
After her father’s death, Lily moves to the city to live with her strict aunt. By day she works in the aunt’s bookstore; by night she slips across the street to pose for Richard, a sculptor, and they fall deeply in love. Meanwhile, Baron von Merzbach, a patron of Richard, becomes fascinated with Lily, harboring motives that are far from pure.
Does The Song of Songs have end credit scenes?
No!
The Song of Songs does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Song of Songs, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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Which actress portrays the innocent peasant girl Lily?
Read the complete plot summary of The Song of Songs, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
An innocent peasant girl, Lily, Marlene Dietrich is bereft of family after the death of her elderly father. Her aunt, Mrs. Rasmussen, Alison Skipworth, who owns a book shop, reluctantly takes in Lily, but treats her more as a servant than as a niece. The naturally affectionate girl attracts the attention of a local sculptor, Brian Aherne who flirts with her and invites her to his atelier, suggesting she pose for him. Lily demurs, but suffering under the ill-willed scrutiny of her aunt, she reconsiders and consents. In posing in the nude for Richard she discovers her womanhood, and incidentally, falls in love with the penurious artist. The artist finds himself ill-equipped to respond fully to Lily’s overwhelming passion for him.
A suitor appears in the form of the wealthy Baron von Merzbach, Lionel Atwill. A patron of Mrs. Rasmussen’s book shop, he schemes to take Lily to his estate and make her his mistress, under the fiction that the mostly illiterate girl will serve as his secretary. The aunt accepts a cash bargain from the Baron, and casts her out. Lily flees to Robert’s studio with the Baron in pursuit. To her dismay Richard hands her over to the Baron, believing she may be better off with a man who can provide for her.
The Baron becomes infatuated with Lily and marries her, but expels her from his estate when, in despair, she attempts to seduce the Baron’s riding master.
By chance, Richard encounters Lily, now working in a Berlin cabaret. She blames him for her degraded existence, but cynically praises him for disabusing her of her illusions, and allowing her to escape her naiveté and embrace the harsh realities of life. Remorsefully, Richard invites Lily to return to his studio. There she is confronted with the now completed marble statue she first posed for in her girlhood, an image of unspoiled innocence. In a calculated rage, she smashes the figure to pieces. After this catharsis, Lily and Richard reconcile and establish a genuine union.

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