella Atkins

John Lupton
Jeff Castle

Jan Sterling
Nelly Bain

Burt Mustin
Hotel Desk Clerk (uncredited)

William Challee
Townsman (uncredited)

Peter J. Votrian
Kid with Dog (uncredited)

Maudie Prickett
Mrs. Elderhorn (uncredited)

Robert Osterloh
Virg Trotter (uncredited)

Florenz Ames
Doc Hughes (uncredited)

Joe Barry
Dade Holman (uncredited)

Norma Calderón
Luz (uncredited)
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Who is the famed gunfighter hired to restore order in Sheridan City?
Read the complete plot summary of Man with the Gun, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Clint Tollinger arrives in Sheridan City with a hard-won reputation as a “town tamer,” a gunfighter who cleans up the most unruly communities. He seeks out Nelly Bain, the woman he once married, but she refuses to see him, keeping her distance from the man whose presence once defined danger in the area. In the background, the town has endured 14 killings and 31 robberies in the past year, a brutal tally that has left residents wary and ready to accept drastic measures. The local marshal shows a notable reluctance to stand up to the powerful rancher Dade Holman and his gang, a stance that pushes the town council toward an uneasy decision: hire Tollinger for a fee of $500 to restore order, even if it means letting him run the show his way.
From the start, Tollinger pushes authority to match his own code. He gets the marshal to deputize him and insists on operating without interference, setting a clear boundary: no one in town will carry weapons while Tollinger is in charge, and he begins by disarming a leading citizen who runs the saloon, “Frenchy” Lescaux, a manager tied to Holman’s corrupt empire. The move sends a message that violence will be met with swift, surgical force, and it isn’t long before the town’s troublemakers learn that Tollinger means business. To emphasize the point, Tollinger confronts the Harkness brothers—Holman’s gunmen—warning them off and then ending their threat with cold efficiency.
As the new order takes hold, Tollinger’s presence becomes more personal and intimate. A tense exchange with a group of would‑be raiders ends in a dramatic demonstration of his speed and precision: with a shotgun in hand, he disarms four men who come looking for trouble, forcing them to drop their guns. The danger intensifies when a cunning ploy is attempted: one outlaw tries to hide a secondary gun inside his hat, but Tollinger recognizes the ruse and shoots the leader, Jim Reedy, sealing his control of the town with a single decisive shot.
Meanwhile, Tollinger’s personal life threads through the action in a bitter, revealing way. A social event offers a moment of reflection on remaining loyalties and the price of security. A town woman suggests that Tollinger’s rule won’t be complete until the dance hall girls also leave, hinting at a broader social cleansing that troubles Tollinger’s allies and enemies alike. Tollinger has a candid conversation with Nelly Bain about the future, and their past—as a wife and husband—pulls at him as he announces a strict curfew. The couple’s history becomes a painful echo when Nelly informs him that their daughter Beth is dead, a revelation that shakes Tollinger to his core and intensifies his resolve to confront the mounting danger.
Not long after, Tollinger’s campaign of order culminates in a blaze of violence. He burns Holman’s saloon and, in a fatal confrontation, Lescaux meets his end when he attempts to knife Tollinger from behind. In quick, brutal sequence, Holman’s lawyer Mr. Zender has been watching Tollinger from the shadows, orchestrating a trap that hinges on timing and fear. When Nelly uncovers Zender’s identity, she rushes to warn Tollinger, but Holman rides into town for the final showdown, a dramatic arrival that tests Tollinger’s resolve as never before. Tollinger kills Holman, but the victory is not without cost: Castle, the trespasser who was being held on Holman’s property, yells that the kill is his, and Tollinger allows Castle to fire the fatal shot—only to be struck by Holman’s rifle in the shoulder and left momentarily vulnerable.
In the aftermath, Tollinger defers from a life built on constant violence. He reassures Nelly, who has stood by him through the danger and the heartbreak, that the Doc is ready to treat the wound, and the city’s physician—Doc Hughes—confirms the plan to mend what has been broken. With the immediate threat behind them, Tollinger and Nelly share a quiet, restrained moment of relief, a kiss signaling a fragile, hard-won peace and a mutual acknowledgment that perhaps it’s time to leave the business of gunfighting behind.
The town of Sheridan City is left to grapple with the costs of order and the uneasy balance between justice and vengeance. Tollinger’s intervention rewrites the rules for a place accustomed to lawlessness, and though the wounds are deep—both physical and emotional—the story closes on a note of tempered hope. In the final exchange, Tollinger faces a choice about his own future, and the presence of trusted allies—like the steady Doc Hughes—offers a glimmer that a quieter life may be possible, even for a man who once defined himself by his willingness to pull the trigger. The lingering implication remains that the line between protector and tyrant is thin, and the people of Sheridan City will remember the man who came to clean up the town—and the price they paid for his brand of order.

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