
No woman was safe from his crushing arms… A facially disfigured and mentally unhinged man wreaks his revenge on those he blames for his condition.
Does The Brute Man have end credit scenes?
No!
The Brute Man does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Brute Man, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Oscar O'Shea
Mr. Haskins - Grocer (uncredited)

Joseph Crehan
Police Commissioner Salisbury (uncredited)

James Nolan
Police Dispatcher (uncredited)

Jane Adams
Helen Paige

Tom Neal
Clifford Scott

Donald MacBride
Police Captain M. J. Donelly

Patrick McVey
Detective at Helen's Apartment (uncredited)

Frank O'Connor
Policeman at Helen's Apartment (uncredited)

Warren Jackson
Jeweler (uncredited)

Rondo Hatton
Hal Moffet AKA 'The Creeper'

Tris Coffin
Police Lieutenant / voice of radio announcer (uncredited)

Charles Wagenheim
Pawnbroker (uncredited)

Peter Whitney
Police Lieutenant Gates

Fred Coby
Young Hal Moffet

John Hamilton
Professor Cushman (uncredited)

Beatrice Roberts
Nurse (uncredited)

Jan Wiley
Virginia Rogers Scott

William Ruhl
Policeman at Helen's Apartment (uncredited)

Janelle Johnson Dolenz
Joan Bemis (as JaNelle Johnson)

Mary Ann Bricker
Mary Ann Obringer (uncredited)
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Challenge your knowledge of The Brute Man with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrayed the disfigured killer known as the Creeper?
Rondo Hatton
John Hamilton
Donald MacBride
Tom Neal
Show hint
Read the complete plot summary of The Brute Man, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The Creeper stalks a city gripped by fear, a shadowy killer whose hideously disfigured face marks every encounter. The nightmare begins with the murder of Professor Cushman, John Hamilton a respected academic from the nearby Hampton University, and it soon takes a haunting turn when the killer confronts Joan Bemis, Hal Moffet, Rondo Hatton in front of her home. Joan’s scream cuts through the night as the Creeper identifies himself, and when police arrive, he escapes by clambering up a fire escape and slipping into the apartment of Helen Paige, Jane Adams a blind pianist. Helen’s inability to see his face holds no fear for her; she offers him shelter instead, even as he admits he’s on the run. The moment is uneasy but electric, a tense pair of strangers sharing a fragile moment of humanity amid danger.
The following day, a delivery boy named Jimmy becomes part of the Creeper’s widening net of victims and fear. A cantankerous grocer, Mr. Haskins, Oscar O’Shea slips a cryptic note under a door, instructing Jimmy to bring groceries to a dock. When Jimmy delivers and departs, the Creeper shadows him, and the boy’s curiosity proves deadly. Police Captain M. J. Donelly, Donald MacBride, and Lieutenant Gates, Peter Whitney, wrestle with public pressure and the mayor’s criticisms as they probe the missing boy and the escalating murders. Their investigation leads them to a newspaper clipping about Hal Moffet and two old friends—Clifford Scott and Virginia Rogers—who are now a wealthy married couple living lives of privilege. The police pay them a visit, and Clifford, recalling college days, explains Hal’s past: a jealous rivalry over Virginia’s affection, which culminated in a disastrous chemistry exam session that ended with Hal’s face scarred in an explosion. The implication is chilling: Hal’s disfigurement might have warped him into the Creeper, feeding his wrath toward Cushman, Joan, and others who remind him of that fateful night. The backstory breathes life into a motive that feels both personal and penetrating.
Meanwhile, the Creeper moves with unsettling calm, returning to Helen Paige’s apartment to seek a token of affection. He purchases a brooch for Helen at a pawnshop, a gesture meant to win her trust, but the transaction ends in brutal violence when he murders the pawnbroker, Charles Wagenheim. He then brings the brooch to Helen, only to realize she is blind and cannot see his face, a moment that unsettles him as much as it reassures her. Realizing that Helen could help him access the money needed for her own sight-saving operation, the Creeper lashes out in frustration before storming away. The path to a cure presses on Helen as she learns that three thousand dollars could restore her sight, a detail she keeps close as the killer’s emotions flare.
Hal’s fear and resentment push him toward Helen’s circle again when he shows up at the Scott residence, demanding money and retribution. Clifford Scott, Tom Neal draws a gun and shoots Hal, but the wounded man—still dangerous—overpowers him, strangling Clifford to death before escaping with Virginia’s jewels. He drags Virginia’s stash toward Helen, a plan that would bring Helen into his web and simultaneously sever his own vulnerability. The tension tightens as Helen, increasingly aware of Hal’s presence, grows determined to help the authorities catch him before he can hurt her further.
Detectives Donelly and Gates soon learn that the stolen jewels have been traced to Helen, and they gather her at the station, revealing Hal as the Creeper and implying that she has harbored a murderer. Helen agrees to cooperate, hoping it will spare her from further danger and allow her the chance at surgery. The newspapers jump on the sensational story, and the public’s mood shifts as Helen’s cooperation is portrayed as a beacon of resolve against the killer’s fearsome shadow. Innocent or not, Helen’s decision to assist the investigation becomes a pivotal moment that tests her trust in the system and in Hal.
The killer, infuriated by the turn of events and the newfound spotlight on Helen, sneaks back into her apartment, closing in from behind as she plays the piano. The confrontation seems inevitable until the law closes in, and the Creeper is finally seized by the grasp of the law rather than by his own brutal impulses. The case ends with Captain Donelly and Lieutenant Gates reassuring Helen that her operation will proceed, ensuring she has a future beyond the scares that nearly claimed her. In this uneasy victory, the community learns that courage and cooperation can outlast even the most frightening threats, and Helen’s eyesight—and her hope—are kept within reach by a city that refuses to look away.
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