
In the Austrian manor of Baron and Baroness von Burgen, the upstairs aristocracy and downstairs staff enjoy a surprisingly cordial relationship, with head butler Albert and maid Anna even falling in love. The arrival of lecherous chauffeur Karl Schneider brings affairs, blackmail, and gradually shatters the household’s harmony.
Does Downstairs have end credit scenes?
No!
Downstairs does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Downstairs, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Karen Morley
Karl's New Employer (uncredited)

John Gilbert
Karl Schneider

Paul Lukas
Albert

Torben Meyer
Cafe Waiter (uncredited)

Reginald Owen
Baron 'Nicky' von Burgen

Olga Baclanova
Baroness Eloise von Burgen

Virginia Bruce
Anna

Bodil Rosing
Sophie

Hedda Hopper
Countess De Marnac

Lucien Littlefield
Françoise

Otto Hoffman
Otto

Monta Bell

Ellinor Vanderveer
Party Guest (uncredited)

Dorothy Vernon
Servant (uncredited)

Russ Powell
Cafe Proprietor (uncredited)

Naomi Childers
Servant (uncredited)

Michael Visaroff
Servant (uncredited)

Nicholas Soussanin
Wedding Guest (uncredited)

Marion Lessing
The Countess' Maid Antoinette
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Challenge your knowledge of Downstairs with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the trusted head butler on the Baron's estate?
Albert
François
Karl
Sophie
Show hint
Read the complete plot summary of Downstairs, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On the Baron’s Austrian estate, Baron ‘Nicky’ von Burgen’s trusted head butler Albert presides over a wedding that ties the lives of everyone there to a delicate lattice of desire and status as Karl Schneider, the new chauffeur, arrives and quietly re-enters the orbit of his old confidante, Countess De Marnac, who is clearly not fond of Karl mingling with her elite circle.
That evening, when François, one of the butlers, drinks too much and cannot work, Albert steps in to fill the shift. Anna, the young housemaid, finds herself alone with Karl, who wins her sympathy by recounting a troubled childhood and presenting himself as someone who understands hardship. The two share a moment of connection that Karl soon tries to turn to his advantage, testing the boundaries between master’s world and servant’s longing.
A day later, Karl drives Baroness Eloise von Burgen to Vienna for shopping and escorts her back to a town apartment she keeps for visits with her lover. Eloise later claims they were in an accident, but Albert remains skeptical and cautions Karl to stay loyal to their employers, reminding him of his place in the social order. Despite this warning, Karl’s interest in Anna intensifies, even as he hides his own scheming behind a veneer of charm.
Karl’s fascination with Anna leads him down a dangerous path. He begins to pursue her despite her initial resistance, while Sophie, the cook, becomes entangled as a secondary casualty of Karl’s manipulations. After a flirtatious encounter, Sophie spends the night with him, only to be later insulted by Karl and the pair’s uneasy alliance collapses into a calculative game. Karl also finds a way to leverage Eloise’s jewelry—a clever ploy that involves a jewel he has swiped from Eloise—to win Anna’s sympathy, even as Eloise recognizes the item as her own and accuses Anna of theft. Karl claims the jewel as his own, a gambit that buys him time and rekindles Anna’s trust, though the underlying motive remains exploitation.
The plot thickens as Eloise realizes Karl’s true intent and uses the escalating scandal to test the boundaries of loyalty within the household. Eloise, who is drawn to the rhapsody of danger in Karl’s presence, schemes for a private moment between Karl and Anna on a fishing trip, but a late intervention by the Baron forces Albert to accompany them. This confrontation leaves Karl and Anna in a precarious position, with Albert warning Karl to keep his distance.
Karl’s deception becomes more brazen as he persuades Eloise to reinstate him as chauffeur through the backdoor of blackmail, while Albert contemplates resigning in response to the humiliation and the pressure to protect Eloise from scandal. Eloise, unable to publicly admit her affair, leans on Albert’s sense of justice and sympathy, revealing a vulnerability that complicates the power dynamics at the estate. Sophie, disillusioned by Karl’s predatory behavior and longing for a better life, offers him all her savings to help him realize his dream of opening a shop—an act that underscores the moral costs of Karl’s ambitions.
The next morning, Karl attempts to slip away to Paris with Sophie’s savings and begs Anna to join him. Anna, torn by love for Albert, refuses to abandon him, and when Sophie’s money is found, a chaotic chase ensues that ends with a dramatic clash of loyalties. The Baron, misunderstanding the conflict as a quarrel over wine, orders the two to apologize, while Albert himself orchestrates a fragile reconciliation with Karl—one built on a grim acknowledgment of Karl’s cleverness and Albert’s own resolve to protect the household’s integrity. A final confrontation makes it clear that Karl’s deceit cannot endure, and Albert’s steady loyalty ultimately prevails over Karl’s schemes. With Anna choosing fidelity to Albert and the family’s stability restored, Karl exits the scene, already plotting his next maneuver to insinuate himself into another aristocratic life.
In the end, the film presents a stark study of social ambition, manipulation, and the fragile line between affection and manipulation within a tightly knit upper-class environment. The characters spiral through a web of entanglements that test trust, loyalty, and the cost of desire, leaving a lasting impression of how power and affection can distort judgment and reshape lives on a grand Austrian estate.
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