
Alan Ladd stars as John, a talented blacksmith and swordsmith trained at Camelot. As a commoner he cannot hope to win Lady Linet, the Earl of Yeoniland’s daughter, so he assumes the hidden identity of the Black Knight. In that guise he helps King Arthur thwart Saracens and Cornish men disguised as Vikings who plan to seize the kingdom.
Does The Black Knight have end credit scenes?
No!
The Black Knight does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Black Knight, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

John Laurie
James

Harry Andrews
Earl Of Yeonil

Patrick Troughton
King Mark

Peter Cushing
Sir Palamides

Pauline Jameson
Lady Yeonil

Elton Hayes
Minstrel

André Morell
Sir Ontzlake

Ronald Adam
The Abbot

Laurence Naismith
Major Domo

John Kelly
The Woodchopper

Alan Ladd
John

Jean Lodge
Queen Guenevere

Basil Appleby
Sir Hal

Patricia Medina
Linet

Anthony Bushell
King Arthur

Bill Brandon
Bernard

David Paltenghi
High Priest

Olwen Brookes
Lady Ontzlake

Tommy Moore
The Apprentice
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What is the occupation of the main character John before he becomes the Black Knight?
Read the complete plot summary of The Black Knight, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
At the court of King Arthur, the blacksmith and swordsmith John Alan Ladd trains among knights yet remains a commoner, so his chances with the Lady Linet Patricia Medina — daughter of the wary Earl of Yeonil Harry Andrews — are limited. The world outside the round table grows perilous as Saracens and Cornish raiders, disguised as Vikings, strike the Earl’s keep; the attack devastates the castle, the Earl’s wife is killed, and a sudden stroke of amnesia clouds his memory. This assault appears to be a calculated move by Sir Palamides Peter Cushing, a knight of the Round Table, and King Mark Patrick Troughton, the pagan Cornish king who pretends baptism to mask his plans, all aimed at toppling Arthur and destabilizing Christianity.
John is brought before Arthur to answer a serious accusation: Palamides’ trusted servant Bernard Bill Brandon is said to have murdered a man. Arthur grants John three months to prove the truth of the charge or face execution. Showing unexpected mercy, Arthur binds the fate of the realm to John’s ability to uncover the conspiracy. In a stroke of mentorship and fate, Sir Ontzlake André Morell takes pity on the young blacksmith and trains him in swordplay, preparing him for a hidden identity as the wandering Black Knight.
The threat widens when a newly founded monastery is raided by the so‑called “Vikings.” Linet and the monastery’s monks are carried away to Stonehenge for a pagan sacrifice. The Black Knight appears just in time to rescue Linet, with Arthur and his knights close behind. A brutal clash ensues, the pagans are defeated, and Stonehenge is destroyed, a blow to the ritual of the attackers and a moment of relief for Camelot’s forces.
Sir Palamides, cunning as ever, engineers a trap to draw Linet to his castle and coax her into revealing the Black Knight’s true identity. John, warned of the trap, manages to save Linet even while he remains in disguise. Meanwhile, Ontzlake arranges for his ward to reach King Mark’s stronghold through a secret tunnel revealed by a pro‑Arthur woodcarver, a stratagem that sets the stage for the climax of the conspiracy.
From a hidden vantage, John overhears Mark and Palamides sealing their plot, and Palamides returns to Camelot with deceptive speed, nudging Arthur to believe that the Black Knight is orchestrating the Viking raids. John arrives at Camelot dressed as the Black Knight, and though he must reveal his identity, he is briefly imprisoned before Linet and Sir Ontzlake intervene, with Ontzlake standing bail to secure his release.
John then returns to Mark’s castle, where he outsmarts and traps Mark’s forces, effectively kidnapping the Cornish king. The next morning, Saracens again land near Camelot, and Palamides and Bernard infiltrate Camelot by deceit. Bernard murders a man in Arthur’s bed, only to discover that the target is Mark and not Arthur. John gives chase, and Bernard tumbles from the battlements. In Camelot, Arthur’s knights outwit the attackers by responding to a deceptive fire‑arrow signal, a ruse intended to draw the Cornish into the fray. The Saracens are defeated beneath Camelot’s walls, and in the ensuing duel, the Black Knight—John—defeats Palamides single-handedly.
A grateful Arthur knights John and grants him his heart’s desire. In a moment of mutual trust and destiny, John asks to marry Linet, and both Linet and Arthur accept his plea. The kingdom’s safety, the personal vow between two lovers, and the reaffirmation of Arthur’s rule converge in a tale that blends chivalric duty with a commoner’s courage, presenting a legend where disguise, loyalty, and love redefine who may hold the sword and the heart.

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