During Napoleon's Russian campaign, a cowardly soldier named Boris grapples with his feelings for the alluring Sonja. Torn between his infatuation and his military obligations, he encounters a series of comical and absurd situations. As Boris attempts to avoid danger and pursue his desires, he must ultimately confront his own shortcomings and make difficult choices amidst the chaos of war.
Does Love and Death have end credit scenes?
No!
Love and Death does not have end credit scenes. You can leave when the credits roll.
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89
Metascore
7.8
User Score
100%
TOMATOMETER
90%
User Score
75
%
User Score
Challenge your knowledge of Love and Death with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the protagonist of 'Love and Death'?
Boris Grushenko
Sonja
Napoleon
Herring Merchant
Show hint
Discover all the awards and nominations received by Love and Death, from Oscars to film festival honors. Learn how Love and Death and its cast and crew have been recognized by critics and the industry alike.
31st Golden Globe Awards 1974
Best Documentary Film
Read the complete plot summary of Love and Death, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
About to face execution for a crime he did not commit, Boris Grushenko reflects on the series of events that have led him to this dire situation. Originally slated for execution at 5:00 am, fate grants him a temporary reprieve, extending his time until 6:00 am.
Boris is one of three brothers who have matured into adulthood—while Ivan and Mikhail boast muscular physiques and athletic prowess, Boris stands at a modest height of 5’6”. From a young age, Boris has been infatuated with his cousin Sonja, engaging in deep, philosophical discussions that reveal their complex relationship. In one poignant moment, Sonja muses:
“To love is to suffer. To avoid suffering one must not love, but then one suffers from not loving…”
This introspective conversation takes a crushing turn when Sonja confesses her longstanding love for Ivan, leaving Boris heartbroken. He laments, “Ivan can barely write his name in the ground with a stick,” yet he feels powerless against her affections.
As Ivan reveals his plans to marry Anna Ivanova, a disheartened Sonja hastily decides to wed Sergei Minskov, who tragically dies of a heart attack right after the announcement. Subsequently, Sonja marries Leonid Boskovic, a herring merchant, while she secretly entertains a relationship with a musician.
When the Napoleonic Wars erupt, Boris, a cowardly pacifist, finds himself conscripted into the Russian army against his will. “I hope they put him in the front lines!” chides his mother as he reluctantly prepares for combat. His military training consists of absurd lessons, including hygiene demonstrations related to venereal diseases.
During a furlough, Boris attempts to charm the captivating Countess Alexandrovna, whose current beau is a notorious duelist. Their exchange highlights his romantic clumsiness. The Countess quips, “You’re the greatest lover I ever had,” to which Boris replies, “I practice a lot when I’m alone.”
Meanwhile, Sonja’s own dissatisfaction with her marriage causes her to reflect on a string of lovers. When Boris tells her he must report to the front line the next day, her flippant wish for him to “have a nice time!” contrasts sharply with the gravity of his situation. In a comedic twist of fate, Boris accidentally becomes a war hero after falling asleep in a cannon that is then fired at enemy ranks.
As the war wreaks havoc, Sonja finds herself lamenting not being kinder to her deceased husband, who died while trying to defend her honor. Subsequently, Boris must face a duel with the Countess’s lover, Anton Lebedokov. Just before another tumultuous encounter, Boris proposes to the widowed Sonja, believing she anticipates his death in the duel, but when he survives, their marriage commences with an array of intellectual disputes.
In a clever dialogue, Sonja asserts, “Sex without love is an empty experience,” to which Boris responds with a dry wit, “Yes, but as empty experiences go, it’s tough to beat.” As they navigate through their philosophical discussions, their bond gradually deepens.
Amidst their struggles, Sonja hatches a daring plan to assassinate Napoleon himself during his stay in Moscow. As they travel, they encounter strange emissaries, and a wild mishap leads them to mistakenly engage with Napoleon’s double. A series of comedic yet philosophical debates ensue between the pair, culminating in a chaotic turn of events.
Just as their lives teeter on the edge of danger, Boris finds himself captured while Sonja narrowly escapes arrest. Despite a vision promising his pardon, Boris is tragically executed. In a haunting farewell, his spirit bids adieu to Sonja and the audience, dancing away with Death, leaving behind a legacy of love, loss, and existential musings.
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