Barry 2016

In 1981, a 20-year-old named Barry—often called Barry by friends and family—arrives in New York City to begin his studies at Columbia University, transferring from Occidental College. He faces the sudden challenge of not being able to contact his expected roommate, Will, and ends up spending his first night wandering the streets. The next day, a familiar connection helps him settle in: Saleem, a man he met at a party months earlier, opens his apartment to him, and soon Barry begins living off-campus on 109th Street with Will.

As they navigate the city together, Barry meets his neighbors and adjusts to life in a bustling urban environment. In class, he participates in thoughtful debates about philosophy and American society, trying to carve out a place where he belongs. Though he engages with his coursework, Barry often feels like an outsider, a sensation that lingers as he tries to reconcile his own identity with the world around him. In a political science course, he meets Charlotte, a kind, thoughtful classmate who is drawn to debates as well, and the two gradually grow closer, eventually dating after a night out a club with friends from Columbia.

During this period, Barry’s outlook on politics and life begins to narrow into a larger question of belonging. In a TV debate watched with Charlotte, she urges him to lean into his civic duties, while he admits his deepest passions lie more with art than with politics. This tension—between art and activism, personal history and public responsibility—defines much of his experience in New York. They take a late-day date through Central Park, and Barry learns more about life in the city through conversations with friends like PJ, who hints at his own ambitions and the realities of financial futures on Wall Street.

Around Thanksgiving, Charlotte invites Barry to meet her family, and later asks him to attend her sister’s wedding. He agrees, though he remains unsettled by his own history and how to present it to others. In Harlem, Barry witnesses the stark contrasts of Black life in the city—from intimate conversations with friends about culture and literature, including W. E. B. Du Bois’s The Souls of Black Folk, to a jarring confrontation involving a white woman and a group of Black Hebrew Israelites. The moment underscores the complexities of identity and belonging in a city that offers both opportunities and challenges.

A moment of vulnerability comes when Barry tries to write a long-delayed letter to his father in Kenya but struggles to find the right words. When Charlotte and Barry return to Saleem’s apartment, they are surprised to find Barry’s mother, Ann Dunham, there. They go to a movie and stroll through Central Park, where Barry confesses his uncertainty about where he fits in. Ann’s warmth helps, but the answers aren’t fully satisfying, leaving Barry to confront a deeper question about who he is.

The wedding weekend brings new insight as Barry meets Charlotte’s parents, Kathy and Bill, and learns more about their views and expectations. He explains his early life, describing the mix of races and places he has called home—Hawaii, Indonesia, California—but Charlotte remains guarded, feeling he rarely reveals personal details. A tense moment arises when a confrontation with a neighbor’s friend leads to anger, and Barry and Charlotte grow distant.

On the day of a long walk in Harlem, Barry feels the weight of being seen with a white woman in a neighborhood that notices such things, leading to a strained lunch and a subsequent argument. Charlotte tells him she loves him, and his quiet response—“thank you”—signals a shift in their relationship. The next day, Barry joins PJ and the basketball crew at a party in Harlem, where he learns about housing projects and meets Denise, an attractive woman who later becomes a source of trouble when her boyfriend accuses Barry of flirting with her. A later confrontation with a security guard named Eddie results in Barry being racially profiled and challenged to show his student ID, triggering a heated exchange with a white classmate, Thad, who acts as a foil in this moment of racial tension.

Back on campus, Barry goes to Charlotte’s apartment, where a wound on his face becomes a reminder of the night’s fatigue and the fragility of their relationship. Charlotte refuses a hookup, but tries to comfort him; their bond strains as they navigate honesty and distance. A fight-filled morning after brings a frank, painful awareness of how their worlds clash.

A few days later, the wedding day arrives, and Barry receives news that his father has died in a car accident. The announcement shatters him, and he remains quiet as the realities of loss settle in. At the wedding, James and Grace Lee Boggs—an older mixed-race couple who played a role in civil rights activism—offer Barry guidance. They remind him that he is American first and that he does not need to choose a singular social identity; they encourage him to carry forward the legacy of those who came before, and to let hope guide his path. Their words begin to soothe his inner turmoil and help him find a measure of peace.

In the dance that follows, it seems Barry and Charlotte may part ways, but instead he steps outside to read the letter he had intended for his father, a moment of quiet reflection that signals a shift toward openness. A few days later, Barry reconnects with his sense of purpose through a simple, hopeful moment: he plays HORSE with a younger boy who resembles him, answering the boy’s question about his origin with a candid declaration. “I’m from a lot of places, but I live here now,” Barry says, signaling a more confident sense of belonging in the city he now calls home.

“asshole”

“I’m from a lot of places, but I live here now.”