
This biographical drama portrays the life of Lyndon Baines Johnson, from his time as a powerful figure on Capitol Hill to his sudden ascension to the presidency. Following the tragic death of John F. Kennedy, Johnson is thrust into the role of President, forcing him to navigate immense challenges and confront the complexities of leadership while grappling with the profound responsibility of the office. Woody Harrelson delivers a compelling performance as the controversial figure.
Does LBJ have end credit scenes?
No!
LBJ does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of LBJ, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Woody Harrelson
Lyndon B. Johnson

Richard Jenkins
Senator Richard Russell

Bill Pullman
Senator Ralph Yarborough

Jennifer Jason Leigh
Lady Bird Johnson

Joe Chrest

Jeffrey Donovan
John F. Kennedy

Rich Sommer
Pierre Salinger

Gary Grubbs

C. Thomas Howell
Walter Jenkins

Kim Allen
Jackie Kennedy

Doug McKeon

Judd Lormand

Michael Mosley
Kenny O'Donnell

Michael Stahl-David
Bobby Kennedy

Travis Wester

Wallace Langham
Arthur Schlesinger
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See how LBJ is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where LBJ stands among top-rated movies in its genre.
The film offers a commanding lead performance but struggles with uneven presentation across its production elements. Woody Harrelson’s portrayal is widely recognized for its energy and depth, yet the heavy prosthetic makeup and inconsistent directorial voice draw frequent critique. While the narrative delivers moments of historical insight and emotional torque, it omits key aspects of Johnson’s legacy and fluctuates in pacing. Overall, LBJ emerges as an engaging biopic that is undermined by executional lapses.
The Movie Echo Score Breakdown for LBJ
Art & Craft
In terms of art and craft, the film shows solid technical work but inconsistent visual cohesion. Direction maintains clear framing and period detail, yet the heavy prosthetic makeup and caricatured production design draw criticism. Editing occasionally undercuts narrative flow with abrupt scene transitions. Overall, the visual craftsmanship supports the story unevenly.
Character & Emotion
In terms of character and emotion, the film features a commanding lead performance alongside uneven supporting portrayals. Harrelson’s embodiment of Johnson is repeatedly praised for its dynamism and depth, while secondary roles suffer from one-dimensional writing and inconsistent accents. Emotional resonance peaks in key political confrontations but recedes in underdeveloped interpersonal moments. Net impression is strong central characterization amid supporting gaps.
Story & Flow
When it comes to story and flow, the structure delivers informative historical context but lacks consistent pacing and narrative completeness. The script offers insight into civil rights debates and political maneuvering, yet significant events such as the Vietnam War and broader legislative achievements are omitted. Engagement fluctuates between insightful dialogue and uneven scene momentum. The overall storytelling leaves the audience moderately engaged.
Sensory Experience
In terms of sensory experience, the film’s auditory and visual design shows both strengths and shortcomings. The score and sound design unobtrusively support dialogue, while production visuals evoke the period setting. However, the exaggerated prosthetic makeup can distract from immersion, and visual consistency falters in some scenes. Overall, the sensory elements maintain functional support but rarely elevate the material.
Rewatch Factor
When it comes to rewatch factor, the film offers moments of strong engagement but uneven execution limits repeat appeal. Compelling scenes centered on political strategy and Harrelson’s dynamic portrayal invite multiple viewings, yet narrative omissions and tonal inconsistencies diminish lasting interest. While some viewers will appreciate the energy of key interactions, overall rewatchability remains modest due to structural gaps.
54
Metascore
7.4
User Score
55%
TOMATOMETER
54%
User Score
6.5 /10
IMDb Rating
64
%
User Score
3.0
From 1 fan rating
2.50/5
From 2 fan ratings
Challenge your knowledge of LBJ with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What tragic event thrust LBJ into the presidency?
Vietnam War escalation
JFK's assassination
Civil Rights protests
Watergate scandal
Show hint
Read the complete plot summary of LBJ, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The film explores the tumultuous journey of Vice President Lyndon B. Johnson, portrayed by Woody Harrelson, who unexpectedly ascends to the presidency following the tragic assassination of John F. Kennedy, played by Jeffrey Donovan, on November 22, 1963. On that fateful day in Dallas, Texas, while JFK is riding in the first car with his wife Jacqueline Kennedy, portrayed by Kim Allen, LBJ finds himself in the third car alongside his wife Lady Bird Johnson, portrayed by Jennifer Jason Leigh. It’s apparent that LBJ is often overshadowed by JFK’s popularity among the public, which adds to his discomfort of playing second fiddle in the world of politics.
Complicating matters, Texas Senator Ralph Yarborough, played by Bill Pullman, has a contentious relationship with LBJ, having previously refused to share a car with him during the infamous motorcade. Their history is steeped in conflicts, especially since Yarborough did not endorse LBJ’s farm support bill four years prior and openly supported JFK’s presidential campaign, stating that he had more in common with Kennedy.
In a flashback sequence, Robert F. Kennedy, portrayed by Michael Stahl-David, questions LBJ during a hunting trip about his presidential ambitions—a question LBJ denies at that moment, only to later discover that campaign posters plastered across Texas had prematurely announced his candidacy without his consent. Anger and trepidation wash over him as he fears a lack of public affection may doom his efforts.
As pressures mount, LBJ’s advisors eventually convince him to enter the race; however, he suffers a disappointing loss to JFK in the Democratic primaries. In a strategic move, JFK offers LBJ the vice presidency, believing that securing Southern votes is key for his presidential bid, despite his advisors warning him that historically, very few vice presidents successfully transitioned to presidency. Nevertheless, LBJ takes the opportunity, drawing upon his political ambitions.
Following JFK’s victory, LBJ finds himself yearning for greater authority, requesting oversight of critical departments like the CIA and FBI. Complicating this dynamic is Kenneth O’Donnell, portrayed by Michael Mosley, a close ally of Robert who is equally disdainful of LBJ. JFK assigns Kenneth the task of managing LBJ to prevent him from stepping out of line.
To further occupy LBJ, JFK places him in charge of the Federal Equal Employment Committee, a tumultuous role that has previously thwarted several presidents due to the deeply rooted divisions between Northern and Southern interests. LBJ, however, sees this as a strategic opportunity to foster goodwill and build a political base ahead of the 1968 elections by advocating for equal treatment of African Americans in the workforce.
As civil rights tensions escalated throughout the nation in 1962 and 1963, with states vehemently refusing to embrace equality, JFK presses LBJ to utilize his committee to award government contracts exclusively to progressive states. However, LBJ astutely persuades him to instead implement mixed workforces in Southern states, ultimately securing the contracts while also addressing the unrest.
The spotlight then shifts to the contentious Civil Rights Bill that JFK intends to introduce in Congress. Senator Richard Russell, played by Richard Jenkins, vows to thwart it, while LBJ attempts to negotiate with JFK for a postponement, only to witness JFK’s determination to move forward despite his requests. As LBJ tries to secure his place on the ticket for the upcoming election, he realizes the precarious balancing act at play as JFK aims to maintain political dominance while positioning Robert for potential succession.
Following JFK’s tragic passing, LBJ is sworn into office by Sarah Hughes, all under the watchful eyes of Jacqueline Kennedy. Despite objections from Robert, LBJ insists on quickly taking the oath, displaying his characteristic composure. Senator Russell rejoices at the notion of having a Southern president, rallying the Southern Senate delegation to congratulate LBJ on his ascension. Tensions flare as Robert expresses his outrage at LBJ for hastily purging JFK’s staff from the White House, despite LBJ’s offer for him to remain as Attorney General.
As political skirmishes unfold, LBJ’s resolve strengthens to uphold JFK’s legacy, notably committing to historic civil rights legislation. Enlisting Ted Sorensen to craft his Congressional speech, he maneuvers to sway votes, garnering support from Senator Ralph Yarborough. Yet, LBJ’s alliance with Yarborough stirs resentment within Russell, who staunchly opposes him.
In an impassioned address to Congress, LBJ delivers a poignant message, balancing eulogistic elements and an outline of his future agenda. Ultimately, the Civil Rights Act is signed into law on July 2, 1964, marking a monumental achievement in the struggle for equality. LBJ’s political acumen shines through as he celebrates an impressive re-election victory on November 3, 1964, capturing 44 states—the largest margin seen since 1820.
During his subsequent term, LBJ champions a transformative agenda, establishing programs like Medicare, Medicaid, and the Voting Rights Act. Nevertheless, as the Vietnam War intensifies by 1968, internal party strife initiates challenges, including from Robert Kennedy. In a surprising announcement on March 31, 1968, LBJ expresses his decision not to seek re-election, marking him as the last sitting president to do so, solidifying his complex legacy in American history.
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