
Brigitte Bardot stars as Juliette Hardy, a magnetic and sensual woman who sets the men of a French coastal town aflame with desire. Antoine, the only man who genuinely affects her, cannot imagine a future with a woman his peers label the town tramp.
Does …And God Created Woman have end credit scenes?
No!
…And God Created Woman does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of …And God Created Woman, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Isabelle Corey
Lucienne

Georges Poujouly
Christian Tardieu

Jane Marken
Madame Morin

Brigitte Bardot
Juliette Hardy

Jacques Ciron
Le secrétaire d'Eric

Curd Jürgens
Eric Carradine

Christian Marquand
Antoine Tardieu

Jean-Louis Trintignant
Michel Tardieu

Guy Henry
Un bagarreur (uncredited)

Claude Véga
Roger (uncredited)

Carlos Valdes
Petit rôle (uncredited)

Jean Lefebvre
L'homme qui veut danser

Lucien Callamand
Le touriste qui veut acheter un journal (uncredited)

Jean Tissier
M. Vigier-Lefranc

Paul Faivre
M. Morin

Marie Glory
Mme. Tardieu

Raoul Lévy
Un joueur (uncredited)

Léopoldo Francès
Le danseur

André Toscano
René

Jacqueline Ventura
Mme Vigier-Lefranc

Jany Mourey
Le déléguée de l'évêché
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Read the complete plot summary of …And God Created Woman, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Juliette, Brigitte Bardot is an 18-year-old orphan living in Saint-Tropez in 1956 who flaunts her sensuality with fearless ease: sunbathing nude in her yard, strolling barefoot, and flouting social norms. This unabashed approach draws both fascination and fury from the town’s residents. Her intimate life includes a relationship with the wealthy Eric Carradine, Curd Jürgens, who envisions a casino and is willing to use Juliette to help realize his plans, even as he probes to woo her for himself.
Antoine, the eldest of the three Tardieu brothers, Christian Marquand returns from Toulon for the weekend to hear Carradine’s proposal. Juliette waits for the tall, magnetic figure to carry her away to Toulon. Carradine’s intentions toward her are purely physical, a detail Juliette overhears and then rejects; he reassures her that they will meet on the morning bus, has his way with her, then lets the bus drive away, leaving her aching and disappointed.
Feeling protective, her elderly guardians threaten to send her back to the orphanage—Madame Morin, Jane Marken—a fate that could confine her for three years. To keep her in Saint-Tropez, Carradine begs Antoine to marry her, but Antoine declines. His more naive middle brother, Michel, Jean-Louis Trintignant, falls under Juliette’s spell and proposes marriage. They are wed in a sparsely attended church service, with Antoine conspicuously absent. Later, in a public square, a local tough insults both Michel and Juliette; Michel’s counterpunch costs him a severe beating, yet the couple slips back to the family home, shares a fierce, passionate moment, and Juliette theatrically heads downstairs to load dinner plates and grab a bottle of wine, leaving their guests wide-eyed at the audacity of it all.
Carradine purchases the large harbor marina and offers the Tardieus a 30% stake to seal the deal; Antoine agrees to run it. With him back in Saint-Tropez, Juliette’s behavior grows more openly defiant toward Michel. When he is away on business, she slips away in one of the marina’s boats. Engine trouble spirals into a fire, and Antoine dives to rescue her. Washing up together on a wild beach, the encounter rekindles their dangerous attraction.
Juliette falls feverish after the incident and confesses the affair with Antoine to Christian. Madame Tardieu, Marie Glory, who has always disliked Juliette, presses Michel to end the marriage. Michel goes to talk, but Juliette has vanished.
Michel searches the town, and a confrontation with Antoine at the yard escalates into a volatile scene where a gun appears and a fight ends with an accidental blow that dazes Antoine. Juliette drifts to a bar, begins a spree of improvised dancing with a band of Caribbean musicians, and calls in her friend Lucienne, Isabelle Corey, who alerts Eric that Juliette is becoming the center of attention. Eric arrives with a plan to whisk her away to a life of ease, but she refuses. On the way, Eric reveals his deep feelings and, to Antoine, confides a stark judgment: > That girl was made to destroy men.
Back at the bar, Michel finally confronts Juliette with heartbreak and fury, and in a tense moment he slaps her four times. She bears the blows with a defiant smile, signaling that their volatile bond may endure even as external pressures pull them apart. They walk home together, hand in hand, moving toward an uncertain future.
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