
Prepare to forget every other love story you’ve ever seen or heard sung. Prince Edward longs to marry for love, yet his father, the King, and the Euphranian court press him to wed for duty. At a royal ball he encounters Cinderella, believing she is his destiny, and when she leaves a slipper behind, he becomes resolute in finding her and securing their marriage.
Does The Slipper and the Rose have end credit scenes?
No!
The Slipper and the Rose does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Slipper and the Rose, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Michael Hordern
King

Richard Chamberlain
Prince Edward

André Morell
Bride's Father

Norman Bird
Dress Shop Proprieter

Valentine Dyall
2nd Major Domo

Peter Graves
General

Ann Rutherford
Princess

Margaret Lockwood
Stepmother

Edith Evans
Dowager Queen

Geoffrey Bayldon
Archbishop

Jessica Swift
Dancer

Jenny Lee Wright
Milk Maid

Kenneth More
Chamberlain

Lally Bowers
Queen

Michael Buchanan
Dancer

Marianne Broome
Princess

Aileen Lewis
Noblewoman (uncredited)

Michael Coleman
Dancer

Roy Barraclough
Tailor

Patrick Jordan
Prince's Guard

Vivienne McKee
Bride

Stuart Saunders
Dancer

Sherrie Hewson
Palatine

Annette Crosbie
Fairy Godmother

Wayne Sleep
Dancer

Jill Goldston
Wedding Guest (uncredited)

Gemma Craven
Cinderella

Tessa Dahl
Princess

William Lawford
Dancer

Arthur Sweet
Dancer

Walter Henry
Nobleman (uncredited)

Rosalind Ayres
Isobella

Rocky Taylor
Prince's Guard

Lea Brodie
Princess

Christopher Gable
John

Tim Barrett
Minister

Lesley Collier
Dancer

Maurice Lane
Dancer

Gerald Sim
1st Lord of the Navy

Keith Skinner
Willoughby

Julian Orchard
Montague

Myrtle Reed
Bride's Mother

Wendy Barrie
Dancer

Polly Williams
Lady Caroline

Elizabeth Mansfield
Lady in Waiting to the Queen

Ludmilla Nova
Lady in Waiting to the Queen

Peter Leeming
Singing Guard

Eva Reuber-Staier
Princess

Suzette St. Clair
Princess

Paul Schmitzburger
Cow Herd

Robert Arditti
Dancer

Adrian M. Barnes
Dancer

Tony Bateman
Dancer

Nicky Benton
Dancer

Reg Bundy
Dancer

Susan Claire
Dancer

Ina Clare
Dancer

Rosalind Cole
Dancer

Michael Darbyshire
Dancer

Bill Drysdale
Dancer

Anna Delany
Dancer

Stanley Fleet
Dancer

Neil Fitzwiliam
Dancer

Joyce Graham
Dancer

John Heawood
Dancer

Deanne Horsham
Dancer

Jerry Hunt
Dancer

Sheila Humphreys
Dancer

Janie Kells
Dancer

Lorna Kelner
Dancer

Jimmy Land
Dancer

Adrian Le Peltier
Dancer

Susan Lockwood
Dancer

Vince Logan
Dancer

Connel Miles
Dancer

Thorey Mountain
Dancer

Connie Paull
Dancer

Terry Rendle
Dancer

David Shelmerdine
Dancer

Petra Siniawski
Dancer

Jacquie Toye
Dancer

Hilary Tickner
Dancer

Domini Winter
Dancer

Fred
The Dog

Emma Forbes
Bridesmaid (uncredited)
Discover where to watch The Slipper and the Rose online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or JustWatch.
Challenge your knowledge of The Slipper and the Rose with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the prince in the film?
Prince Henry
Prince Edward
Prince Charles
Prince Arthur
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Read the complete plot summary of The Slipper and the Rose, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Prince Edward of Euphrania returns home after meeting the princess Selena of Carolsveld, whom his parents have arranged for him to marry. Yet Edward does not share their plans, and he openly questions the idea of an arranged union. He insists on loving who he chooses, not merely marrying for political purposes. In his frustrated vow, he challenges the notion that love and duty must align in a single path. > Why Can’t I Be Two People? The pressure from his parents is clear: they want a strategic alliance to secure Euphrania’s future, while Edward longs for a marriage built on genuine affection. > What Has Love Got to Do with Being Married?
Meanwhile, Cinderella endures a harsh life at the hands of her cruel stepmother, who has banished her to the cellar and reduced her to a servant for herself and her two spiteful daughters, Isobella and Palatine. Cinderella clings to memories of happier times, softly recalling a past when she felt loved. While tending to her parents’ grave, she unexpectedly encounters the Prince and his loyal bodyguard John in the royal crypt. The Prince, with a wry, almost fatalistic humor, treads through tales of his ancestors as if they might share his fate. The encounter leaves a strange sense of fate hanging in the air, even as the prince’s party departs with unspoken questions about their own futures.
Back at the castle, a political calculation drives the court’s decisions. A looming threat of war with Carolsveld pushes Euphrania toward a marriage alliance with a neighboring realm, and a grand ball is proposed as the scene in which Edward might choose his bride. The plan, however, is met with reluctance: many princesses are hesitant to attend, so the nobility—along with Cinderella’s stepfamily—are invited to fill the guest list. The looming crisis intensifies the tension between personal desire and national security.
Cinderella’s stepmother and stepsisters pressure her to sew three stunning gowns from the pieces of their old dresses because there aren’t enough dresses to go around. Desperation and fear of being left out push Cinderella toward an impossible task. Then, a Fairy Godmother, who has a gift for sensing true hearts, arrives and grants two incredible acts: she conjures three magnificent gowns and, more importantly, transforms Cinderella’s shabby attire into a breathtaking ball gown, perfect hair, and a magical coach. The Fairy Godmother cautions that the magic can only last until midnight, and Cinderella is sent off to the ball with the blessing that destiny may finally smile upon her. > Suddenly It Happens
At the ball, it is love at first sight as Cinderella and Prince Edward meet under glittering lights, their initial exchange charged with a mix of awe and possibility. The moment is electric, and the connection feels both improbable and undeniable. But as the night deepens, the magic wanes and Cinderella vanishes into the night, leaving only a single glass slipper as proof of their fateful kiss. The prince, determined not to lose the one who captured his heart, launches a citywide search for the wearer of the delicate shoe that could complete their bond. Back home, the prince’s friend John grapples with his own forbidden love for a noblewoman, a complication that complicates the prince’s quest and adds both heartache and humor to the court’s politics. The prince even knights John so that he might pursue his own romance—an act that underscores how love and duty twist together in their world.
As the search proceeds, the glass slipper becomes a symbol of possibility, and the prince’s devotion to finding his unknown beloved grows more intense. Yet the memory of Cinderella haunts him, and even the monument he builds for the slipper cannot erase the ache of not knowing the identity of the woman who wore it. It is through a chance moment—the slipper resting in the woods and Cinderella dancing with it—that the prince and his companion catch sight of the possibility of a true match beyond what statecraft dictates. The moment of recognition is quiet and fragile, but it sets in motion the chain of events that will redefine duty and desire for the royal family.
The revelation of Cinderella’s exile weighs heavily on the King, who fears war and the fragility of Euphrania’s future. The Lord Chamberlain explains that a political marriage to a princess is necessary to safeguard the realm, a plan that would stamp out the possibility of a loving union between Cinderella and Edward. A sense of guilt accompanies the King’s difficult decision, and Cinderella is forced to live in exile, carrying the memory of a love that might have saved the house from chaos. The Fairy Godmother, ever watchful, returns and urges Cinderella not to surrender hope, hinting that fate may still tilt in her favor. > Tell Him
From exile, Cinderella holds on to the belief that love can indeed conquer law and convention. In the castle, Edward, torn between duty and affection, confesses his longing for Cinderella and the depth of his feelings, even as he contends with the political demands placed upon him. The Fairy Godmother works behind the scenes to repair the rift between passion and policy, nudging the King toward reconsidering the rigid rule that says a non-royal cannot marry a prince. The question of whether a royal wedding might nonetheless honor the realm’s security becomes central to the drama, and the court’s debates reach a fever pitch.
In a pivotal turn, the law is opened to change, and in a bold, unexpected move, the King agrees to allow Edward to marry the person he loves if the new arrangement still preserves the alliance. The plot thickens when Montague, Edward’s cousin, finds himself drawn to Cinderella as well, creating a fresh and surprising romantic arc that seems to fulfill the earlier political aims in an unforeseen way. The tension between succession, loyalty, and love falters only to give way to a new harmony as the two couples navigate the remaining steps toward what appears to be a lasting union.
In the end, the court discovers that love can outpace tradition when the heart’s truth aligns with rightful duty. Cinderella and Prince Edward find each other again, and after a season of doubt and sacrifice, they share a moment of quiet triumph. The realm’s political calculations are resolved through a twist of fate, as the chosen pair is united in a way that honors both the heart and the throne. Cinderella and Edward live happily ever after, their story a testament to the enduring power of love in a world ruled by duty, ceremony, and the stubborn warmth of two people who dared to dream beyond convention.
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