Dear God 1996

Tom Turner, a con artist in Los Angeles, is played by Greg Kinnear and owes a gambling debt to John Pinette, who portrays Junior, a ruthless loan shark. A stern judge orders him to find a full-time job within a week and keep it for at least a year, or face jail. The sentence sets Tom on an unusual path that might just change his life, and it pushes him toward a world he never expected to be part of.

He lands a job at the post office, sorting mail in the Dead Letter Office, surrounded by a group of quirky coworkers who treat the work as a strange kind of mission. Tom soon discovers letters addressed to the Easter Bunny, Elvis Presley, and even God, and his curiosity leads him to read one written by a needy single mother. While he’s absorbed in the note, he accidentally drops his paycheck and it’s mailed back to the sender, a moment that quietly reveals a small, meaningful impact.

Rebecca Frazen, Laurie Metcalf a burnt-out workaholic lawyer doing pro bono cases, sees the act and its ripple effect. Believing Tom sent the money on purpose, she rallies the other postal workers to keep the goodwill going, turning a single incident into a small movement. Tom becomes an unwilling yet effective leader, answering more and more letters sent to God for help, and the group’s efforts begin to touch many lives across the city.

Meanwhile Tom tries to find love with Gloria, Maria Pitillo who plays Gloria McKinney, a coffee bar waitress with her own quiet dreams. As the good deeds multiply, Tom’s apartment is trashed by the loan shark’s anger, but the coworkers step in to replace what was lost, turning misfortune into a cascade of generosity. Webster, Junior’s “heavy,” stops by to remind him that the man who’s been pressuring them has more to lose than they do, and the tale widens from a personal turnaround to a community-wide effort.

Donations flow in from unexpected places: Salvation Army bells ring with new gifts, the homeless in Santa Monica receive canned goods, and thousands of dollars appear to reinforce the network of kindness. Tom begins to fear a trap and urges the group to lie low for a time, even as the outpouring continues to grow. The Postmaster General publicly declares it a federal offense for postal workers to open mail not addressed to them, and the postal police move to arrest Idris Abraham, a man who claimed responsibility for giving a homeless man a trumpet. Idris Abraham is portrayed by Roscoe Lee Browne.

On television, Tom makes a public confession, and Rebecca, acting as his defense attorney, calls the other postal workers to testify. As she delivers closing arguments, Herman rallies carriers from all over Los Angeles, filling the streets around the courthouse with support. The crowd’s pressure helps sway the judge, who finds Tom not guilty while insisting he complete the original 12 months of work as part of the sentence. In the end, the story emphasizes how small acts of kindness can transform lives, showing that responsibility, community, and second chances can emerge from even the unlikeliest of starts.