
In 1950s Mexico City, William Lee, an American expatriate in his late forties, lives a solitary existence within a small American community. His quiet life is disrupted by the arrival of Eugene Allerton, a young student, who encourages William to seek a meaningful connection with someone.
Does Queer have end credit scenes?
No!
Queer does not have end credit scenes. You can leave when the credits roll.
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In its overall execution, the film delivers a visually compelling yet narratively uneven experience. Critics and viewers frequently emphasize its striking production design and inventive cinematography alongside Daniel Craig’s commanding performance. However, the pacing often meanders and the script can feel pretentious or incoherent in parts, with musical choices further dividing opinions. The balance of vivid aesthetics and structural unevenness shapes a work that offers memorable moments but may leave some audiences seeking greater narrative cohesion.
The Movie Echo Score Breakdown for Queer
Art & Craft
In terms of art and craft, the film showcases inventive visual language and meticulous production design. The 35 mm cinematography receives frequent praise for its lush framing and color palette, yet some critics note occasional over-styling and hollow imagery. Overall, the craft work remains distinctive and technically proficient, despite moments of indulgence.
Character & Emotion
When it comes to character and emotion, the film is anchored by Daniel Craig’s intense performance. His portrayal draws consistent acclaim for its depth and chemistry, while supporting roles receive mixed responses and some viewers find certain characters distancing. In sum, the central emotional core resonates strongly even as secondary figures vary in impact.
Story & Flow
In story and flow, the narrative frequently adopts a meandering pace that divides opinion. Several reviewers highlight disjointed segments and coherence gaps, particularly during hallucinatory sequences, while others appreciate fleeting moments of poignant insight. Ultimately, the plot delivers sporadic engagement but struggles to maintain consistent momentum and clarity.
Sensory Experience
Regarding sensory experience, the film combines striking visual aesthetics with polarizing audio choices. Viewers commend its detailed set design, color work, and inventive framing, yet the anachronistic soundtrack and occasional sound design decisions attract criticism. Overall, the sensory palette is bold, offering memorable imagery while testing some audience expectations in auditory cohesion.
Rewatch Factor
In terms of rewatch factor, the film’s enduring appeal remains mixed. Some viewers note that its rich visuals and technical elegance invite repeat viewings, while others find narrative looseness and pacing issues diminish the desire to revisit. As a result, its replay value is largely dependent on individual tolerance for structural unevenness.
72
Metascore
5.9
User Score
77%
TOMATOMETER
65%
User Score
/10
IMDb Rating
66
%
User Score
3.4
From 3.4K fan ratings
1.00/5
From 1 fan rating
Challenge your knowledge of Queer with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the primary setting of 'Queer'?
Mexico City
Quito
Los Angeles
New York
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Discover all the awards and nominations received by Queer, from Oscars to film festival honors. Learn how Queer and its cast and crew have been recognized by critics and the industry alike.
82nd Golden Globe Awards 2025
30th Critics' Choice Awards 2025
Read the complete plot summary of Queer, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The film opens with William Lee (Daniel Craig), an American expatriate, wandering through the colorful streets of Mexico City in the 1950s. Here, he encounters a young Jewish man who he suspects is hiding his true self, creating a palpable tension between them. This fleeting encounter sets the tone for Lee’s life, as he struggles to connect genuinely with others, often retreating into a world of casual flings and the comforting embrace of heroin, which he uses to escape his reality.
Among his few companions is Joe Guidry (Jason Schwartzman), who shares his occasional escapades at a gay bar named Ships Ahoy. As Lee navigates the challenges of his sexual identity and addiction, he stumbles upon Eugene Allerton (Drew Starkey), a younger man who initially seems disinterested in Lee’s advances, preferring the company of a woman named Mary. However, Lee’s persistence begins to break through Allerton’s defenses, leading to a complex relationship fraught with misunderstandings and unreciprocated desires.
On one reflective evening, after a wild night out that leaves him embarrassed and unconscious, Lee experiences a vivid dream featuring a mysterious figure sharpening a knife and a disembodied woman questioning his identity. In this dreamscape, he confesses, “I am not queer, but disembodied,” highlighting his internal struggle to fit into societal labels.
As fate would have it, Lee shares his fascination with yagé (ayahuasca), a hallucinogenic plant he believes could unlock hidden truths and enhance telepathic abilities. Intrigued, Allerton eventually agrees to accompany Lee on a transformative journey to South America, where their adventures take a dramatic turn.
Upon their arrival, Lee faces harrowing withdrawal symptoms and the relentless grip of his addiction. They seek the help of a local doctor, who sternly informs Lee that he must abandon his destructive habits to move forward. In desperation, he contacts a botanist who directs him to Dr. Cotter (played by Lesley Manville), who has expert knowledge about yagé and its effects.
As they trek through the lush jungle, the duo must endure terrifying challenges that test their bond. It is only at Cotter’s home that they find solace and enlightenment, yet the experience is anything but ordinary. After drinking the yagé, they plunge into a whirlwind of intense hallucinations, culminating in a hauntingly beautiful moment where their souls appear to intertwine, suggesting a profound connection that transcends physical touch.
However, their journey does not end here; what follows is a painful separation that leaves Lee longing for connection. Fast forward two years, and Lee is back in Mexico City, grappling with the weight of the past. He reunites with Joe, who fills him in on Allerton’s mysterious fate, hinting that his friend may have embarked on another quest in South America.
That night, the boundaries between reality and memory blur once more as Lee has an unsettling dream where he faces Allerton in a game reminiscent of William Tell. Tragedy strikes as he inadvertently harms Allerton, resulting in soul-crushing regret that echoes through his mind. As the dream crumbles into darkness, a poignant metaphor for loss, Lee awakens to the haunting solitude of his life.
In the final moments of his journey, we see an elderly Lee, reflecting on love and loss as Allerton’s voice gently reaches out to him from the ether. Alone, he drifts into a dream state, imagining younger Allerton’s presence beside him, ultimately succumbing to the silence of death — alone but forever entwined with the memories of a love that could never fully bloom.
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