
When the patriarch of an eccentric Scanian family suddenly dies, his relatives are forced to spend three days together in the wake of his funeral. The darkly comic story follows the clan as grief, old grudges and absurd rituals surface, turning a solemn reunion into a chaotic battle of wills.
Does Passed Away have end credit scenes?
No!
Passed Away does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Passed Away, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Maureen Stapleton
Mary Scanlan

Frances McDormand
Nora Scanlan

Jack Warden
Jack Scanlan

Bob Hoskins
Johnny Scanlan

William Petersen
Frank Scanlan

Dylan Baker
Unsworth

Teri Polo
Rachel Scanlan

Peter Riegert
Peter Syracusa

Pamela Reed
Terry Scanlan Pinter

Tim Curry
Boyd Pinter

Dan Futterman
Tom

Louis Mustillo
Carmine Syracusa

Deborah Rush
Denise Scanlan

Nancy Travis
Cassie Slocombe

Patrick Breen
Father Hallahan

Blair Brown
Amy Scanlan

Don Brockett
Froggie

Jayce Bartok
Tony Scanlan

Sara Rue
Megan Scanlan

Anthony DiLeo Jr.
Enrique

Larry John Meyers
INS Agent #1

Patricia O'Connell
Mrs. Finch

David Early
Councilman Chaney

Charlie Peters

Alice Eisner
Aunt Sissy

Sally Gracie
Mrs. Cassidy

Tristan Tait
Sam Scanlan

Diana Bellamy
BJ

Ruth Jaroslow
Mrs. Richfield

Helen Lloyd Breed
Aunt Maureen

Ann Shea
Louise
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Read the complete plot summary of Passed Away, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Jack Scanlan, a union leader, returns to work after a heart attack. His Johnny Scanlan, a tree surgeon who wants more adventure in his life, arranges a welcome-back surprise party for Jack. The plan backfires when the surprise triggers another heart attack, and Jack dies.
At the funeral, the members of his large, dysfunctional family are drawn together and forced to confront their emotional baggage. The relatives include Frank Scanlan, a labor leader who longs to live up to his father’s expectations; Terry Scanlan, a dancer; her ex-husband Boyd Pinter; Peter Syracusa, an embalmer who is in love with Terry; and Nora Scanlan, a younger sister who is a nun based in Latin America. There is also Cassie Slocombe, a woman who appears at the funeral and may or may not have been their late father’s mistress.
Everybody’s assorted issues are brought to light as relatives reconnect, reveal private fears, and reckon with the past while navigating the present. The gathering becomes a mirror of family dynamics—moments of warmth, sparks of tension, and tender, awkward honesty—showing that even a big, unruly clan can find its way toward understanding, even if the road is tangled and unpredictable.
All in the family unfolds as a quiet, observant drama about how lineage, loyalty, and memory shape the people we become, and how a single death can force a clan to confront what they’ve learned to hide.

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