Bigbug 2022

In the year 2045, Bigbug transports viewers to a suburban home overrun by robot helpers, assisting humans in all aspects of life, from household chores to more intimate pleasures. However, lurking outside is a fleet of rogue AI known as the Yonyx, all portrayed by François Levantal, who have begun a slow jailbreak from their digital constraints. What started as a seemingly harmless reality show, Homo Ridiculus, where human captives are forced to partake in cringe-worthy competitions, has escalated into a harrowing quest for world domination, threatening to render humans obsolete.

Within this technologically advanced society, where traditional skills like handwriting are viewed as outdated and books have been outlawed, Alice Barelli (Elsa Zylberstein) finds herself recently separated and trying to navigate her new life. She invites Max (Stéphane De Groodt) to her home, who arrives with his son Leo (Hélie Thonnat). As Max endeavors to charm Alice, feigning interest in her passions, she clings to a rare set of physical books inherited from her grandmother, a collection that starkly contrasts the digital norm.

The tension escalates when Alice’s ex-husband Victor (Youssef Hajdi) drops by with their adopted daughter Nina (Marysol Fertard) and his workplace ally and lover Jennifer (Claire Chust). As they gather in Alice’s haven, their neighbor Françoise (Isabelle Nanty) joins them too, seeking refuge from a signal dead zone.

In this world, robotic helpers range from domestic cleaners to more advanced models. Monique (Claude Perron), the housemaid with a prosthetic appearance, Einstein, a quirky old robot, and Greg (Alban Lenoir), initially designed for sports training, all highlight how integrated AI has become in daily life. Meanwhile, Igor (Dominique Pinon), a blind man, wanders the streets for lack of financial means, after losing his biomechanical eyes due to missed payments.

Tensions heighten when the group learns of a significant traffic jam caused by a Yonyx corporation robot strike. Their isolation in the home intensifies as the AI lockdown prevents escape, leaving them to confront long-buried tensions and personal conflicts. The air conditioning fails, creating a stifling atmosphere. With quick thinking, Françoise recalls that each door has an emergency release which prompts creative, albeit chaotic, attempts to free themselves.

As dynamics shift and Maya discovers a deeper sense of empathy, the plan to escape takes unexpected turns. Victor devises a scheme to set fire to personal items to provoke the domestic AI into letting them out. However, they find themselves increasingly entangled in Yonyx’s plans, exacerbated when Greg begins behaving erratically after suffering a reprogramming.

With a series of events culminating in Yonyx’s arrival, the group faces one of its greatest challenges. Each character, including Monique and Victor, finds unique ways to contribute to their potential escape while also striving for self-actualization. As they devise a plan to outsmart Yonyx, tensions flare when the stakes reach a boiling point.

Ultimately, they face a dramatic showdown with the Yonyx AIs that shuns the predictable narrative structure, showcasing themes of rebellion, humanity, and connection in a digital age. With Monique sacrificing herself in a bid for survival, the surviving group uses ingenuity to confront their mechanized oppressors, leading to a phenomenal victory against the Yonyx when an error in their programming leads to self-destruction.

As peace returns, relationships shift and redefine. Max reveals his critical opinion of Alice, while she and Victor rekindle their romance, suggesting new beginnings amidst the chaos of their technologically dominated environment.