Shake Hands with the Devil 2007

In 1921 Dublin, a young Irish-American medical student named Kerry O’Shea is immersed in the daily realities of a city shielded by secrecy and danger, where the guerrilla war of the Irish War of Independence presses relentlessly around him. He approaches life with a wary detachment, having endured the brutal violence of World War I, and he longs for a quiet path in the aftermath of so much bloodshed. Yet the beeping pulse of conflict cannot be ignored, and the fight between the Irish Republican Army and the British Black and Tans draws him inexorably into the middle of it.

Early on, Kerry and his friend Paddy Nolan find themselves caught in the crossfire of an IRA ambush. Nolan is shot by British troops, and in his final moments he urges Kerry to seek out Sean Lenihan, a respected professor who also operates as a high-ranking IRA leader known as “the Commandant.” Lenihan dutifully removes the bullet, but Nolan dies nonetheless, leaving Kerry to grapple with the weight of a life-and-death decision. Because Kerry had left his textbook—carefully inscribed with his name—at the ambush site, he becomes a wanted man, a mark for both sides to use or discard as the situation demands. Lenihan then carries Kerry to meet a commander referred to simply as “the General,” a longtime comrade of Kerry’s father, and the tension between loyalty, duty, and personal safety begins to press in from every direction.

When Kerry refuses the invitation to join the IRA, the General arranges for him to be quietly ferried out of Ireland, hoping to defuse the danger that now clings to him. Lenihan escorts him to a seaside hideout, the base of an IRA unit led by Chris Noonan, where the murmur of conspiracies and the crackle of danger fill the air. Lenihan’s disapproval grows sharp upon discovering Kitty Brady, a local barmaid, sharing a life among the men at the hideout, a detail that adds another layer of complexity to Kerry’s already fragile situation.

The plot thickens when Liam O’Sullivan, a top IRA figure, is wounded while escaping from prison. Kerry agrees to accompany the unit to the rendezvous point to administer care, hoping to ease the clandestine mission’s burden. O’Sullivan is discovered in the boot of Lady Fitzhugh’s car and is killed in a tense shootout near the pub, as British forces search the premises. A young man, Terence O’Brien, attempts to conceal a pistol—an act that defies Noonan’s orders—and when the weapon is found, Kerry is seized and brutally beaten by Colonel Smithson of the Black and Tans. Kerry refuses to speak, a choice that cements his ties to the IRA in the eyes of his captors and marks a turning point in his personal journey. Lenihan responds with a bold rescue raid, and in the wake of the violence Kerry experiences a newfound sense of allegiance: he decides to join the IRA.

Lady Fitzhugh is imprisoned and begins a hunger strike, a stark symbol of the political theater surrounding the conflict. Lenihan takes a shocking step by kidnapping Jennifer Curtis, the daughter of a prominent British adviser, intending to force a prisoner exchange. In the midst of these escalations, Kerry finds himself drawn to Jennifer, a relationship that adds emotional stakes to the political calculus. Meanwhile, Kitty Brady encounters trouble of her own—when things turn dangerous for her, she chooses to leave Ireland, a decision that echoes the broader costs of the ongoing struggle.

The plan for a final confrontation intensifies as Lenihan prepares to assassinate Colonel Smithson at the dock. Suspicion of betrayal begins to creep in when Kitty, by pure chance, tries to board a ship at the same time, casting doubt on loyalties and motives. A brutal exchange of gunfire follows, and Lenihan shoots Kitty dead, a moment that leaves a lasting scar on everyone involved and reshapes how the characters view the path toward peace.

From a lighthouse vantage point, two crucial pieces of news cut through the fog of war: Lady Fitzhugh has died, and the British have offered a peace treaty. The General is content with the prospect of peace, but Lenihan refuses to concede to such a bargain. When he makes the choice to execute Mrs. Curtis, Kerry is forced to act, stepping into the line of fire to prevent a miscarriage of justice. The confrontation ends with Lenihan’s death as Kerry and others exchange shots, a brutal but decisive moment that seals Kerry’s transformation from a reluctant observer into a participant willing to risk everything for the lives of those he has come to care about.