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R.P.M. 1970

Runtime

92 mins

Language

English

English

Set on a West Coast college in the tumultuous late 1960s, the film follows a liberal professor (Anthony Quinn) who has long supported student activism. When radical protesters seize the campus and the president steps down, he is thrust into the presidency. He must decide whether to restore order or allow the revolutionary fervor to spiral into chaos.

Set on a West Coast college in the tumultuous late 1960s, the film follows a liberal professor (Anthony Quinn) who has long supported student activism. When radical protesters seize the campus and the president steps down, he is thrust into the presidency. He must decide whether to restore order or allow the revolutionary fervor to spiral into chaos.

Does R.P.M. have end credit scenes?

No!

R.P.M. does not have end credit scenes. You can leave when the credits roll.

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R.P.M. (1970) Quiz: Test your knowledge of the 1970 drama R.P.M., its plot, characters, and key events.

Which actor portrays Professor F.W.J. "Paco" Perez?

Full Plot Summary and Ending Explained for R.P.M.

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Read the complete plot summary of R.P.M., including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Set against the political tremors of the 1960s, radical student activists occupy a university’s administration building with a list of 12 demands, setting off a tense showdown that tests loyalties, law, and the very idea of leadership. With President Tyler resigning under pressure, the Board of Trustees turns to a student-made shortlist of professors to take over the presidency, ultimately choosing Professor F.W.J. “Paco” Perez, Anthony Quinn, a scholar with a deep, almost familial history with the student body.

Late at night, Perez—joined by his sociology graduate student girlfriend, Ann-Margret as Rhoda—is awakened by a call from Don Keefer as Dean George Cooper, requesting a meeting. The next morning, Perez arrives on campus by motorcycle and begins the delicate task of negotiating with the activists. The 12 demands span a wide set of reforms: 20 inner-city scholarships, a reinvestment program for the college, a prohibition on military research on campus, and a push for an African American on the all-white Board of Trustees. Perez signals a willingness to deliver on the first nine, but he refuses the three he deems incompatible with his own authority—most notably the students’ right to hire and fire the faculty.

A tense clash between the movement’s leader and one of the most vocal activists sets the tone for the negotiations. The disagreement over the eighth demand reshapes it into the hiring of a black admissions officer, a concession Perez can make without surrendering institutional control. In a pivotal moment, Perez nominates Steve Dempsey, Paul Winfield, for the admissions post, and the activist accepts, seeing a path forward within the framework of the college’s governance.

Across the campus, Perez serves as a mediator between a resolute faculty and the steadfast student body while the other three demands remain unresolved. Back home, Rhoda challenges Perez’s stance, accusing him of hypocrisy and pressing him to walk the talk.

As pressure mounts, Perez informs the faculty of an audio-recorded threat: Rossiter would destroy the school’s computer hardware if the demands aren’t met. With all other options exhausted, Perez calls in law enforcement. A police squad led by Police Chief Henry J. Thatcher, Graham Jarvis, arrives and orders an evacuation within three minutes. When the activists refuse, officers breach the building, deploy tear gas, and arrest several students, marking a sharp turn toward a forceful resolution.

At the police station, Perez discovers that Rhoda has also been arrested, adding a personal sting to the political crisis. He returns to the administration building, which is now momentarily under faculty control, and signs a bail grantee, publicly defending the outcome of the rebellion. As he steps out into the street, Perez moves through the crowd only to be met with loud boos from the very activists who sparked the upheaval, a stark reminder of the complicated line between reform and consequence.

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R.P.M. Themes and Keywords

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sexploitationcollegerevolution1960ssociology majorsociology professorsociologistsociologyfemale nuditysit inprotest

R.P.M. Other Names and Titles

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Kampf den Talaren R.P.M. Revoluciones Por Minuto Революция в минуту R.P.M. - Revoluções Por Minuto 风暴狂潮

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