Runtime
84 mins

Vasyl, a Komsomol activist, secures a tractor through his local party committee and uses it to plow the private plots of former kulaks, marking their boundaries. His zeal for collectivist goals soon brings harsh consequences, jeopardizing his standing and personal safety, as the backlash forces him to confront the brutal reality of forced collectivization and the heavy personal cost it exacts.
Does Earth have end credit scenes?
No!
Earth does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Earth (1930) via JustWatch.
Explore the complete cast of Earth, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sergei Borisov

Yelena Maksimova
Natalya, Vasyl's Fiancee

Oleksandr Dovzhenko

Luka Lyashenko
Young Kulak

Vasyl Krasenko
Petro

Mykola Nademskyi
Semen

Vladimir Mikhaylov
Village Priest

Semen Svashenko
Vasyl

Petro Masokha
Khoma, Arkhyp's Son

Stepan Shkurat
Opanas

Ivan Franko
Arkhyp Bilokin

Pavlo Petryk
Young Party-Cell Leader

P. Umanets
Chairman of the Village Farm Soviet

Ye. Bondina
Farm Girl

M. Matsyutsia
Farm Girl
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Read the complete plot summary of Earth, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The film opens with a wind-swept field of wheat and sunflowers, setting a quiet, rural mood before the story shifts to a life-marking moment. An old peasant named Semyon dies beneath an apple tree, attended by his son Opanas [Stepan Shkurat] and grandson Vasyl [Semen Svashenko], anchoring the tale in family ties and generations watching the land change.
Elsewhere, the local kulaks, led by Arkhyp Bilokin [Ivan Franko], denounce collectivization and vow to resist its reach. At Opanas’s home, Vasyl and his friends gather to debate the future of agriculture, clashing with Opanas, who remains deeply skeptical of the mass farming program.
Soon Vasyl arrives with the community’s first tractor, a beacon of progress that stirs excitement among the villagers. A charged moment unfolds as the men, under the heat of the radiator, react with a crude rite that ends up as a reckless plow through the land and the destruction of the kulaks’ fences. A continuous montage follows, tracing the lifecycle of bread from the fields to the table, underscoring the transformation that the village undergoes under collectivization.
That night, Vasyl returns along a quiet path, dancing a hopak as he nears home, only to be struck down by a dark figure. When his death is discovered, Opanas searches for the killer and confronts Khoma [Petro Masokha], Bilokin’s son, who refuses to confess to the murder.
Vasyl’s father rejects the local priest’s plan to lead the funeral, expressing atheism and asking Vasyl’s friends for a secular farewell and to “sing new songs for a new life.” The villagers honor the request as Natalya [Yelena Maksimova], Vasyl’s fiancée, mourns beside them, while the priest curses the mourners from the shadows.
At the cemetery, Khoma arrives in a frenzy to declare that he killed Vasyl and to resist collectivization. The crowd largely ignores him, though one of Vasyl’s friends offers a moving eulogy that memorializes the fallen man.
The film closes with a montage of rain pouring over fruit and vegetables, a visual echo of the village’s hardship and renewal. In the aftermath, Natalya finds herself embraced by a new lover, signaling a complicated, unsettled future shaped by loss and the ongoing social upheaval.

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