The Battle of Algiers 2004

Ali la Pointe, Brahim Hadjadj, is at the center of a sprawling chronicle that opens with a tense raid in 1957. After a brutal round of torture, a fellow fighter exposes Ali’s hidden sanctuary to the French Army, who broadcast that the “organization” has been cornered. The film then breaks away to rewind the clock and travel back to 1954, setting the stage for a deep dive into a city torn by war.

The Battle of Algiers reconstructs the bitter sequence of events in Algiers from November 1954 through December 1957, framing the Algerian War of Independence as it erupts in the Casbah. The narrative follows the rise of revolutionary cells as local Algerians clash with pieds-noirs and the state’s security apparatus. In response, France deploys paratroopers with the goal of dismantling the National Liberation Front (FLN), often presenting their operations as necessary to quell violence. Across the film, the paratroopers appear to neutralize the FLN leadership through swift strikes, assassinations, and arrests, painting a stark picture of counterinsurgency at work. The story’s arc culminates in a coda of nationalist demonstrations and riots, suggesting a paradox: even as France seems to win the Battle of Algiers, the broader Algerian War remains unresolved and ultimately loses its grip on the country.

A core tension runs through the film: the tactics of the FLN insurgency and the French counterinsurgency. The narrative does not shy away from the uglier truths of war, showing atrocities committed by both sides against civilians. The FLN tightens its grip on the Casbah by executing suspected criminals and collaborators, and it launches terror campaigns, including the Milk Bar Café bombing, to pressure the colonial authorities. In retaliation, security forces adopt hardline measures that include killings and indiscriminate violence against those suspected of aiding the insurgents. The paratroopers are depicted as resorting to coercion and intimidation, and, at times, severe violence in their attempts to suppress the uprising.

Pontecorvo and Solinas craft a cast of figures who anchor the film in historical reality. The narrative begins and ends with Ali la Pointe, Brahim Hadjadj, a petty criminal radicalized through prison experience and brought into the FLN’s fold. He is recruited by the FLN commander El-hadi Jafar, portrayed by Yacef Saadi, a veteran leader whose political rationale helps justify the insurgency to his followers. On the French side, Lieutenant-Colonel Mathieu serves as the principal paratroop figure, guiding the counterinsurgency operations that drive much of the tension in the Casbah.

Alongside these central players, the film introduces a younger street presence in the form of Petit Omar, a boy who acts as an FLN messenger, and prominent FLN leaders such as Larbi Ben M’hidi, who provides the political argument for resisting colonial rule. The story also spotlights a trio of urban guerrilla fighters—Djamila, Zohra, and Hassiba—who undertake a bold terrorist attack, underscoring the campaign’s reach beyond traditional combat zones. The film’s scale is bolstered by thousands of Algerian extras, intended to give the Casbah the sense of a living, breathing chorus that communicates through chants, wails, and the physical energy of the crowd.

Throughout its sweeping runtime, the work maintains a careful balance: it presents the moral complexity of a people fighting for autonomy while acknowledging the brutal methods employed by both the FLN and the colonial forces. The Casbah is rendered not merely as a backdrop but as a living stage where residents, combatants, and authorities collide, their lives interwoven in a daily struggle for power, survival, and dignity. The result is a historically grounded, emotionally measured meditation on a conflict that left deep scars on all sides, a film that invites viewers to reflect on the human cost behind historical milestones and political victories.