Company Business 1991

With the Cold War nearing its end, retired CIA operative Sam Boyd has moved into a freelance groove as a corporate spy for Maxine Gray Cosmetics, relying on old-school fieldwork even as younger hackers redefine espionage. When his former bosses pull him back for a high-stakes, off-the-books prisoner exchange with the KGB, overseen by Colonel Pierce Grissom, Boyd discovers that the operation hinges on a delicate balance of secrecy and money. The CIA explains that the Russian side will deliver a $2 million bribe through a Colombian drug cartel, and Boyd is tasked with shepherding a KGB mole, Pyotr Ivanovich Grushenko, and the cash to Berlin, where the exchange will take place for Sobel, a U-2 pilot shot down over the Soviet Union decades earlier.

From Dulles to Berlin, the uneasy pair forms an unlikely bond. In a quiet moment at a Berlin bar, Boyd and Grushenko share a drink of Starka and confront the strange camaraderie forged by danger and necessity. The handover, scheduled in a secluded stretch of a subway tunnel, spirals into chaos when Boyd recognizes Sobel among the crowd and interrupts the exchange, forcing a furious chase that pits them against the KGB and Boyd’s own superiors. Suddenly, Boyd and Grushenko are marked as rogues, hunted from every direction, and the plan to walk away with the money seems their only viable option—though laundering those bills will be no small feat.

As they elude capture, the duo winds their way toward Paris seeking a way to clean the funds. Their trek reveals a new obstacle: Faisal, a Saudi arms dealer previously used by the CIA to back anti-communist efforts, now finds himself cash-poor in the post–Cold War landscape. The mission shifts again as the two men attempt to broker a laundering path, only to discover that the CIA and the KGB have started working in tandem to bring them in. The landscape grows more tangled still when Grushenko reveals a deeper history—Sobel was not a simple captive but a sleeper who had become entangled with their shared handler, a turncoat in the U.S. military code-named “Donald.”

In Paris, Grushenko introduces Boyd to a woman who seems to be more than she appears: Natasha Grimaud, Natasha Grimaud. She is, in fact, Grushenko’s daughter, employed by a Japanese company that can move their money into a Swiss bank account, where it would emerge as clean cash. Natasha’s arrangement becomes a critical link in the laundering plan, while Grushenko heads to Switzerland to fetch the funds. The CIA and KGB quickly abduct Natasha to flush out Boyd and Grushenko, coercing them to surrender under the specter of losing someone they care about.

With time running out, Boyd and Grushenko set the Eiffel Tower as their handover site, fighting to keep Natasha safe and to outsmart a joint agency manhunt. They manage to free Natasha and slip away, though the tower’s exits are sealed off, forcing a final, tense moment high above the city. In a secluded booth at Le Jules Verne, the two friends share a last bottle of Starka and weigh the impossible: a future in which they could disappear to the Seychelles if they survive the night. Grushenko hints at a last, bittersweet signal to “Donald,” implying that Sobel’s fate—a potential triple-agent twist—was part of a larger ruse all along, one that could redefine loyalties, betrayals, and what it means to walk away with the money.

In the end, the film leaves Boyd and Grushenko hovering between victory and exposure, their plan fragments scattering into the humid air of a collapsing Cold War landscape. The two men acknowledge the uncertain road ahead, choosing to improvise a life beyond the spy games that defined them, even as the world around them continues to recalibrate its balance of power.