Over 21 1945

At the New York Bulletin, its owner Robert Drexel Gow is livid when a teletype arrives announcing that the paper’s thirty-nine-year-old editor, Max W. Wharton, is resigning to enlist in the army. The news comes with a second teletype about Max’s wife, the celebrated novelist Paula ‘Polly’ Wharton, who is in Hollywood adapting her newest book into a screenplay. Gow’s anger isn’t just about the resignation—he believes that without Max, the newspaper itself might fold, because Max is, in effect, the heartbeat of the publication.

From Hollywood, Paula phones Max to offer congratulations, and her voice carries both pride and concern. She decides to follow him to the military world, choosing to relocate wherever the officer’s candidate school might lead, driven by a desire to support her husband and to witness this journey firsthand. The couple’s sense of duty is clear, even as their personal life shifts under the strain of impending separation and new responsibilities.

After basic training, Max sends Paula a telegram with the news: the officer’s candidate school is at Tetley Field, Florida. Paula makes the trip, arriving in Palmetto Court and seeking bungalow 26D, where she meets the last tenant, Jan Lupton. Jan fills her in on life at Tetley—paraphrasing a hard-won maxim that life for the enlisted is relentless, filled with long days and constant drills. Jan also hints at the social blur between the base and the town, where friends and relatives shift into a support network that can be as demanding as the training itself. Paula and Jan swap stories about the harsh realities, the close bonds that form among soldiers’ families, and the adjustments required when a loved one steps into a world of orders and uniforms.

Max makes a surprise appearance shortly after Paula’s arrival. The reunion is warm and hopeful, yet practical concerns quickly take the foreground. They discuss the road ahead: Max’s struggle to balance intense study with his public commitment to the paper, and Paula’s wish to be supportive while navigating a different kind of life from the one she has known as a writer. Max’s determination to gain credible, real-world insight into war—so the newspaper can report with authority—conflicts with his growing awareness of the personal toll such a path may take on their marriage and on Paulie’s own ambitions and happiness.

The couple’s budding routine is interrupted when Robert, the editor-publisher, calls again, this time with urgent questions about the newspaper’s future. Paula interjects, defending Max’s time and space, and she calmly—but firmly—tells Robert not to disturb him during this crucial period of training. This moment underscores a rift between professional expectations and personal loyalty, setting the tone for the delicate dance they must perform as they navigate duty, marriage, and ambition.

Weeks roll by as Max and Paula settle into their new lives. Paula handles the daily chores of military family life—household duties, errands, and the emotional work of staying close to a husband who is continually immersed in learning and preparation. Max, ever hungry for knowledge, devotes what free moments he has to cramming in more information, pushing through exhaustion in his quest to absorb skills and insights that could shape his future reporting and the paper’s voice when the war finally arrives.

On base, Max is approached by [Paulson], a fellow member of Tetley Field’s military press ecosystem, who explains that Max’s growing fame as the “most famous recruit” could become a story for the base newspaper, Tetley Field Sentinel. Max hesitates, not wanting to overstep or neglect his duties, but the invitation to shape a narrative about himself lingers, adding another layer to the ethical question of journalism during wartime.

A formal call comes when Colonel [Foley] arrives to discuss Max’s status and the ongoing work of the unit. The Colonel mentions personal connections—namely that his wife and mother-in-law are admirers of Paula Wharton and plan to drop by the bungalow later in the day. The note is delivered with a blend of warmth and professional curiosity, hinting at the social complexities that can accompany a home front moved by war. The Colonel also alludes to Mrs. Gates’ past encounter with Paula, a reminder that rumors and relationships can ripple just as strongly as orders through the lives of those stationed at Tetley Field.

As Max grapples with the demands of schooling, duty, and journalism, the couple’s dynamic deepens—each striving to support the other while staying true to their own paths. The narrative continues to weave between the stern discipline of basic training and the intimate, hopeful moments of reunion, illustrating how war-era life tests the bonds of marriage and the integrity of a newsroom eager to tell the truth.

Throughout this period, the film examines themes of duty, adaptability, and communication. It offers a window into how families navigate separation, how soldiers’ spouses balance their own aspirations with support for their partners, and how a newspaper with a storied legacy seeks to remain credible and relevant when the country is stepping into a wartime future. The story remains grounded in the everyday realities of Tetley Field and Palmetto Court, showing how two strong-willed individuals—Max and Paula—try to chart a course that honors both their public responsibilities and their private commitments, even as new challenges and relationships unfold around them.