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The Man Who Haunted Himself 1970

Plagued by relentless fear day and night, executive Harold Pelham is badly injured in a serious accident that brings him face‑to‑face with death. Miraculously surviving against all odds, he soon realizes that his existence is no longer his own, as an unseen presence seems to control his life.

Plagued by relentless fear day and night, executive Harold Pelham is badly injured in a serious accident that brings him face‑to‑face with death. Miraculously surviving against all odds, he soon realizes that his existence is no longer his own, as an unseen presence seems to control his life.

Does The Man Who Haunted Himself have end credit scenes?

No!

The Man Who Haunted Himself does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate The Man Who Haunted Himself Movie Quiz

Challenge your knowledge of The Man Who Haunted Himself with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


The Man Who Haunted Himself Quiz: Test your knowledge of the 1970 film "The Man Who Haunted Himself" with these 10 varied difficulty questions.

Which actor portrayed Harold Pelham in the film?

Full Plot Summary and Ending Explained for The Man Who Haunted Himself

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Read the complete plot summary of The Man Who Haunted Himself, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Harold Pelham, Roger Moore, a director at the marine-technology firm Freeman, Pelham & Dawson, experiences a startling personality shift as he drives home from his London office. What begins as a moment of reckless bravado behind the wheel soon escalates into a full-blown crisis: he hurtles along the road in a imagined sports-car mindset and mangles his fate in a serious high-speed crash. On the operating table he briefly slips into clinical death, and the monitoring equipment oddly records two heartbeats—a haunting hint that something in his very identity has fractured.

After the accident, the world around him begins to feel unreal. Pelham notices odd, almost selective memory gaps, and encounters in which people claim to have seen him in places he does not remember visiting or in actions he cannot recall. The sense of being watched grows stronger as friends, colleagues, and acquaintances describe his supposed comings and goings in places he cannot recall, and in moments of rash behavior that clash with his usual meticulous, controlled life. At home, he encounters a friendly, unremembered visitor for a drink, and at the company’s swimming pool an alluring young woman seems to regard him with a knowing awareness. That same evening, his wife observes a mysterious silver car parked outside their house, though she dismisses it for the moment. The car’s driver—who lights a cigarette and breaks the match in half after blowing it out—acts in the exact same way Pelham does, deepening the sense that something is duplicating his life.

A corporate undercurrent soon emerges: there is talk of a secret merger with a rival company, and Pelham suspects a shadowy double is masquerading as him. The pressure of the boardroom intensifies as he discovers evidence that he may have supported a deal he now opposes, while the rival firm appears to push the negotiations from behind the scenes. The mystery tightens around a trio of clandestine meetings that allegedly secured the breakthrough technology at the heart of the merger: meetings at the top of The Monument, inside the London Planetarium, and aboard a boat on The Serpentine. When Pelham confronts executives and the rival company’s leadership, he learns that a dual existence has been orchestrated for his benefit—one version of himself who is compliant, and another who is not.

Distraught and unsure of his own sanity, Pelham seeks help from the clinic of Freddie Jones as Dr Harris. The psychiatrist does not declare him mad, but suggests that the double may have emerged from a subconscious urge to break free from Pelham’s obsessively rigid lifestyle. Pelham agrees to extended observation and treatment, and the doctor guides him toward adopting less conventional behavior. Upon his discharge, Pelham attempts to re-enter life with a fresh appearance and altered demeanor, hoping to reclaim control of his existence. Yet, in his absence, the double solidifies the merger and takes his wife, Eve Pelham, Hildegard Neil out for the night, culminating in a secret liaison that Pelham denies having with the girl at the pool earlier.

The tension peaks when Pelham calls home from the office and is stunned to hear a voice claiming to be him answer the phone. When he returns to the house, he confronts the double face-to-face, and the two versions of Pelham stand before his family and close friends who have chosen sides. The double confesses that his new clothes—the outward show of a life left behind—were a mistake, explaining that on the operating table the doppelgänger was let out, but there is only room in this world for one Pelham. The two men vow to take the matter to the police, but the lines between right and wrong have blurred beyond repair.

In a high-stakes chase through rain-soaked streets, the two cars hurtle toward a bridge. The real Pelham attempts to swerve away from the confrontation, plunging into the river. As the river swallows the real Pelham, the double peers after him with a sudden, internal pain—an adrenaline-spiked moment that suggests either exhaustion or the last tremor of a divided self. The water dims the image of the man, and when the moment passes, the doppelgänger remains, now with a renewed sense of calm and the uneasy truth that there is once more only one Pelham left in the world.

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The Man Who Haunted Himself Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


psychotronic filmcarcar accidentaccidentdoppelgangerbowler hatindustrial espionagebusiness takeoverbusiness mergerhusband wife relationshipsanityrecuperationlook alikelondon englandextramarital affairbusinessalter egoindependent film

The Man Who Haunted Himself Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Man Who Haunted Himself across different regions and languages. Understand how the film is marketed and recognized worldwide.


Tinieblas El hombre que se apareció a sí mismo Человек который ловил самого себя A Luta de Um Homem De duivelse dubbelganger Manden der jagtede sig selv Ο άνθρωπος που κυνηγούσε τον εαυτό του Elä kahdesti 魔影飞车 恶魔虚像 Ein Mann jagt sich selbst L'uomo che uccise se stesso Tinieblas La seconde mort d'Harold Pelham Lélekszakadt hajsza Mannen som jagade sig själv O Homem Que Não Era Muž který pronásledoval sám sebe 飞车鬼影 همزاد 로저 무어의 이중생활

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