
Set on a West Coast college in the tumultuous late 1960s, the film follows a liberal professor (Anthony Quinn) who has long supported student activism. When radical protesters seize the campus and the president steps down, he is thrust into the presidency. He must decide whether to restore order or allow the revolutionary fervor to spiral into chaos.
Does R.P.M. have end credit scenes?
No!
R.P.M. does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of R.P.M., including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Anthony Quinn
Prof. F.W.J. 'Paco' Perez

Gary Lockwood
Rossiter

Donald Moffat
Perry Howard

John McLiam
Rev. Blauvelt

Alan Hewitt
Hewlett

Lauren Gilbert
Parent at Police Station

Graham Jarvis
Police Chief Henry J. Thatcher

Paul Winfield
Steve Dempsey

Ramon Bieri
Brown

Norman Burton
Coach McCurdy

Mauritz Hugo
Professor

Ann-Margret
Rhoda

David Ladd
Student

Bartlett Robinson
Professor

Joseph Bernard
Professor

Teda Bracci
Student

Ines Pedroza
Estella

Don Keefer
Dean George Cooper

Gail Bonney
Miss Vickers

Glenn Dixon
Trustee

George DeNormand
Trustee

Tol Avery
Parent at Police Station

John Zaremba
Tyler

Bob Okazaki
Professor

Linda Meiklejohn
Student

Frank Alesia
Student

Bruce Fleischer
Student

John David Wilder
Student

Henry R Brown Jr.
Student

Robert Carricart Jr
Student

Raymond Cavaleri
Student

Bradjosé
Student

Ronald Long
Professor

Joseph Torres Sr
News Cameraman
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Challenge your knowledge of R.P.M. with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays Professor F.W.J. "Paco" Perez?
Anthony Quinn
Paul Winfield
Graham Jarvis
Don Keefer
Show hint
Read the complete plot summary of R.P.M., including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Set against the political tremors of the 1960s, radical student activists occupy a university’s administration building with a list of 12 demands, setting off a tense showdown that tests loyalties, law, and the very idea of leadership. With President Tyler resigning under pressure, the Board of Trustees turns to a student-made shortlist of professors to take over the presidency, ultimately choosing Professor F.W.J. “Paco” Perez, Anthony Quinn, a scholar with a deep, almost familial history with the student body.
Late at night, Perez—joined by his sociology graduate student girlfriend, Ann-Margret as Rhoda—is awakened by a call from Don Keefer as Dean George Cooper, requesting a meeting. The next morning, Perez arrives on campus by motorcycle and begins the delicate task of negotiating with the activists. The 12 demands span a wide set of reforms: 20 inner-city scholarships, a reinvestment program for the college, a prohibition on military research on campus, and a push for an African American on the all-white Board of Trustees. Perez signals a willingness to deliver on the first nine, but he refuses the three he deems incompatible with his own authority—most notably the students’ right to hire and fire the faculty.
A tense clash between the movement’s leader and one of the most vocal activists sets the tone for the negotiations. The disagreement over the eighth demand reshapes it into the hiring of a black admissions officer, a concession Perez can make without surrendering institutional control. In a pivotal moment, Perez nominates Steve Dempsey, Paul Winfield, for the admissions post, and the activist accepts, seeing a path forward within the framework of the college’s governance.
Across the campus, Perez serves as a mediator between a resolute faculty and the steadfast student body while the other three demands remain unresolved. Back home, Rhoda challenges Perez’s stance, accusing him of hypocrisy and pressing him to walk the talk.
As pressure mounts, Perez informs the faculty of an audio-recorded threat: Rossiter would destroy the school’s computer hardware if the demands aren’t met. With all other options exhausted, Perez calls in law enforcement. A police squad led by Police Chief Henry J. Thatcher, Graham Jarvis, arrives and orders an evacuation within three minutes. When the activists refuse, officers breach the building, deploy tear gas, and arrest several students, marking a sharp turn toward a forceful resolution.
At the police station, Perez discovers that Rhoda has also been arrested, adding a personal sting to the political crisis. He returns to the administration building, which is now momentarily under faculty control, and signs a bail grantee, publicly defending the outcome of the rebellion. As he steps out into the street, Perez moves through the crowd only to be met with loud boos from the very activists who sparked the upheaval, a stark reminder of the complicated line between reform and consequence.
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