
In her small town she served sodas in a gingham uniform, but in New York she trades the simple uniform for silk and satin, dazzling patrons with highball cocktails. After quitting her dead‑end soda‑jerk job, Peggy Evans relocates to the city and reinvents herself with a new identity.
Does Slightly Dangerous have end credit scenes?
No!
Slightly Dangerous does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Slightly Dangerous, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Billy Bletcher
Customer (uncredited)

Walter Brennan
Cornelius Burden

Ward Bond
Jimmy

Roger Moore
Assistant floorwalker (uncredited)

Robert Blake
Boy on porch (uncredited)

Florence Bates
Mrs. Amanda Roanoke-Brooke

Ray Collins
Snodgrass

Alan Mowbray
English Gentleman

Norma Varden
Opera singer (uncredited)

Lana Turner
Peggy Evans aka Carol Burden

Millard Mitchell
Baldwin

Walter Sande
Reporter (uncredited)

Ann Doran
Salesgirl (uncredited)

Eugene Pallette
Durstin

Ray Teal
Pedestrian lifting Peggy up (uncredited)

Frank Faylen
Gateman (uncredited)

Mantan Moreland
Waiter at Swade's (uncredited)

Almira Sessions
Peggy's landlady (uncredited)

Howard Freeman
Mr. Quill

Frances Rafferty
Girl getting off bus

Kay Medford
Girl getting off bus (uncredited)

Robert Emmett O'Connor
Reporter (uncredited)

Emory Parnell
Policeman at newspaper office (uncredited)

Garry Owen
Detective (uncredited)

Cyril Ring
Man outside newspaper office (uncredited)

James Warren
Young dancer (uncredited)

Sue Moore
Salesgirl (uncredited)

Ruth Dwyer
Customer in department store (uncredited)

Robin Raymond
Girl (uncredited)

Bernard Sell
Usher at concert (uncredited)

Dell Henderson
Doorman (uncredited)

Gladden James
Newspaper employee (uncredited)

Charles Ray
Opera patron (uncredited)

Sidney D'Albrook
Customer (uncredited)

Edward Earle
Newspaper employee (uncredited)

Gibson Gowland
Opera patron (uncredited)

Mahlon Hamilton
Customer (uncredited)

Mary Elliott
Operator (uncredited)

Pat West
Man getting on bus and dropping penny (uncredited)

Fern Emmett
Burden's maid (uncredited)

Dick Gordon
Opera Guest (uncredited)

Charles Meakin
Man in newspaper office (uncredited)

John Dilson
'Telegram' reporter (uncredited)

Harry Strang
Driver (uncredited)

Hooper Atchley
Man Getting on Bus (uncredited)

Dorothy Vernon
Woman in newspaper office (uncredited)

Gene Coogan
Man outside newspaper office (uncredited)

Harry Semels
Italian at concert (uncredited)

Eddie Acuff
- (uncredited)

George Lynn
'Times' reporter (uncredited)

Abe Dinovitch
Man in newspaper office (uncredited)

Harry Hayden
Doctor (uncredited)

Henry Roquemore
Man with opera glasses (uncredited)

Brooks Benedict
Man in Lobby (uncredited)

William Newell
Waiter (uncredited)

Grace Hayle
Banana split customer (uncredited)

Mimi Doyle
Miss Kingsway (uncredited)

Charles Marsh
Man on the street (uncredited)

Frances Morris
Salesgirl (uncredited)

Barbara Bedford
Customer (uncredited)

Henry Sylvester
Music lover (uncredited)

Harry Tyler
Hillyer (uncredited)

Cliff Clark
Detective (uncredited)

Eddie Phillips
Reporter (uncredited)

Jimmy Conlin
Bartender at opera (uncredited)

Joe Devlin
Painter (uncredited)

May Whitty
Baba

Paul Stanton
Stanhope

Jack Gardner
Usher (uncredited)

Arthur Belasco
Customer (uncredited)

Don Dillaway
McGraw- photographer (uncredited)

George Sorel
Captain of waiters at party (uncredited)

Spencer Charters
Claudius Swade- motel owner (uncredited)

Mickey Martin
Messenger (uncredited)

Hazel Dohlman
Dowager (uncredited)

Nolan Leary
Music lover (uncredited)

Gil Perkins
- (uncredited)

Charles Dorety
Workman (uncredited)

Al Ochs
Truck driver (uncredited)

Lilyan Irene
Maid (uncredited)

Sandra Morgan
Woman on street (uncredited)

Pamela Blake
Mitzi

Ralph McCullough
Man in newspaper office (uncredited)

Leigh Sterling
Young dancer (uncredited)

Marjorie Kane
Customer (uncredited)

Thomas Murray
Onlooker (uncredited)

Patsy Moran
Salesgirl (uncredited)

Gordon Richards
Garrett - butler (uncredited)

Kitty McHugh
Salesgirl (uncredited)

Cathy Lewis
Salesgirl (uncredited)

Sugar Geise
Customer (uncredited)

Alice Keating
Customer in department store (uncredited)

Louise Bates
Woman mistaking paint for blood (uncredited)

Clinton Lyle
Customer (uncredited)

O. K. Ford
Music Lover

Gertrude Bennett
Woman in newspaper office (uncredited)

Guy D'Ennery
Waiter at party (uncredited)

E. Mason Hopper
Man in newspaper office (uncredited)

Del Lawrence
Customer (uncredited)

Paul Parry
Man in newspaper office (uncredited)

Eugene Radovitch
Bit in newspaper office

Sam Simone
Assistant floorwalker (uncredited)
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Read the complete plot summary of Slightly Dangerous, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Peggy Evans, Lana Turner, a bored and unhappy soda jerk in Hotchkiss Falls, New York, bets her co-worker, Pamela Blake Mitzi, that she can serve ice cream sundaes while blindfolded. She is reprimanded by the store’s new general manager, Robert Young Bob Stuart. An agitated Peggy leaves what appears to be a suicide note at her boardinghouse and disappears, leading locals to suspect Bob drove her to end her life. Unbeknownst to locals, Peggy has in fact fled to New York City, hoping to start anew.
Upon arriving in Manhattan, Peggy spends her life savings on a glamorous makeover, but while standing outside a newspaper office, a falling paint can knocks her unconscious. Durstin, Eugene Pallette, a publisher at the paper, assumes Peggy is suffering amnesia and takes her in, running her photo in the newspaper. Durstin jokes that Peggy could be a kidnapped heiress, which sets Peggy on a new course. She visits the library and begins searching newspaper archives for missing persons cases, hoping to assume a fresh identity. She comes across the story of Carol Burden, a young girl who was kidnapped seventeen years earlier, and the trail begins to feel personal.
Meanwhile, Bob is fired from his management position after employees protest his treatment of Peggy. He spots Peggy’s photo in the newspaper and becomes determined to prove that she is alive. Using clues gleaned from the Carol Burden article, Peggy drops hints to Durstin that suggest she is, in fact, the missing Carol. The two meet with Carol’s father, Cornelius Burden, who is at first suspicious but agrees to let Peggy move into his mansion long enough to test the claim. After Peggy meets Carol’s childhood nanny, Baba, and answers a series of questions, Cornelius grows more convinced that she could be his daughter.
Bob—having read about Cornelius’s supposed reunion with “Carol” in the press—slips into the Burden mansion but is quickly incapacitated by Jimmy, the family’s loyal, watchful bodyguard. He later tracks Peggy to a local concert and follows her to a cafe, though Peggy manages to elude him. Bob does slip away with Peggy’s fingerprint from a plant vase, a detail that will become crucial later. The intrigue intensifies when Bob sneaks into the Burdens’ coming-out party for Carol, catching Peggy on the dance floor by surprise and presenting Cornelius with a forged marriage certificate bearing Peggy’s fingerprint, claiming the couple has long suffered amnesia and is married.
Peggy refuses to be defined by Bob’s deception and persuades Cornelius to let her return to Hotchkiss Falls to decide her own fate. Despite Bob’s relentless pressure, Peggy remains steadfast in her impersonation, and en route sabotages his car at a late-night diner. The pair end up spending a night in a motel, where Peggy presses Bob to join her in bed; his growing belief that she is truly Carol signals a turning point—Peggy would never have trusted him so completely, yet his doubt begins to waver.
Bob phones Cornelius to arrange Peggy’s removal from the motel, but before Cornelius arrives, Peggy confesses her deception. She is initially angry, but quickly tries to regain her composure. When Cornelius and Baba finally arrive, Bob attempts to block Peggy from exposing the truth, unaware that Cornelius has already received proof that Peggy is not his daughter. Yet, in a surprising turn, both Cornelius and Baba choose to embrace Peggy as Carol, having grown to love her for who she is rather than who she was supposed to be.
In the tender, unexpected denouement, Bob proposes to Peggy, while Cornelius looks forward to the prospect of a deeper fatherly bond. The story closes on a note of complicated, unresolved devotion: love, identity, and the power of chosen family weave together as Peggy navigates the blurred lines between memory, deception, and belonging, leaving the audience with a hopeful sense that the bonds she has formed—and the truth she has earned—are strong enough to withstand the truth about origins.

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