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David and Lisa 1962

Teenager David Clemens is terrified that any physical contact will kill him. His overbearing mother sends him to a residential facility for disturbed youths, where he stays distant from other patients and his psychiatrist. Over time he becomes fascinated by 15‑year‑old Lisa, who has multiple personalities: one speaks only in rhyme, the other is mute.

Teenager David Clemens is terrified that any physical contact will kill him. His overbearing mother sends him to a residential facility for disturbed youths, where he stays distant from other patients and his psychiatrist. Over time he becomes fascinated by 15‑year‑old Lisa, who has multiple personalities: one speaks only in rhyme, the other is mute.

Does David and Lisa have end credit scenes?

No!

David and Lisa does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of David and Lisa

Explore the complete cast of David and Lisa, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Take the Ultimate David and Lisa Movie Quiz

Challenge your knowledge of David and Lisa with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


David and Lisa Quiz: Test your knowledge of the 1962 film David and Lisa.

What is the name of the male resident who is brought to the psychiatric center?

Full Plot Summary and Ending Explained for David and Lisa

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Read the complete plot summary of David and Lisa, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


David Clemens is brought to a residential psychiatric treatment center by his apparently caring mother. He grows visibly upset at even a light touch from another resident, convinced that being touched can kill him. Inside this quiet, clinical world, he throws himself into his studies, with a singular fixation on clocks that borders on obsession. A chilling thread runs beneath the surface: he keeps having a recurring dream in which he murders people using a massive, inexorable clock.

He meets Lisa Brandt, a girl who lives with two facets of herself. One persona, Lisa, can speak only in rhymes, while the other, Muriel, is mute and writes instead of speaking. David forges a tentative connection with her by replying in verse, and this odd friendship draws him out just enough to start opening up to his psychiatrist, Dr. Alan Swinford. He also grows closer to another resident, Simon, a development that stirs Lisa’s jealousy and adds emotional tension to the center’s delicate social fabric. When his mother visits and their conversation escalates into an argument, Mrs. Clemens and the rest of David’s family decide that he should leave the program. He returns home, only to flee back to the center soon after, where staff reluctantly agree to let him stay again.

A breakthrough arrives when Lisa realizes that she is essentially two personalities occupying one body—Lisa and Muriel are the same person. This discovery deepens her longing to connect with David. She seeks him out, but he is distracted by Simon playing a Bach piece on the piano. In a moment of friction, Lisa activates the metronome, interrupting the music and provoking David’s anger. Lisa then slips away from the center and takes a train into Center City, Philadelphia, unseen by the staff. A desperate search ensues, but the morning light reveals a lead: she may have returned to the Philadelphia Museum of Art, a place where she had once embraced a statue of a mother and child.

David and Dr. Swinford hurry to the museum and find Lisa on the museum steps. Seeing David triggers a sense that she has found some measure of healing. In a pivotal, hopeful moment, she speaks to him in prose, and for the first time, David overcomes his fear of touch enough to let her hold his hand. Together, they descend the museum steps and begin their return journey, stepping toward a future that feels newly possible despite the shadows of the past.

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David and Lisa Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


mental illnessmultiple personality disorderangsthomosexualhomosexualitygender identityhomosexual subtextpsychiatristteenagerteenage lovephobiamother son relationshippsychoanalysisbased on novelschizophreniaf ratedcharacter names as titlefearteenage boyteenage girldissociative identity disorderpsychiatric hospitalsocietyrunawayfriendshipfather son relationshipaphephobia1960s1950sloveindependent film

David and Lisa Other Names and Titles

Explore the various alternative titles, translations, and other names used for David and Lisa across different regions and languages. Understand how the film is marketed and recognized worldwide.


Elisa (David y Lisa) Elisa David e Lisa David et Lisa דיוויד וליסה David und Lisa David és Lisa Дэвид и Лиза 大卫与丽莎 大衞與麗莎

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