
The Kobayashi family finally leaves their cramped Tokyo apartment for the suburban home they’ve dreamed of, only to discover a termite infestation that drives them toward madness. As the house deteriorates, the family’s sanity unravels, and father Katsuhiko vows to protect them from insanity at any cost.
Does The Crazy Family have end credit scenes?
No!
The Crazy Family does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Crazy Family, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Mitsuko Baisho
Saeko Kobayashi

Youki Kudoh
Erika Kobayashi

Katsuya Kobayashi
Katsuhiko Kobayashi

Yoshiki Arizono
Masaki Kobayashi

Kazuhiko Kishino
Announcer (voice)

Hitoshi Ueki
Yasukune Kobayashi

Toyoko Koumi

Iwao Hayashizaki

Nobuhiro Gomori

Hirona Takahashi

Yoshinori Inoue

Kunihiro Ide

Alex Ablamov
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Read the complete plot summary of The Crazy Family, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
At the center are Katsuhiko Kobayashi, Saeko Kobayashi, and their children Masaki Kobayashi and Erika Kobayashi, a family that appears to have achieved the quintessential middle-class dream in a quiet suburb. They move into a new suburban home, a place meant to cradle peaceful routines and an idyllic existence, where mornings unfold with routine precision and evenings hint at lasting stability. Yet beneath the surface, the pressure to sustain this image grows heavier, and the shine of their life begins to fray.
As the film tightens its focus, the father becomes obsessed with shielding the family from any threat, real or imagined. This fixation intensifies as he feels powerless against the demands of his job and the expectations of society, and the boundaries between protection and control start to blur. His paranoia takes on a life of its own, turning ordinary concerns into sources of fear and suspicion, and shaping a home that feels at once claustrophobic and volatile.
The mother does what she can to keep things normal, but the strain seeps into every room. Saeko tries to maintain routine—meals, chores, and a veneer of calm—but she grows increasingly detached as the family’s pressures mount, watching the cracks widen while she searches for a thread of normalcy to hold onto.
Their children bear the weight in different ways. Masaki, a high school student, grapples with the overwhelming academic expectations that threaten to define him before he can figure out who he is. Erika, a rebellious teenager, resents the constraints that bind her, pushing back against her parents’ rules and the suburban script that tells her who she must be.
As the tension builds, the movie slides from tense, controlled moments into outright chaos. The once-ideal home becomes a stage for violence and irrational behavior, with fear warping every interaction. The father’s paranoia pushes the narrative toward a climactic, bizarre destruction as the family, pressed to the brink, turns on one another in a desperate bid to salvage their sanity and preserve a sense of belonging that may be slipping away for good.

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