
Stalked by a madman. Framed by a killer. Terrified by the truth. A Los Angeles lawyer defends her former college roommate, whose husband — her lover — has been slain.
Does Defenseless have end credit scenes?
No!
Defenseless does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Defenseless, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jay O. Sanders
Bull Dozer

Sheree North
Mrs. Bodeck

John Kapelos
Jack Hammer

Sam Shepard
Det. Beutel

Barbara Hershey
Thelma 'T.K.' Knudsen Katwuller

Michael Collins
Policeman

Mary Beth Hurt
Ellie Seldes

Christine Elise
Cindy Bodeck / Cheerleader in Porno

Anne Alexander Sieder
Client #1

Billy Hayes
Board Member in Law Firm

Randy Brooks
Monroe

John Achorn
Board Member in Law Firm

George P. Wilbur
Sherman Bodeck

Marabina Jaimes
T.K.'s Receptionist

Kellie Overbey
Janna Seldes

Lisa Darr
Board Member in Law Firm

J. T. Walsh
Steven Seldes

Christopher M. Brown
Dubbing Theatre Employee

Glenn Wilson
Board Member in Law Firm
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Challenge your knowledge of Defenseless with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the attorney defending Steven Seldes?
Barbara Hershey
Mary Beth Hurt
Sheree North
Christine Elise
Show hint
Read the complete plot summary of Defenseless, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The film opens with a stark scene from a pornographic film featuring the underage star Cindy Bodeck, Christine Elise. Cindy’s father storms onto the set and punches the film’s producer, Jack Hammer, John Kapelos of Blue Screen Productions. This violent eruption drags the scandal into the daylight and sets the stage for a courtroom drama that spirals into a portrait of power, deceit, and complicity.
The defense unfolds around Theodora “T.K.” Katwuller, Barbara Hershey, a sharp and morally complex attorney who agrees to defend Steven Seldes, J. T. Walsh — a man whose career is tangled with illegal activities far beyond what his wife, Ellie Seldes, Mary Beth Hurt realizes. Though Steven is married, he treats his marriage as a mere formality, a detail that will later become central to the unraveling case.
As the investigation deepens, Lt. Beutel, Sam Shepard, leads the police inquiry with a cool, persistent scrutiny. He crosses paths with T.K., who also interviews Cindy’s mother, Mrs. Bodeck, Sheree North, who accuses Steven of far more than she’s admitted to before — exposing a pattern of exploitation within the industry that taints everyone connected to it. A key witness, Bull Dozer, Jay O. Sanders, admits to sharing the screen with Cindy in a film that included a minor, yet he claims ignorance about Steven’s deeper involvement.
T.K.’s investigation brings her into contact with a family she finds both fragile and complex. She meets Ellie, Steven’s wife, who invites T.K. to dinner and bravely introduces her to their young daughter, Janna, Kellie Overbey. The house they share stands as a pristine foil to the moral rot T.K. senses beneath the surface. The dinner ends with T.K. deciding to end the affair and step back from the web of lies binding this family.
In a later, tense visit to Steven’s office, T.K. returns Ellie’s sweater and confronts Steven in a heated moment that ends with T.K. stabbing him in the arm with a letter opener and then fleeing. When she returns to retrieve her car keys, she finds Steven dead in a bathroom stall. Panic drives her to call the police, and Lt. Beutel questions her, his steady presence prying at every inconsistency.
Ellie, Steven’s widow, is arrested in the wake of the murder, and T.K. suspects a frame, not guilt. As the layers peel back, T.K. discovers Steven’s deep ties to Blue Screen Productions and his troubling history of exploiting underage girls, including Cindy. Cindy herself reveals that she knew Steven and asks T.K. to help her return to work, revealing the coercive and coercive dynamics that have kept the industry’s darkest corners hidden.
With the case evolving, T.K. wrestles with her own role in the scandal while she uncovers more about the men who profited from harm. She tracks down Jack Hammer, who hints at Steven’s fixation on “jailbait” and even suggests she should ask Steven’s daughter. Under pressure, T.K. forces Janna to acknowledge that she was manipulated by her father and that Hammer produced private tapes of their relationship. This moment becomes a turning point, as Ellie’s testimony grows more crucial and she decides to reveal the truth about Janna’s abuse, a move that could save her from the worst consequences of the scandal.
At the trial, Ellie is acquitted, a verdict that feels hollow to T.K. who knows the truth runs far deeper. Beutel himself confronts T.K. with the bloody letter opener found in her car trunk, a reminder of the dangerous precipice on which she stands. Ellie’s jail visit hints at a different, colder resolve than the one T.K. expected, suggesting that Ellie herself has known about the affair and the abuse, further fueling T.K.’s suspicions.
After Beutel’s release, he and T.K. confront Ellie again at her home. Ellie cracks under the weight of fear and pain, admitting that she killed Steven in a moment of despair and anger. Janna overhears the confession, and a painful, emotional resolution unfolds as Ellie is taken away. Beutel reveals that his plan was designed to draw out Ellie’s confession, and though T.K. is shaken by what she’s learned, she reluctantly accepts his help as the case reaches its uneasy close.
In the end, the film leaves viewers with a ledger of damage: families torn apart, careers ruined, and a justice system strained by the entanglements of power, privilege, and complicity. The characters are left to reckon with what they’ve become, and the audience is left to question where accountability truly begins and who, if anyone, can bear the weight of the truth that finally comes to light. The closing moments hinge on sacrifice, reconciliation, and the sobering reality that some abuses of power leave scars that never fully heal.
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