
Infamous stagecoach robber Rhiannon unexpectedly becomes the town deputy after rescuing the sheriff, forcing him to juggle the thrill of law enforcement he grows to love with the lure of his former outlaw life that he still misses.
Does Singing Guns have end credit scenes?
No!
Singing Guns does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Singing Guns, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jeff Corey
Richards

Walter Brennan
Dr. Jonathan Mark

Ward Bond
Sheriff Jim Caradac

Barry Kelley
Mike Murphy

Tom Fadden
Express Agent

Harry Shannon
Judge Waller

Billy Gray

Denver Pyle
Richards Henchman

John Doucette
Miner

George Chandler
Smitty, Piano Player

Elinor Donahue
Little Girl (uncredited)

Ella Raines
Nan Morgan

Vaughn Monroe
Rhiannon / John Gwyn

Ralph Dunn
Traveler

Russell Custer
Townsman (uncredited)

Jimmie Dodd

Rex Lease
Stage Driver

Mary Bear

Barbra Fuller
Girl (uncredited)
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Who portrays the outlaw Rhiannon in the film?
Read the complete plot summary of Singing Guns, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
A wanted outlaw named Rhiannon Vaughn Monroe has stashed a million dollars’ worth of gold stolen from the Great Western Mining Company. The sheriff from the nearby town of Goldville, Jim Caradac Ward Bond, hides inside a stagecoach reported to be carrying more of the company’s gold. Rhiannon interrupts the stage and forces Caradac and Nan Morgan Ella Raines, the sheriff’s girlfriend, into a perilous ride that exposes the town to danger and daring. With cool confidence, Rhiannon disarms Caradac when he tries to stop the robbery, and when the strong box is opened, he finds nothing but sand inside. To teach a smug lawman a lesson, the outlaw drags Caradac to the edge of town and marches him down the street in a pair of women’s underwear, while the onlookers howl with amusement and disbelief at the spectacle.
Caradac regains his nerve and gives chase, but Rhiannon gets the drop on him and shoots from a distance, burying the lawman in a quiet, ribald moment that sets the stage for what comes next. As the dust settles, Rhiannon drags Caradac’s body—weary and defeated—toward a man who can sway events: Dr. Jonathan Mark Walter Brennan, the town’s doctor and pastor. Rhiannon tells the doctor that his name is John Gwyn and that he found Caradac by chance while riding. The doctor insists on saving the wounded sheriff’s life, and in a surprising turn, he reveals that Caradac needs a blood transfusion. To secure cooperation, the doctor subtly manipulates Rhiannon into volunteering as the donor by drugging him, a move that blurs the line between mercy and coercion.
When Rhiannon awakens, he discovers his gun is missing. A judge—Judge Waller Harry Shannon—enters to deputize Rhiannon, and the outlaw agrees to assume Caradac’s duties so he can keep an eye on the town’s power and, perhaps, slip away with the hidden gold later. This arrangement gives Rhiannon a chance to plan a big score around a shipment due in three weeks, but it also pulls him deeper into a web of loyalty, danger, and conscience. That evening, Nan asks for help ejecting a drunken patron, Mike Murphy Barry Kelley, from her saloon, and Rhiannon also confronts Richards, the man who runs the local branch of the mining company. The town’s sense of order frays as drunks fill the jail by Sunday morning, and in a surprising move, Rhiannon releases them all, insisting they attend church or face a hefty fine.
A crisis tests Rhiannon’s resolve when the Great Western Mine catches fire and several miners are trapped inside. He risks his own life to reach the trapped workers, including Mike Murphy, and this act of bravery does not go unnoticed. Nan, recognizing the outlaw’s face from the earlier ambush, reports back to Caradac, who has begun to see a more complex man behind the legend. The doctor has known all along about Rhiannon’s past—how the mining company’s claim-jumping left him with little recourse—and he urges Rhiannon toward a straight path. Caradac agrees to let the doctor continue trying to reform him, but the sheriff still wants the gold and the truth about its location.
The doctor gives Rhiannon a prescription to fill when he delivers the gold, and in a moment of hesitation, Rhiannon wavers, choosing not to rob the stage. Caradac, however, arrests him anyway and pressures him to reveal the hideout and the gold’s whereabouts. Nan, with Mike’s help, stages an escape from jail and, under the pretense of romantic interest, lures Rhiannon to his hideout where the gold is hidden. Nan pistol-whips him and flees with the treasure, leaving Caradac to regroup and rethink the case. Caradac reveals that he had given Nan the jail key and hints that she will disclose the gold’s location, a move that echoes through the town as suspicion and betrayal swirl around every corner.
Two days later, Rhiannon returns to town to confront Caradac, certain that the sheriff set him up with Nan. Caradac, who has spent the last two days holed up in the saloon, believes Nan has double-crossed him and prepares for a final standoff. Doc arrives first, beating them both to the table where the guns rest, and he delivers a stern dressing-down for their recklessness. Richards tries to force Rhiannon to reveal the gold’s whereabouts, but the confrontation escalates into a tense showdown between the two men. In the end, Caradac and Rhiannon face off, and just as Nan and Mike return with a receipt for the gold, Rhiannon surrenders. Caradac offers his blessing for a chance at reform, and Doc expresses relief that Rhiannon has chosen a new life, leaving Goldville with a sense of quiet moral closure and a reminder that mercy can outpace revenge—even in a town where justice is as hard as the desert sun.

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