
In 1984 London, a group of LGBTQ+ activists decide to support the families of striking miners. Initially facing resistance, they travel to a Welsh mining village, where they encounter a community grappling with hardship and division. Through shared struggles and unexpected connections, a powerful sense of solidarity emerges, demonstrating the strength found in unity and challenging prejudices on both sides.
Does Pride have end credit scenes?
No!
Pride does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Pride, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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See how Pride is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Pride stands among top-rated movies in its genre.
79
Metascore
7.7
User Score
7.8 /10
IMDb Rating
77
%
User Score
4.1
From 4.9K fan ratings
3.50/5
From 14 fan ratings
Challenge your knowledge of Pride with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which gay activist arranges the bucket collection for the miners during the London Gay Pride Parade?
Mark Ashton
Joe Cooper
Dai Donovan
Jonathan Blake
Show hint
Discover all the awards and nominations received by Pride, from Oscars to film festival honors. Learn how Pride and its cast and crew have been recognized by critics and the industry alike.
68th British Academy Film Awards 2015
Outstanding British Film
Outstanding Debut by a British Writer, Director or Producer
72nd Golden Globe Awards 2015
Best Motion Picture – Musical or Comedy
Read the complete plot summary of Pride, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1984, as headlines flare about the Welsh miners’ strike, Mark Ashton, a passionate gay activist, realizes a striking shift in how authorities police public life: the police have stopped harassing the gay community and are instead going after the miners. Seized by a mix of urgency and optimism, he spontaneously organizes a bucket collection for the miners during London’s Gay Pride Parade, and the idea blossoms into a lasting movement. Encouraged by the initial success, he launches Lesbians and Gays Support the Miners (LGSM), a group that aims to bridge communities torn apart by fear and prejudice. Among its first members are Joe Cooper, a 20-year-old closeted student, and an older gay couple, Jonathan Blake and Gethin, whose bookshop, Gay’s the Word, serves as the group’s headquarters and beating heart.
LGSM’s early days are paved with both hope and clash. The new activists face entrenched homophobia from sections of the mining world and anger from segments of the gay community who have suffered at the hands of miners in the past. Undeterred, they decide to broaden the reach of their support, even if that means taking donations directly to a small Welsh village: Onllwyn. There, Dai Donovan, the miners’ spokesperson, travels from Wales to London to meet the unlikely allies. He is surprised to learn that the “L” and “G” stand for “Lesbian and Gay,” yet his response is warm and measured, punctuating his gratitude with a short, eloquent speech in a gay bar that helps set the campaign on a new course.
In Onllwyn, the Women’s Support group, led by Hefina Headon and Maureen Barry, wrestle with how to respond to LGSM’s presence. The question of invitation divides them: Hefina’s faction believes gratitude from all sides is possible and desirable, while Maureen’s camp worries about the implications of accepting outside help. Into this debate steps Siân James, a first-time volunteer who speaks up fiercely in favor of inviting LGSM and is asked to join the village committee.
When LGSM arrives in Onllwyn, the welcome is cool at first, and Maureen leads a walkout after Mark’s speech to the village. Yet the next day brings a shift: Jonathan shares with Siân his understanding of harassment laws and the abuse of police power, and Siân responds with determined action, marching to the police station to press for the release of miners who’ve been illegally detained. The tide slowly begins to turn as grateful miners acknowledge LGSM’s role in helping secure their freedoms, and the two communities start to see a path toward real connection.
Back in London, Maureen’s shadowy strategy to expose the situation through tabloids backfires on them and the National Union of Miners, who face a vote about whether to accept LGSM’s ongoing support. The public drama intensifies as Mark declares that the group will embrace the tabloids’ labels and organizes a spectacular fundraising event at the Electric Ballroom, headlined by Bronski Beat and attended by Dai, Hefina, and many of the village women. The concert scene is electric, and the mood is buoyed by a sense of progress—even as Mark confronts a difficult personal moment when a former lover hints at AIDS. The festival, nicknamed “Pits and Perverts,” raises thousands for Onllwyn, but the timing of the union vote complicates matters: it proceeds without notice, and with Dai and Hefina absent, Maureen’s camp prevails in voting to suspend further LGSM aid.
The victory is hollow for Mark, who becomes Disillusioned and haunted by the ongoing struggle. Gethin, who had initially resisted involvement due to his own experience coming out in a mining village, attempts to campaign solo but is violently assaulted and hospitalised, underscoring the real price of standing up to prejudice. Joe’s world is rattled when his parents discover photos from Onllwyn, and they pull him away from the group, forcing him to reckon with being outed in both his family and his community.
March 1985 marks the end of the Miners’ Strike, and the miners of Onllwyn prepare to return to the pits. Joe, seeing the news, travels to Onllwyn to show solidarity and encounters Mark once more. A confrontation ensues about hiding activism and sexuality from his parents, and Siân accompanies Joe in the LGSM-donated van as they carry the weight of shared histories toward London. Joe’s decision to leave home intensifies as he is brought to his conservative mother’s doorstep, a stark reminder of the personal consequences of public solidarity.
As the 1985 Gay Pride Parade approaches, Mark makes his return to LGSM, offering a heartfelt apology for stepping away from the cause. He leads the group back to the parade, this time joined by hundreds of miners in a powerful demonstration of unity and mutual support. The closing chapters pull back to reveal broader social shifts: the Labour Party adopts gay and lesbian rights as part of its platform, propelled in part by a decisive vote from the National Union of Miners. Siân rises to prominence, being elected to Parliament, while Jonathan remains alive years after Britain’s early HIV diagnoses, a testament to resilience. Most poignantly, Mark Ashton’s life ends two years later at the age of 26, a reminder of the personal costs carried by those who push for change and the lasting legacy of their efforts.
This story unfolds with a steady, resolute clarity, tracing how a small act of solidarity can spark a chain reaction across communities, transforming both political landscapes and personal lives through courage, compassion, and an unwavering belief in shared humanity.
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