
A wealthy Wyoming rancher battles encroaching Texas cattle herds threatening his prized meadows, while violent confrontations erupt—including the destruction of his fences and the death of his wife—forcing him to confront a towering, ferocious adversary.
Does Cattle King have end credit scenes?
No!
Cattle King does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Cattle King, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Robert Loggia
Johnny Quatro (Teton Ranch Hand)

Woodrow Parfrey
Stafford (President Arthur's Secretary)

Larry Gates
President Chester A. Arthur

Virginia Christine
Mrs. Ruth Winters (Brassfield's Housekeeper)

Robert Middleton
Clay Mathews

Maggie Pierce
June Carter (Webb's Sister)

John Mitchum
Tex

Robert Taylor
Sam Brassfield

Ray Teal
Edwin 'Ed' Winters (Teton Ranch Foreman)

William Windom
Harry Travers - Sharleen's Brother

Richard Devon
Vince Bodine (Mathews' Hired Gunman)

Joan Caulfield
Sharleen Travers

Malcolm Atterbury
Abe Clevenger (Homesteader)

Richard Tretter
Hobie Renton (Teton Ranch Hand)

Robert Ivers
Webb Carter (Brassfield's Nephew) (as Bob Ivers)
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Read the complete plot summary of Cattle King, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On Wyoming’s sun-burnished plains, a range war is quietly escalating between two men with starkly different visions for the land. Sam Brassfield, Robert Taylor, fences his property to protect the grass from wandering cattle, while Clay Mathews, Robert Middleton, a calculating cattle baron, fights to keep the open range intact. Each practical move—Brassfield’s sturdy fences and Mathews’ expansive grazing rights—becomes a fault line that reveals how far both sides are willing to go to claim the land.
To settle the dispute, the two men lay out their cases before the cattlemen’s association during a stop in Cheyenne, where President Chester A. Arthur, Larry Gates, happens to be visiting. The presence of the President lends an air of national importance to a local quarrel, turning agrarian tensions into a matter that could attract broader political interest and influence the fragile balance between rival ranching factions.
Amid the mounting tension, Mathews sends a hired gun, Johnny Quatro, Robert Loggia, to confront Brassfield’s top man in a crowded saloon. The confrontation heats quickly, and Brassfield intervenes to defuse the moment, but the act does not erase the bitterness between the two camps; it only reshapes it into something more personal and dangerous. The insult cuts deep, and revenge becomes a more tangible driver behind every subsequent move.
Brassfield’s personal life becomes entwined with the feud when he proposes to Sharleen Travers, Joan Caulfield, a neighbor who runs a nearby ranch with her brother, Harry Travers, William Windom. For a time, Harry seems to lean toward Mathews, yet a stern rebuke from Sharleen shifts him, and he apologizes to Brassfield, suggesting a fragile, uneasy alliance forming among the locals who are tired of the bloodshed yet still bound by loyalty and land.
The conflict explodes again when Vince Bodine, Richard Devon, Mathews’s hired gun, shoots and wounds the unarmed Harry and then kills Sharleen in a cold-blooded act. The brutal turn shatters any remaining hope for a peaceful resolution and sends Brassfield and his allies into a more defensive, retaliatory mindset, widening the rift between the two factions and pushing everyone closer to a climactic confrontation.
As the dust settles, another rancher’s mistaken blame falls on Brassfield for a raid Mathews supposedly ordered. The misunderstanding tests the already frayed lines of trust and forces Brassfield to confront how quickly rumors can fuel violence. The tension comes to a head when Brassfield speaks on his own behalf before the President, a moment that underscores how a local land dispute can become a national talking point and a measure of a man’s resolve under public scrutiny.
In the final showdown, Brassfield urges Mathews to keep the dispute between themselves, and the two men face off in a gunfight that will determine who controls the open range. Bodine makes a last move, drawing his weapon, but Johnny Quatro reenters the scene, arriving in time to shoot Bodine down and tilt the balance once more. The resolution leaves the land at a crossroads, with pride and principle clashing against pragmatism and necessity, and the cost of turf war etched into the memory of everyone involved.

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