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The Other Side of the Mountain 1975

One year before the Olympics, 18‑year‑old skiing champion Jill Kinmont suffers a competition fall that leaves her paralysed. Her world shifts dramatically, and she confronts a grueling rehabilitation process, battling physical limitations and emotional loss as she strives to regain independence and rebuild her life.

One year before the Olympics, 18‑year‑old skiing champion Jill Kinmont suffers a competition fall that leaves her paralysed. Her world shifts dramatically, and she confronts a grueling rehabilitation process, battling physical limitations and emotional loss as she strives to regain independence and rebuild her life.

Does The Other Side of the Mountain have end credit scenes?

No!

The Other Side of the Mountain does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of The Other Side of the Mountain

Explore the complete cast of The Other Side of the Mountain, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


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The Other Side of the Mountain (1975) Quiz: Test your knowledge of the 1975 film about Jill Kinmont's life, skiing triumphs, and inspiring perseverance.

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Full Plot Summary and Ending Explained for The Other Side of the Mountain

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Read the complete plot summary of The Other Side of the Mountain, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


[Marilyn Hassett] as Jill Kinmont navigates life from a wheelchair, teaching at a Paiute/Shoshone school in Bishop, California, and building a warm, informal bond with her young students. On a field trip, they ask intimate questions about bathroom needs and whether she has a man in her life, revealing the curious mix of resilience and normalcy she strives to maintain.

Jill looks back to her high school ski days, where she skied alongside her best friend Audra Jo “A. J.” Nicholson, whom Belinda Montgomery plays, and their teammate Linda Meyers. They idolize Dick “Mad Dog” Buek, a fearless thrill-seeker on the slopes, and after reading about him in a magazine, Linda hints at a romance. A pivotal moment comes during a ski race when Jill meets Dick after a fall, and he offers a rough, essential lesson about surrendering to gravity rather than fighting it.

That summer, while Jill and A. J. help run their family’s Rockin’ K guest ranch, Jill watches A. J. suffer a sudden polio diagnosis that lands her in an iron lung, changing both their lives forever. Jill trains with renewed determination, feeling that she is racing for both herself and her friend’s future.

One day Jill and Linda spot Dick’s airplane near Dave McCoy’s home, and after Linda heads to school, Jill joins him on a daredevil flight. Dick, who has little faith in his own worth, confesses that he sees himself as unsuitable for anyone, which Deepens Jill’s resolve to test her own limits.

Back on the slopes that winter, Jill dominates regional slalom events and grows closer to Buddy Werner, her male counterpart on tour, even as romantic tension with Dick lingers. The Snow Cap in Alta, Utah, becomes a stage for both competition and romance as Jill and Buddy push toward a potential Olympic shot in Italy.

Before the crucial race, Dave walks Jill through the Snow Cap course and points out the dangerous Corkscrew turn. Jill notices Andrea “Andy” Mead Lawrence, her main rival, using the Corkscrew cautiously during practice, and she resolves to take it faster to leap ahead. In the final run, disaster strikes: Jill loses control, plunges off a cliff, and is rushed to a Salt Lake City hospital. The medical team diagnoses a broken neck and a severed spinal cord, meaning she will be a quadriplegic for life, though doctors speak of fusion rather than cure.

Her fight continues as she embraces rehabilitation, hoping for movement and a return to teaching. Buddy’s letters comfort her, but a magazine interview and a wave of self-pity darken her resolve. A loss of faith gives way to hard work in a Los Angeles rehab facility, where she regains limited sensation in her hands and arms, and begins to rebuild a sense of purpose.

In a telling moment, Jill stages a bold demonstration for Buddy: she sits in a wheelchair, reaches into a bowl, and with effort lifts a single potato chip into her mouth, a stark reminder that life will not return to the way it was. The scene marks a turning point in her relationship with Buddy and in her acceptance of her new reality. Dick arrives, helps her confront her condition, and, despite his affection, their paths diverge as he promises to build a life with her, a promise tested by distance and tragedy.

Dick later flies her home to Bishop in his plane, where he strafes the marching band to greet her, a dramatic gesture that her family partly welcomes and partly questions. While her mother embraces the support, her father remains wary. Dick’s absence, however, casts a long shadow when Jill later tours a reservation and witnesses deeper poverty and scarce resources for education. Jill’s resolve strengthens as she decides to pursue a teaching certificate and to work directly with the reservation’s children, despite scepticism from some who doubt paraplegics can teach.

Back at school, Jill confronts barriers from a skeptical dean who tells her paraplegics are unacceptable in teaching roles. Undeterred, she applies to the reservation, accepts Dick’s marriage proposal, and prepares for a birthday reunion he never attends. A phone call carries the news that Dick has died in a plane crash, a devastating blow that leaves Jill shattered.

In the present, an Indian student asks if she will ever marry, and Jill answers with a comforting line about luck—the kind of luck Dick once spoke of—before she wheels toward the school with her students at her side, continuing to teach and inspire despite everything she has endured.

“paraplegics are unacceptable.”

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