
She Was in The Wrong Place At The Wrong Time Donna is sent to a reform school to take the fall for bad boy Vince. Inside, she makes friends and learns about herself.
Does Reform School Girl have end credit scenes?
No!
Reform School Girl does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Reform School Girl, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Nick Chinlund
Dr. Ted Meeks

Matt LeBlanc
Vince

Bill Calvert
Gary

Harry Northup
Uncle Charlie

Dino Anello
Coach Buxbaum

Wendy Schaal
Velmont Girl

Carolyn Seymour
Mrs. Evelyn Turnbull

Aimee Graham
Donna Patterson

Elisa Gabrielli
Velmont Girl

Eleanor O'Brien
Angela 'Dink' Dinkens

Marissa Ribisi
Joanie Dubois

Lynn Eastman-Rossi
Home Ec. Teacher

Erin Wiley Sands
Mona Smith

Samaria Graham
Priscilla Wells

Catherine Paolone
Matron Miriam Mather

Teresa DiSpina
Carmen Pena

Ashley Lister
Kathy Patterson
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Who is the main character who is sent to McCarthy Reform School?
Donna
Cathy
Priscilla
Carmen
Show hint
Read the complete plot summary of Reform School Girl, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Donna Aimee Graham seeks to escape a living hell of unwanted advances from her legal guardian and her lecherous uncle, and in a desperate moment she climbs into a stolen car with a reckless driver named Vince Matt LeBlanc. The ride quickly turns dangerous when the pair are involved in a hit-and-run, a twist of fate that pulls Donna deeper into trouble than she ever imagined. The consequences unfold with cold efficiency: Donna is arrested and shipped off to the McCarthy Reform School for Wayward Girls to take the fall for Vince, because she cannot identify him or provide his last name. The sting of injustice is sharpened by the fear that her cruel uncle will redirect his predatory gaze toward her younger sister, Cathy Ashley Lister, a worry that gnaws at Donna as she faces the prospect of separation and punishment.
On the way to reform school, Donna forges a fragile bond with a kleptomaniac named Dink Eleanor O’Brien, who introduces her to the rough camaraderie of the other residents. Once inside, Donna navigates a maze of power dynamics and fragile loyalties. She resists advances from the school’s psychologist, who accuses her of scheming to get put into solitary confinement by portraying her as manipulative—an accusation she rejects with quiet resolve. The atmosphere is tense and judgmental, yet there are moments of genuine connection that hint at the girl’s humanity beneath the tough exterior.
During a routine exercise break, Donna’s speed does not go unnoticed by Coach Buxbaum Dino Anello. His observations set in motion a plan orchestrated by the formidable Headmistress Turnbull Carolyn Seymour, an Olympic medalist who wields authority with cool calculation. Turnbull offers Donna a tempting but perilous path: an early release if she can win a track competition at Velmont Academy, a girls’ prep school in Hillsdale. The offer promises freedom, but it also raises the stakes dramatically. A silver medallion is awarded to Priscilla Wells Samaria Graham as a token for running, a symbol of trust and skin-deep prestige that becomes a target when the scheming Dink steals the medallion, triggering a confrontation in which Priscilla sustains a knee injury. Dink is punished and sent away, and Priscilla, now sidelined, is left to watch Donna’s chances of qualification slip through her fingers.
Meanwhile, Donna forms a complicated bond with Carmen Peña Teresa DiSpina, herself the fastest girl at the reform school. Carmen’s fierce independence and her stubborn refusal to owe Turnbull anything add a sharp edge to the girls’ dynamics. Carmen’s attitude contrasts with Donna’s own guarded determination and a growing sense of moral choice that begins to tug at Donna’s sense of self. The camp’s atmosphere remains charged with unspoken desires, rivalries, and the fragile hope of a better future beyond the fences.
Outside the reform school, Vince tries to maintain contact with the world Donna left behind. He befriends Cathy, visits Donna in prison, and reveals that his arrest for grand theft auto is part of a larger web police are trying to connect to the earlier hit-and-run. He warns Donna that if she talks to the authorities about him, he’ll hurt her sister, a threat that presses on Donna’s conscience and complicates every decision she makes. Turnbull’s strategy grows even more ruthless as she revokes Donna’s phone privileges to force compliance and drive her toward the track competition that could secure release. In a separate, connected move, Carmen calls Cathy and hints at money hidden behind Donna’s mirror—an act that sets Cathy on a risky course in an effort to secure a safer life for herself and Donna.
Cathy eventually discovers the hidden money, and the ensuing confrontation with her unscrupulous uncle ends with Cathy spraying perfume into his eyes and escaping, using a bus to flee toward Kansas. The escape is a flash of resolve that echoes Donna’s own longing for freedom and safety for her sister. Priscilla, feeling betrayed by the unfolding drama, reports Donna and Carmen’s closeness to Turnbull, but Turnbull’s punitive response seems calibrated to preserve Donna’s ability to compete. In a quiet, stubborn moment of defiance, Donna moves into the final stages of the competition with a renewed sense of purpose, anchored by the memory of Dink’s fate and Carmen’s quiet wisdom about not owing power figures anything.
The Velmont track meet unfolds as a test of nerve and heart. Donna and Jody Beaumont (a Velmont student mentioned in the school’s circles but not tied to a specific star role here) push each other through the preliminaries, with Jody taking the hurdles and breaking a long-jump record along the way. The climactic 4 × 440-yard relay pits Donna against Jody in the decisive leg, both athletes carrying the weight of their peers and the weight of the choices they’ve already made. They exchange the baton, and in a dramatic moment Donna surges and passes Jody, but a surge of memory—of Dink’s punishment and Carmen’s warning—gives her pause. Instead of crossing the finish line, Donna raises a defiant gesture toward Turnbull, signaling a personal stand against the system that built these traps. Jody finishes ahead, and Donna’s act resonates with a quiet rebellion that lingers long after the race ends.
Back at the reform school, a letter reaches Donna from her sister, confirming Cathy’s safety in Kansas. The final image is one of uncertain hope and hard-won resolve: Donna’s choices have not freed her from consequence, but they have asserted a sense of agency, a willingness to protect her sister, and a determination to define her own path outside the rigid expectations of Turnbull’s world. The story leaves readers with a sense of resilience amid hardship, a reminder that the bonds of family can be both a tether and a lifeline, even in the most locked-down of places.
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