It! 1967

In a quiet London setting, a warehouse fire at a museum sparks a mystery that will coil through art, obsession, and ancient danger. The blaze leaves intact a statue that the museum’s head curator, Ernest Clark, identifies as a relic labeled the “Mid-European Primitive.” The catastrophe is followed by a chilling turn of events when the curator is killed during a late inspection of the artifact, and his assistant, Roddy McDowall as Arthur Pimm, is sent off to fetch a flashlight. What begins as a routine recovery mission quickly spirals into a sequence of unexplained deaths and catastrophic accidents, all strangely tied to the statue.

The object itself is soon revealed to be the legendary Golem of Judah Loew from the sixteenth century, a being forged to defend its community. Arthur Pimm—who carries a disturbing mood and a fixation on his late mother—cossets a macabre home life, keeping his mother’s corpse in his apartment and surreptitiously borrowing jewelry to adorn it. In the process of handling the Golem, he performs a perilous ritual: he places a small scroll containing the Hebrew word emeth (truth) into a hidden compartment at the top of the golem’s right foot. When the scroll is activated, the Golem stirs to life and immediately becomes Pimm’s dangerous ally, bending to his will in ways that betray the creature’s intended role as a protector of its community.

As the Golem grows more active, it is implicated in a spectacular crisis: the supposed destruction of the Hammersmith Bridge. Society’s fear intensifies as the statue’s presence appears to unleash devastation, and Pimm himself becomes embroiled in the murderous aftermath. The film posits a chilling caution about power unleashed and control wrested away from human hands. The inscription on the statue seems to foretell its fate: a warning that it cannot be destroyed by ordinary means. As the threat escalates, the movie leans into a foreboding sense that the Golem will endure where others fail.

for neither by fire, nor water, nor force, nor anything by man created

Meanwhile, a romantic and professional triangle tightens around Ellen Grove, the earlier curator’s daughter, who finds herself drawn to a new admirer from the New York Museum. Jill Haworth portrays Ellen, while Paul Maxwell plays Jim Perkins, a curator from the New York institution who quickly identifies the Golem and senses a strategic opportunity to acquire it for his own museum. Perkins’s presence creates a counterforce to Pimm’s escalating danger, and Ellen’s affections become a focal point in a story that blends love, ambition, and peril.

As the plot advances, Perkins exposes Pimm to the authorities, and the troubled assistant is committed to an insane asylum. Yet the fixation does not end there: Pimm stages a dramatic breakout, kidnapping Ellen with the Golem’s unwelcome complicity. The two retreat to the museum’s annex in a rural area known as the Cloisters, where tension and danger converge. Perkins makes a desperate stand to salvage Ellen and prevent further catastrophe, culminating in a dramatic rescue just as a nuclear blast threatens to annihilate the Cloisters. The explosion vaporizes Pimm and the Cloisters, but intriguingly, the Golem remains, retreating into the sea with an almost inexplicable silence.

The film closes on a note of unresolved mystery, where the Golem’s ultimate fate is left to the sea’s tides. The tale threads together themes of obsession, ethical boundaries in the face of ancient power, and the fragile line between guardian and danger. The cast’s performances ground a narrative that marries Gothic dread with a modern sense of peril, anchored by the chilling possibility that some old legends refuse to stay buried.

• Main cast elements recur through the narrative, with a focus on the intertwined fates of the human characters and the living statue, and the enduring question of whether power can ever be fully controlled once awakened.