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Never Take Sweets from a Stranger 1960

Peter Carter, his wife Sally and their daughter Jean relocate to a quiet Canadian town where Peter takes a post as school principal. Their peaceful life is torn apart when Jean falls prey to a senior, highly influential pedophile. The film failed both commercially and critically, attracting condemnation for confronting a major societal taboo.

Peter Carter, his wife Sally and their daughter Jean relocate to a quiet Canadian town where Peter takes a post as school principal. Their peaceful life is torn apart when Jean falls prey to a senior, highly influential pedophile. The film failed both commercially and critically, attracting condemnation for confronting a major societal taboo.

Does Never Take Sweets from a Stranger have end credit scenes?

No!

Never Take Sweets from a Stranger does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate Never Take Sweets from a Stranger Movie Quiz

Challenge your knowledge of Never Take Sweets from a Stranger with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Never Take Sweets from a Stranger (1960) Quiz: Test your knowledge of the 1960 British-Canadian drama *Never Take Sweets from a Stranger* with these 10 mixed‑difficulty questions.

What new position does Peter Carter take when his family moves to the Canadian town?

Full Plot Summary and Ending Explained for Never Take Sweets from a Stranger

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Read the complete plot summary of Never Take Sweets from a Stranger, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


The British Carter family — [Peter Carter], [Sally Carter], and their 9-year-old daughter [Jean Carter] — have just moved to a small Canadian town after he takes a post as the new school principal. That night, Jean Carter appears unsettled and confides in her parents that earlier that day, while playing in a local wood, she and her friend, Lucille, went into the house of an elderly man who asked them to remove their clothes and dance naked before him in return for some sweets. They complied, and Jean says they did nothing wrong, but her parents are shocked and decide to file a complaint.

The accused man, [Clarence Olderberry Sr.], is the doyen of the town’s wealthiest and most influential family, and the town’s mood quickly shifts against the Carters. The police chief casts doubt on Jean’s story, while [Olderberry Jr.] warns that pursuing the case in court could destroy the girl’s credibility. The Carters refuse to back down, and the trial begins under an air of palpable hostility. The defence counsel grips the case with a harsh, intimidating line of questioning that leaves Jean frightened and seeming unreliable, and the verdict comes quickly: Olderberry is acquitted.

Feeling they have no future in that town, the Carters plan to leave. Just before their departure, Jean goes out to ride her bicycle and meets Lucille again. The two girls wander into the woods, where Olderberry approaches with a bag of sweets. He grabs hold of Jean’s bicycle, and the girls, forewarned, run off in panic toward a lake. They reach the water and discover a rowing boat moored at the shore; they hop in to try to reach the far side, but Olderberry begins to pull the boat back in.

Meanwhile, Jean’s bicycle is found and turned over to the police. The chief learns that Olderberry Sr. is missing, prompting a woods-and-lakeside search for the girls. The police find Lucille’s shopping bag, and Olderberry Jr. is found near his father’s belongings, trying to hide a hat. Soon the boat is located, and the SAR dogs lead the search to a cabin where Lucille lies dead and Olderberry Sr. is there, disarrayed and with a haunted, unsettled look. Olderberry Jr. stares in shock at his father, realising the girls’ accounts were true, but there is no sign of Jean.

Back at the Carters’ home, Sally waits with growing worry as news spreads about the missing girls and the Olderberry family. The police arrive with Peter and Jean, and Peter tells Sally that Jean managed to escape Olderberry Sr. and was found wandering unharmed on the other side of the lake. Sally’s heart asks what happened to Lucille, but before Peter can answer, Olderberry Jr. steps forward, overwhelmed with guilt, muttering that his father killed Lucille. The crowd falls silent as the truth sinks in. The police take him away, and the town slowly disperses into a heavy quiet.

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Never Take Sweets from a Stranger Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


candypedophiletrialsocial commentarycover upchild abusecautionary talechild molestersmall towncourtroombased on playfalse accusationcanadaabandoned housechild in jeopardydaughterimplied masturbationexcuseall male jurymental institutionspying through binocularsgirl with pigtailsvictim blamingscene before opening creditswealth and privilegerunning through the woodssocial pressurenewcomerflashing pantiesdirty old mantypewriterpolice reportcity hallman offers candy to a childtestifying in courtgirl with a ponytailtaking an oathcorruptiongirl riding a bicyclebarefoot girlknittingdestroyed recordsbookformer psychiatric patientupskirthigh school principalopening arguments in a trialbriton in canadabeauty parlorlake

Never Take Sweets from a Stranger Other Names and Titles

Explore the various alternative titles, translations, and other names used for Never Take Sweets from a Stranger across different regions and languages. Understand how the film is marketed and recognized worldwide.


Never Take Candy from a Stranger Nunca aceptes dulces de un extraño Vertraue keinem Fremden Nimm nichts Süßes von Fremden Corruzione a Jamestown Никогда не бери сладости у незнакомых Méfiez-vous des Inconnus 永远别拿陌生人的糖果 O Estigma da Infâmia

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